Er folgt Menschen aus Politik, Medizin und betroffenen Gemeinden, die sich mit einer neuen Krankheit auseinandersetzen. Sie erkennen, dass sie zusammenarbeiten müssen, um erfolgreich zu sein... Alles lesenEr folgt Menschen aus Politik, Medizin und betroffenen Gemeinden, die sich mit einer neuen Krankheit auseinandersetzen. Sie erkennen, dass sie zusammenarbeiten müssen, um erfolgreich zu sein, was etwas Radikales erfordert: Vertrauen.Er folgt Menschen aus Politik, Medizin und betroffenen Gemeinden, die sich mit einer neuen Krankheit auseinandersetzen. Sie erkennen, dass sie zusammenarbeiten müssen, um erfolgreich zu sein, was etwas Radikales erfordert: Vertrauen.
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I have to give this a high rating cas it is Aussie drama at its best. The way it was set in a period of so much uncertainty. I won't spoil this as it needs to be watched! The story line used, the way it was created into a musical and the way one tv ad that gave shock value to everyone who watched it back in the 80's!
This tv show needs to be watched by the new generation of kids not just for education purposes but also to respect the people who started organisations and worked extremely hard for love and acceptance!
Well done to the cast, crew, creators and anyone who is involved in this production on this awesome Aussie drama!!
This tv show needs to be watched by the new generation of kids not just for education purposes but also to respect the people who started organisations and worked extremely hard for love and acceptance!
Well done to the cast, crew, creators and anyone who is involved in this production on this awesome Aussie drama!!
This is a bait and switch - the first few minutes suggest a journey into the flamboyant though ultimately tragic world of gay men in Sydney in the 1980s. I was hoping for gay clubs, seedy back-lane adventures, inter-personal drama between hot young guys and some cool on-location shots paying homage to Sydney. Unfortunately the show very quickly switches focus to the inter-personal drama between bureaucratic grey-people in Canberra. Boring and disappointing. Other things that don't help include the blatant pro-Labor propaganda and anti-Christian vibes - once you notice propaganda it ceases to be effective and it takes away from the believability of the actual storyline and personalities.
"In Our Blood" covers, in a semi-fictional way, how Australia addressed AIDS in the 1980s. From the first day of the Hawke government, Health Minister Dr. Neal Blewett gathered a team about him that tackled the issues in a pragmatic way.
In the night that the first part was shown, ABC repeated a documentary from 2007 which featured interviews with some of the characters portrayed in the new series. Bill Bowtell was prominent in the fight to contain Covid-19, having been an adviser to Dr. Blewett when AIDS was emerging.
The series shows the lack of understanding of the disease in the early days. It demonstrates how Australia's response was so much more practical than the measures taken in other countries where right-wing evangelists ensured that the action taken by government was restricted (did someone mention USA?). I remember people saying that AIDS was God's myxomatosis punishing gay people for their lifestyle. Then the Grim Reaper campaign stressed that it would become a threat to everyone if not defeated.
Some of the personal stories are fictional but some are true. It all seems like yesterday but it was 40 years ago. How time flies!
In the night that the first part was shown, ABC repeated a documentary from 2007 which featured interviews with some of the characters portrayed in the new series. Bill Bowtell was prominent in the fight to contain Covid-19, having been an adviser to Dr. Blewett when AIDS was emerging.
The series shows the lack of understanding of the disease in the early days. It demonstrates how Australia's response was so much more practical than the measures taken in other countries where right-wing evangelists ensured that the action taken by government was restricted (did someone mention USA?). I remember people saying that AIDS was God's myxomatosis punishing gay people for their lifestyle. Then the Grim Reaper campaign stressed that it would become a threat to everyone if not defeated.
Some of the personal stories are fictional but some are true. It all seems like yesterday but it was 40 years ago. How time flies!
As an Australian migrant, watching this series felt both familiar and unfamiliar. Familiar, because of some of the places depicted central to the plot (St. Vincent's, Hyde Park, Surry Hills, etc). Unfamiliar, because of the fear and stigma that was prevalent at that time (not that's fully gone in certain spaces even today). As a person who was not yet born at the start of the AIDS epidemic, a series like this can help some of us understand how far we have come and what it took to get here.
There were many parts of the series that filled the gaps in my head, or just things that I took for granted. Like the gallantry of the lesbians on bikes (yes, it's called differently, but it may be flagged as an offensive word without context). Or the level of engagement and involvement of the community when it comes to sexual health treatment, research and education that exists even today. Or the humble beginnings of organisations like ACON. All of these stories are impactful and profound to this day.
Another memorable aspect of the series was the occasional breakout into song that was emotive and didn't feel contrived in any way. There was also one scene portrayed at st. Vincent's chapel in the hospital in the last episode that was well written and portrayed.
However though, not a perfect show. One could always argue that the community wasn't represented enough. Granted, the vernacular in the early 80's wasn't as rich as it is today, so this could have been difficult, but not impossible. Although Tim Draxl played his role well enough, I was not convinced of the casting choice as he doesn't look like your average politician in Canberra. So that took a while to translate. There was also the politics of one particular state that got singled out, and I realised the series had the liberty to, as it was funded by that state. I'm not sure if other states escaped historical attention because of this. And lastly, the editing in the last episode could have been better - some predictable scenes could've been shortened or eliminated altogether to make it less protracted, but that may be my own take.
Overall though, a solid 9/10 for a memorable, thoughtful portrayal on the history of a painful subject in Australian (and much of the world's) history.
There were many parts of the series that filled the gaps in my head, or just things that I took for granted. Like the gallantry of the lesbians on bikes (yes, it's called differently, but it may be flagged as an offensive word without context). Or the level of engagement and involvement of the community when it comes to sexual health treatment, research and education that exists even today. Or the humble beginnings of organisations like ACON. All of these stories are impactful and profound to this day.
Another memorable aspect of the series was the occasional breakout into song that was emotive and didn't feel contrived in any way. There was also one scene portrayed at st. Vincent's chapel in the hospital in the last episode that was well written and portrayed.
However though, not a perfect show. One could always argue that the community wasn't represented enough. Granted, the vernacular in the early 80's wasn't as rich as it is today, so this could have been difficult, but not impossible. Although Tim Draxl played his role well enough, I was not convinced of the casting choice as he doesn't look like your average politician in Canberra. So that took a while to translate. There was also the politics of one particular state that got singled out, and I realised the series had the liberty to, as it was funded by that state. I'm not sure if other states escaped historical attention because of this. And lastly, the editing in the last episode could have been better - some predictable scenes could've been shortened or eliminated altogether to make it less protracted, but that may be my own take.
Overall though, a solid 9/10 for a memorable, thoughtful portrayal on the history of a painful subject in Australian (and much of the world's) history.
This is in response to the review by lineart-12973, just stop.
DEBUNKING VIRAL CLAIMS Flawed Analysis Leads to False Claim of 'No Excess Deaths' in 2020 By Angelo Fichera
Posted on December 3, 2020
Quick Take An economics professor's flawed interpretation of U. S. mortality data has prompted a viral, false claim that COVID-19 hasn't led to more deaths than normal this year. In fact, multiple analyses have found there to be a higher-than-normal number of deaths during the pandemic - as much as 20%, according to some studies.
The world doesn't need more people spewing falsehoods for some kind of personal gain. This is a great documentary on a serious subject and it doesn't need people like you.
DEBUNKING VIRAL CLAIMS Flawed Analysis Leads to False Claim of 'No Excess Deaths' in 2020 By Angelo Fichera
Posted on December 3, 2020
Quick Take An economics professor's flawed interpretation of U. S. mortality data has prompted a viral, false claim that COVID-19 hasn't led to more deaths than normal this year. In fact, multiple analyses have found there to be a higher-than-normal number of deaths during the pandemic - as much as 20%, according to some studies.
The world doesn't need more people spewing falsehoods for some kind of personal gain. This is a great documentary on a serious subject and it doesn't need people like you.
Wusstest du schon
- WissenswertesFilmed in Brisbane Australia with Brisbane City Hall (Queensland) used for the interior shots of Old Parliament House (Canberra). The Sportmans Hotel in Spring Hill Brisbane used for Patchs Hotel which was in Sydney
- Zitate
David Westford: We need to scare the shit out them!
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