Tommaso und der Tanz der Geister

Performances were good and it has interesting ideas. But it feels like a jumble of ideas stitched together. It could have been an extremely engaging and interesting movie if it had a tighter script that was more concerned with delivering on its theme.

1) W. Dafoe was astonishing as expected. 2) Way too many random shots of naked zero figured women (girls) 3) Disjointed but that's obviously intended. I wasn't bored & 98% of the credit goes to Dafoe. I didn't find anything else spectacular. The cinematography seemed extremely patchy & distracting. 4) I'm unsure what the final shot meant. I don't do well with religious undertones. 5) This is artsy fartsy, yes.. but has enough saving grace.

Interestingly I note that in most of the reviews here, reviewers didn't get that this movie is an autobiography of Ferrara, written and directed by himself, having his good friend Defoe playing his own role, his wife and daughter acting themselves.

Ferrara and Defoe have been living in Rome for years, in the same area in the historical centre ('esquilino') where it happens I live one block away from him!

I often seen him in the street with or without wife and kids, and he actually goes to the shops and bars you see in the movie (caffé Merulana 81, small organic grocery store, etc...) where you see the actual owners acting themselves.

I have never talked to him, but I have always been wondering about his life here and away from here. So I was delighted to see this movie. I found the acting of Defoe stunning, he absolutely hold the movie and its tension, and I am sure his great friendship with Ferrara make it even more transcendent. I found it the very intimate story of a man exposing his sins and weaknesses, embracing them, in the later period of his life.

Photography is minimalistic, probably taken with a very reduced team and preparation. It still serves well the intended pace and ambient of the story.

So to me a very good, original, autobiographical movie, destinated for an informed and prepared audience.

"Tommaso" is far from being one of Abel Ferrara's best films, but thankfully the seasoned filmmaker casted one of the industry's best character actors to keep this film alive; Willem Dafoe.

In this drama, an American living in Italy with his young wife and toddler struggles to find purpose while overcoming addiction and self doubt.

Beautifully shot but a little too slow paced and artsy, "Tommaso" tries hard to be this seminal film for filmmaker Abel Ferrara but never quite gets there. Willem Dafoe is the saviour of this film, making it a worthwhile watch. Dafoe is no stranger to Ferrara as they've worked together countless times, especially in the last five years. "Tommaso" is a troubled film but you could still understand the message the filmmaker is trying to make even if it takes some pondering afterwards.

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If you dig a bit you find this is a semi-autobiographical film of the writer-director's life. In fact the young wife and young daughter are actually his real life wife and daughter.

I really looked forward to seeing this as it has Willem Dafoe in the title role as Tommaso. And he in fact does justice to the role. The problem is the movie in total is not that interesting. It contains lots of stilted language and long monologues but basically is a story of a man, an actor and writer, living in Rome and working to overcome his addictions and balance life with a much younger wife that seems to be losing interest in him.

I suspect this is the kind of movie that film students and critics love but most viewers of mainstream movies will not warm up to.

I managed to find it on the Kanopy streaming movies site via my public library's subscription.