IMDb-BEWERTUNG
7,4/10
4024
IHRE BEWERTUNG
Fünf Jahre nach dem Verschwinden seiner Tochter entdeckt der dänische Polizeibeamte Rolf einen fatalen Fehler in der DNA-Datenbank und kann sie vielleicht endlich finden.Fünf Jahre nach dem Verschwinden seiner Tochter entdeckt der dänische Polizeibeamte Rolf einen fatalen Fehler in der DNA-Datenbank und kann sie vielleicht endlich finden.Fünf Jahre nach dem Verschwinden seiner Tochter entdeckt der dänische Polizeibeamte Rolf einen fatalen Fehler in der DNA-Datenbank und kann sie vielleicht endlich finden.
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It was an entertaining watch and I don't regret watching the whole thing. But there were some aspects that were a bit silly. It's not too hard to look past them, but for a Danish crime show it's definitely not one of the best.
I also have some gripes with the ending but won't leave any spoilers.
10quiora
I just finished the series and was deeply moved by the end. As a mother of a five-year-old I found the story incredibly painful and gripping. The storytelling was interesting and had me on the edge of my seat the whole time. It also raises an issue in society that should not be forgotten.
Written by the same team as penned 'The Killing', the story is cleverly constructed, and delivers a nice twist at the end, leaving a good lasting impression.
The acting however, is decidedly patchy. Anders Berthelson (in the lead role) shines in the last few scenes., but prior to that, does little more than vacillate between a vacant, bored expression and one of mild anguish.
Odd too, that the writers allow his young female partner to take all the punches. Strong women may be in-vogue, but this degrades the lead role considerably.
By way of contrast, Zofia Wichlacz sparkles as the troubled young mother who has her baby snatched by the nuns that are supposed to be protecting her. Why this gifted young actress hasn't been snapped up by Hollywood is something of a mystery. - 8.1/10.
The acting however, is decidedly patchy. Anders Berthelson (in the lead role) shines in the last few scenes., but prior to that, does little more than vacillate between a vacant, bored expression and one of mild anguish.
Odd too, that the writers allow his young female partner to take all the punches. Strong women may be in-vogue, but this degrades the lead role considerably.
By way of contrast, Zofia Wichlacz sparkles as the troubled young mother who has her baby snatched by the nuns that are supposed to be protecting her. Why this gifted young actress hasn't been snapped up by Hollywood is something of a mystery. - 8.1/10.
Some terrible reviews on here but being a big Scandi fan I thought it was excellent and almost in the same class The Bridge and The Killing.
Interesting storyline and lots of twists- the only criticism I have is the hopping between time periods, which had me confused at times.
Good cast and production with varied European locations make this a good watch.
Good cast and production with varied European locations make this a good watch.
When a baby goes missing without a trace I am hooked anticipating that they will find it. But the script keeps throwing me off.
Which policeman would bring their own baby on a 'missing child hunt' to work?
Who would leave their baby in a babywagon outside on a ferry in a storm?
Which police(wo)man would say: "have you ever seen this woman - your friend said you both didn't know her" and expect to get an honest answer?
So many errors in a decent plot is beyond me. I know we have a lot of good writers in Denmark and the actors to follow it up. But this is very amateure like. I can't say if it's the lines or the directors fault, but the actors have done so much better before, that this is really painfull at times for me to watch.
So many errors in a decent plot is beyond me. I know we have a lot of good writers in Denmark and the actors to follow it up. But this is very amateure like. I can't say if it's the lines or the directors fault, but the actors have done so much better before, that this is really painfull at times for me to watch.
Wusstest du schon
- WissenswertesAfter directing the first four episodes, Henrik Ruben Genz withdrew his name from the project due to creative differences.
- PatzerAcross several episodes the same vehicles change license plates from shot to show, within the same scene.
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