Diabolik

As a lover of the original comics (I still have the first 690 numbers), I would say that this is a nice movie. The scenography, the locations, the actors, all have a good "noir" style. Whoever is expecting a more fast rhytm of the action and more special effects doesn't understand that this is an entire recostruction of a paper comics, of the 60s, and it seems that the movie itself has been filmed and produced in those years... We realize this when we see the plastic door of the refuge of Diabolik, the masks, and other details which seem rough and simple, when cinematography didn't have yet the CGI or advanced special effects. Then with a slow rhytm action our attention is more focused on the particulars of the scenes, the characters, the single details, as well as we do when we see the designs on paper. Genious. Ginko character vote 3 (actor Mastandrea is not as pretty as the paper character and has a wrong Roman accent..), Diabolik Marinelli vote 7 (just ok, and with the same eyes and height of the original character :), Eva Kant 10 perfect! (The beauty and the charm by Miriam Leone). Ok to find some defects in the movie, but the lovers of the comics will enjoy watching it.

Surely we are faced with a film with several defects, especially in the final part where the script goes too far and the photography is perhaps too like a TV movie, but the film is still fun and entertaining and has a nice retro 60's taste, the cast good expecially beautiful and talented Miriam Leone as Eva Kant, also excellent Mastandrea as Ginkgo, Marinelli, who was very good in They call me Jeeg, in this film he struggles a bit but still gives an appreciable performance as Diabolik. In conclusion a nice film but nothing more. My rating is 6/10.

As a huge fan of the character, and having felt let down by the 1968 cartoonish effort to bring Diabolik to screen, I was really pumped to learn that this film was being made and had great expectations for it.

Well...

Truth is that I sat in horror during the entire first act as I could not believe the absolutely incompetent direction, writing and acting displayed on screen. The Manetti brothers should stick to TV films and soap operas as they are clearly not cut for this genre.

But hey what do I know? They are already working on the second and third installments lol.

I want to mention that when Claudia Gerini entered the screen, for a moment I forgot that I was watching a mediocre school play. I wish she was in for more. I also really felt that Marinelli, although he did a decent job, was wrongly cast as Diabolik as he does not have the phisique du role. Same for Leone, which beauty and hair pulled up are not enough to make her a believable Eva Kent. Music score was generic and did not help propel the story.

Although I was hoping for the contrary, Diabolik 2022 doesn't stand a chance against the many international titles out there in the same genre, and as a first installment of what it appears to become a trilogy, unfortunately it is not really promising.

The story take up in a precise and detailed way number 3 volume of Diabolik.

The actors are perfectly portrayed, the choice of the two main characters is right, even if Diabolik appears very detached, a little less so Ginko, his movements are right but a little too Roman accent.

Even if the story tells about the first meeting and the union of the protagonists, the film gives more importance to the figure of Eva and less to Diabolik.

Direction promoted only in the second part of the film, soundtrack no!

Questionable screenplay.

2 hours are too many and the first half hour is too slow.

Vote 6,5.

To say I had a great Hype for "DIABOLIK" would be an understatement. Truth to be told, it was one of my most expected movies of the year.

Based on the premises, from the directors to the cast, from the settings to the various elements, I was pretty much sure to give my full trust to the whole project.

And I can say that my expectations were satisfied for the most part.

I sincerely can't understand what all those people who bailed this picture as a total failure, both professional critics and general audience, did actually watched.

This movie is veeeeery far from the disaster many declared (seriously, some folks almost put this on the same level as VENOM, what gives?!)

Of course, we're not talking about a perfect movie, but still a pretty decent one, and THAT should not make you think it's worthless.

As an avid reader of the original comic, I can say that for the most part its atmosphere was totally respected. Maybe a bit more, because one problem many will have is about the style.

The directors voluntarily reproduced the narrative and technical style of a '60s movie, and this won't suit well with modern audiences. But is it really a major flaw? I don't think so.

To prove my point, I'll say that I watched the movie with a friend who doesn't know ANYTHING about the original comics, or about those kind of movies ... and yet, he was never bored and truly enjoyed the picture.

There are several benefits, starting with the two protagonists, an always diligent Luca Marinelli as the dark thief, and a simply stunning Miriam Leone that shows both the incredible beauty and the solid competence of Eva Kant, way more than a mere "femme fatale".

And the technical side, from the cinematography to the production design, serves perfectly to put the audience in that period.

But still, there are some big flaws, like the way certain plot points are solved, and the most important, at least for me: Valerio Mastandrea is just not credible as Ginko, or as a policeman in general, like my friend said. Luckily he appears for the right time, without resulting too invasive in the plot, but still plays a very important role that he can't just give enough justice (quite ironically XD)

But all in all, THIS IS NOT A DISATER, but a pretty decent experiment that deserves a chance, and maybe a bit more of mental opening from audiences. Really, I assure you that it won't be a waste of time.

Long Live Giussani Sisters, and long live Diabolik!