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One of the best contructed full-length comedies of the twenties. Harold Lloyd was not as outrageously inventive as Chaplin, nor as sentimental. His style was a kind of minimalist one, taking a simple idea -- say, being a hasseled salesman in a clothing store and needing desperately to become a success -- and building on that small situation until, by the hilarious climax, he finds himself swinging from the bent minute hand of an oversized clock on the side of a building many stories above the street. (Human flies were popular around this time, as were flagpole sitters and goldfish eaters.) When a mouse crawls up the leg of his trousers, not only does Loyd go through a sort of break dance trying to get rid of it but when he finally does shake it out, the mouse falls down the wall of the building and in the process removes a toupee from a spectator peering out of a lower window. All of this without matte work. Not to say that the earlier scenes in the store aren't extremely amusing, because they are. Loyd had a very mobile face and like most silent comedians a deft physical manner. He makes a splendidly fawning salesman. A very funny movie indeed, and thrilling as well. Any five minutes of the climax, taken at random, makes one dizzier than whole sections of Clint Eastwood or Sylvester Stallone hanging around the Eiger or elsewhere in the Alps. Somehow, Loyd managed to make a self-deprecatory joke out of his athletic skill, while nowadays stars use what amount of it they have as an opportunity to show off their bravery and, when possible, their bulging muscles. Let's hear it for the silents.

In 1922, the country boy Harold says goodbye to his mother and his girlfriend Mildred in the train station and leaves Great Bend expecting to be successful in the big city. Harold promises to Mildred to get married with her as soon as he "make good".

Harold shares a room with his friend "Limpy" Bill and he finally gets a job as salesman in the De Vore Department Store. However, he pawns Bill's phonograph, buys a lavaliere and writes to Mildred telling that he is a manager of De Vore.

One day, Harold sees an old friend from Great Bend that is a policeman and when he meets his friend Bill, he asks Bill to push the policeman over him and make him fall down. However Bill pushes the wrong policeman that chases him, but he escapes climbing up a building.

Out of the blue, Mildred is convinced by her mother to visit Harold without previous notice and he pretends to be the manager of De Vore. When Harold overhears the general manager telling that he would give one thousand dollars to to anyone that could promote De Vore attracting people to the department store, he offers five hundred dollars to Bill to climb up the Bolton Building. However things go wrong when the angry policeman decides to check whether the mystery man that will climb up the building is the one who pushed him over on the floor.

"Safety Last!" is one of the funniest comedies ever and the joke begins with the title that plays with the expression Safety First! Another day I saw "Hugo" and Martin Scorcese pays a tribute to "Safety Last!" showing the scene of Harold Lloyd hanging from the Bolton Building clock and I have decided to see this film again.

If Harold Lloyd himself or a stuntman climbed the building, it does not matter. The breathless scene is among the most known in the cinema history and "Safety Last!" is a must-see film for any generation. My vote is nine.

Title (Brazil): "O Homem Mosca" ("The Fly Man")

Harold Lloyd is "The Boy" who travels to the big city to "make good" so he can send for his girl (Mildred Davis as Mildred) and marry her. But Harold is just a lowly clerk at a department store. He does without meals and even has to dodge the landlady so that he can buy expensive jewelry and send it back home to Mildred and make her think he is a success until he can find some real achievement. But the ruse backfires when Mildred's mother convinces her that it is dangerous for a young man to have so much money in the big city and also be alone. Thus she shows up unannounced at the department store one day and Harold has to convince her that he is someone of importance AND not get fired in the process. Complications ensue.

Harold Lloyd, one of the three great silent comics along with Chaplin and Keaton, carved out a niche that was distinct from the others in that he was always working from within the system where Chaplin and Keaton were either outcasts or rebels. Here he shows that success is possible and laudable, but it is often done in small and even reluctant steps. My favorite scene isn't the long one where he climbs the side of the building. Instead my favorite is where Harold shows Mildred around the office of the store's general manager - she believes that is who he is - and manages to sidestep every potentially catastrophic situation with great ingenuity.

Something that others may or may not appreciate but that I always enjoyed is that, since much of this is taking place in a 1920s department store, there is a real opportunity to see the advertised high fashions of the day versus what average people are wearing. And also there is perhaps a goof shown. When Lloyd does his famous climb up the side of a building you can clearly see another tall building with a sign saying "Blackstone's - California's Finest Store". There really was such a building, in Los Angeles. Though the film never says what big city Harold has traveled to in order to seek his fortune, his character is supposed to be from Indiana. That would be quite a trip in 1923 when Chicago is much closer. Just something weird that I happened to notice.

If you are just getting familiar with Lloyd I'd start with this one. It really demonstrates everything he was good at.

The first half of this film takes place between Harold Lloyd and his fiancée. Harold works as a clerk in a department store. There are plenty of sight gags in this section, including the hilarious scene where Harold hides in a coat hanging on a coat tree. You have to see this to believe it.

The second part of the movie consists of Harold climbing up the side of a building. Forget that this movie was made in 1923. This scene is one of the most hair-raising things ever filmed and will have you on the edge of your seat. It builds and builds with one gag after another, climaxing in the timeless movie image that everyone has seen, of Harold hanging from the hands of the clock on the building. Every time I watch this scene I get very nervous.

I highly recommend this film even if you are not a fan of silent films. Though Harold Lloyd's overall fame was eclipsed by Buster Keaton and Charlie Chaplin, this film deserves to been seen and ranks as one of the best silents ever made.

See it on DVD.

Safety Last was funny pretty much throughout its entirety. The scene where Harold and his roommate hide in their coats (you'd have to see it to know what I'm talking about) got an enormous laugh which lasted for a long time, followed by some applause. I remember that there was a slow section, lasting about 5 minutes, after Harold's fiancee arrived in the city, but other than that, this film was consistently hilarious.

And then during the building climbing scene, there were so many laughs and gasps, applause, and shouts ("OH MY GOD!") coming from the audience. It was probably the single most hair-raising scene that I or most of the other people in the theater had ever seen. And the climb, which lasts, I believe, 12 stories, should have gotten old. But it never came close to getting old. Each joke was masterful.

After having seen the film, I was unfairly comparing it to the silent film that I had seen the previous week at a theater with live piano: Buster Keaton's Sherlock Jr. Well, nothing is really comparable to that film. I consider it the funniest film I've ever seen. I was planning to give Safety Last a 9/10, but after some thought, I realized that I laughed a lot harder and more at this film than 90% of the other comedies I've seen. At least 90%, but probably much more. I have to give this a 10/10. This film really should be on DVD, or at least VHS. Harold Lloyd shouldn't be as forgotten as he is.

Wiry, athletic, bespectacled Harold Lloyd may rank third after Charlie Chaplin and Buster Keaton in "silent age" comedy polls, but when it comes to perilous, pulse-racing, gravity-defying stuntwork, he's the "King of the World!"

The aptly-titled "Safety Last" is without a doubt Lloyd's signature film. The indelible still taken of Harold dangling from the minute-hand of that Big Ben-looking clock is definitive silent screen imagery. A shame too for it is only one classic moment from a tireless legacy of work that is too often overlooked.

Isn't it amazing that despite knowing the outcome of this movie, knowing that Lloyd survived all these crazy stunts, your heart still skips a beat every time he scales that 12-story building, floor by floor, encountering every obstacle imaginable...or unimaginable? Those pesky pigeons, the mouse, the flagpole, the painters, the rope, the mad dog and, of course, the clock. What adds to the intrigue is knowing he did his own stunts, that he had lost fingers prior to this filming in another movie mishap, that there were no safety nets underneath, and that there was no trick photography used. I say Harold deserves a more prominent place in movie history, suffering for his art as no other artist has.

The plot leading up to his daredevil antics is fairly pat but sprayed throughout with inventive sight gags. Harold plays your simple, hapless, small-town 'everyman' who goes to the BIG city to seek fame and fortune, leaving his true love (played by Mildred Davis, his real-life wife) at home until he's makes it. Fresh off the bus, he eventually manages to scrape up a job as a clerk in a department store, a job that takes him nowhere fast. To save face, he keeps sending expensive trinkets back home that indicate otherwise. Convinced that he has indeed made it, she heads off to the BIG city to join him, much to his chagrin. Desperate to earn quick cash before she discovers the truth, he takes his boss up on an offer and works up a publicity ruse to drum up sales for the store.

The rest is classic Lloyd. Wearing his trademark straw hat and horn-rimmed glasses, the meek mouse suddenly turns into Mighty Mouse as our boy, through a series of mishaps, literally moves up in the world, scaling heights even he never dreamed of!

All's well, of course, that ends well, as we've been saying for centuries. Sure, we know how things ended back in the good ol' days, but isn't it great to know that when Harold got the girl, he STAYED with the girl? In real life, Harold and Mildred remained sweethearts for over 45 years.

Highly recommended for those who want to see more of this genius's amazing work is "Kid Brother" and "The Freshman." For me, this guy still provides one heck of an "E" ticket rollercoaster ride.

The "human fly" antics which ends this movie is undoubtly the most famous sequence in all of silent cinema. It is also the most hilarious. Breathtaking, heart-stopping & very funny, it is the element that you remember the longest. While THE KID BROTHER was Harold Lloyd's masterpiece, SAFETY LAST was & is his most famous movie.

But don't overlook the rest of the film in which he plays a lowly store clerk (dealing with frantic female shoppers and an imperious floorwalker) who tries to convince his rather gullible girlfriend - played by real-life wife Mildred Davis - that he's actually the store manager.

Throughout, Harold Lloyd is beyond praise. His comic genius makes it all look so easy. And his athletic daredeviltry is even more amazing when you realize that 2 of the fingers on his right hand are fake - he lost the real digits in a freak studio accident.

In the era of silent comedies, the man who was 2nd only to Charlie Chaplin was not Buster Keaton, but Harold Lloyd. Though he has since been mostly forgotten, except by film historians (who reluctantly list him automatically as the third great silent comedian behind Keaton and Chaplin), Lloyd's is still remembered for his clock sequence in Safety Last. More recently, this has been reproduced in "Back to the Future" and "Shanghai Knights".

However, it is not just the skyscraper sequence that makes this film special. Harold portrays his usual go-getter self, as his character moves to the city and tries to become a successful businessman, in order to impress his girlfriend. Along the way, there are many amusing mishaps, which conclude with the aforementioned skyscraper sequence. Quite magical in its silence, as compared to the later remake, also by Lloyd, "Feet First".

Highly recommended for silent film fans, and anyone wanting to get a taste of the genre.

This movie is famous for one scene: Harold Lloyd hanging from a big clock near the top of a tall building. It is one of the most famous "stills" in film history and every film fan knows the shot.

Unfortunately, the whole film doesn't match up to that memorable scene. Granted, the last 15 minutes are fun to w watch as Lloyd slowly climbs this tall building with one obstacle after another hindering his efforts. It's almost too tense to watch in parts as our hero almost falls numerous times. Lloyd had incredible dexterity.

The rest of the movie, about an hour, is so-so with a couple of funny scenes but not as many as in some other of Lloyd's silent comedies. I didn't care for the storyline, either, the typical one in which the lead lies the whole time, trying to impress his girlfriend. She (Mildred Davis), isn't a whole lot better herself, only being faithful to her possible husband-to-be if he's got enough money! So much for true love.

It has truly said that while THE FRESHMAN, or SPEEDY, or THE KID BROTHER, are better films, SAFETY LAST is the film that everyone who never saw a Harold Lloyd comedy recalls. That is because in one moment on the screen he engraved himself forever into the minds of movie lovers (something, oddly enough, Chaplin and Keanton never quite did in a single moment of film). Lloyd, of course, became immortal for being the man suspended from the clock of the building he was climbing in the concluding half hour of this wonderful comedy. There is more to the film than that of course. Harold, here in love with his home town girlfriend Mildred Davis (who was his wife in real life), has sacrificed money to buy her jewelry, and has been sending her letters lying about his business success. He claims he is a bigwig at the department store he is a clerk in. Actually he is constantly in hot water with the pompous floor walker, Mr. Stubbs (Westcott Clarke). After he sends a second gift to Mildred she decides to join him in the city. He manages to pass himself off as the store's general manager (don't ask - you have to see how he does it). But she wants to get married now - he's making enough supposedly for a house. His best friend is a human fly (Bill Strother), so Harold proposes to the actual general manager a publicity stunt wherein a mystery man will climb the department store facade (15 stories). Unfortunately, Police Officer Noah Young has a grudge against Strother, and keeps preventing him from climbing. So Harold has to climb up the side - with Strother promising to take over at the right moment once he shakes off Young.

Although Chaplin and Keaton's physical comedy included dangers to them (Keaton and the water fall in OUR HOSPITALITY, for example), the climb up the store's facade is considered in a class by itself. Certainly it is one of the few comedy stunts that have been taken apart and analyzed over the years (even when we know how it was done, it still impresses us). The stunt got a life of it's own, beyond the famous clock photograph, because the film's theme is the success theme in American business life. Harold wants to make it in business, and he's just a down-trodden clerk. To make it rich, and to get his girl, he has to risk all on a $1,000.00 gamble. He does in the end, with his "climbing" having been cleverly compared to "climbing" the business ladder or getting ahead in America. When he seems to retreat at one point some of the onlookers shake their heads and point upward. Once he is on his route to success, he can't turn back.

The film is more fun than that particularly good interpretation makes it sound. It deserves a 10 for it's success at remaining a humorous and lasting peace of cinematic comic art, and a fitting monument to that comedy master Harold Lloyd.

Safety Last was definitely a movie I was excited for. After watching, I am happy to report I was GLAD I watched it. Was it a phenomenal movie? No. Was it a good movie? Absolutely. I had a few chuckles here and there and I can see why Lloyd is known as one of the best. He is pretty distant behind Chaplin, in my opinion, but I can see the hype around him. I thought the plot was OK, but at times I felt a little bored. This paid of in the end when watching the famous clock scene. This scene was incredible and way, WAY ahead of its time. The acting was fine and the score behind it wasn't the worst either. I wouldn't say this is an all time great movie, but I will say the clock scene is iconic. I would recommend watching it just for that scene. I was happy at the end and can see why it is beloved by so many.

"Safety Last!" is now nearly 100 years old. And, (IMO) that, alone, certainly makes this silent-era slapstick comedy worth at least one view.

But, on top of that - "Safety Last!" (in its final 20 minutes) also delivers (before your very eyes) a truly incredible, daredevil stunt that is guaranteed to amaze and amuse most viewers who can appreciate the over-the-top comedy-style of American comic, Harold Lloyd (1893-1971).

Yep. If you are willing to give "Safety Last!" even half a chance, you definitely won't be disappointed.

This is an excellent comedy in the best tradition of the silent classics. It is pleasant and lively, with a story revolving around silly predicaments combined with a good assortment of gags, and it all leads up to a terrific finale that combines humor with excitement and suspense.

Harold Lloyd has an ideal role as an earnest young man trying to make good in the big city so that he can impress his girlfriend. His antics in the department store are very amusing - in this part, it's hard not to be reminded of "Are You Being Served?" - there is even Stubbs the floorwalker fussing endlessly over trivial details. The situation is built up nicely until we get to the famous climbing scene that climaxes everything. This climax is one of the best sequences of its kind, set up very carefully and executed skillfully with lots of good detail.

Most fans of silent comedies should find "Safety Last" to be very enjoyable. And even those who do not normally watch silent comedy should be able to appreciate its masterful and thoroughly entertaining conclusion.

This was a wonderful film that lasted only about 50 minutes--though some versions run shorter or longer. For years, the only version available was the shorter sequence involving climbing the building. Then, the Lloyd family more recently released a complete 70+ minute version. I've seen both and both I would score iun each about a 10. I was NOT aware of this difference when I first reviewed the movie--having reviewed it for the SHORT version. Later, I saw the full version and the review was updated in light of this.

Safety Last has a rather thin plot in the shortened version and is jam-packed full of insanely dangerous looking stunts in both. In this sense, it is probably the BEST film of its type---by Lloyd, Keaton or Chaplin. However, because it has so many stunts, it lacks some of the charm of his other longer movies--especially if you see the short version. The longer adds the rather familiar plot of Harold meeting a sweet girl and wanting to make good. This is familiar, but handled very well. While I think I prefer THE FRESHMAN as well as THE KID BROTHER, this is a wonderful don't-miss film and is a must-see for any true cinephile as it's filled with great laughs and in unbelievably creative and fresh.

As iconic and legendary a finale and climax as just about any; not just a great silent film but a great film full stop - and performed in the most inappropriate footwear imaginable! After all these years and knowing doubles were used it still leaves my heart in my mouth for some of stunts and, when not filled with heart, it's usually flapping open, agog at the sheer brilliance and excitement of such an original and timeless performance.

Harold (Harold Lloyd) is off to the city to become successful so he can marry his girlfriend Mildred (Mildred Davis).

Always early for work, he one morning accidentally ends up in a delivery fan that takes him far from work. Hilarious moments ensue as he desperately tries to get back to work on time. Once back at work, it gets even funnier - especially when Mildred surprises him by showing up at his work - a big department store. He tries to impress Mildred by pretending to be the store's General Manager. Needless to say, things doesn't go quite as planned and the film illustrates how dangerous - and embarrassing - pretense can be!

'Safety Last!' contains Harold's most famous stunt as he climbs the façade of the department store, and dangles from a giant clock almost at the top of the skyscraper. Back in 1923 these visuals must have been jaw-dropping, as they are still amazing today. With no CGI in 1923, they had to improvise with practical effects, models and clever photography. Incredible!

I didn't enjoy this very much. I couldn't help but see Harold as a try hard. Attempting to live up to the reputation of Chaplin and Keaton, but failing in what possibly is one of the most cringes silent film I've ever seen.

Harold is way overactive, and what he lacks is subtlety. There is very little to no subtlety in this film.

I respect the craft, and being 100 years old, I won't take away the fact that this was a huge effort to create. But it didn't age well.

It's not for me. If it is for you, more power to you. But I won't be watching this again, and I can't see any reason to recommend it to anyone.

3/10.