IMDb-BEWERTUNG
5,9/10
4352
IHRE BEWERTUNG
Die düstere und romantische Geschichte der ersten Begegnung zwischen Meisterdieb Diabolik und Eva Kant spielt im fiktiven Staat Clerville in den späten 1960er Jahren.Die düstere und romantische Geschichte der ersten Begegnung zwischen Meisterdieb Diabolik und Eva Kant spielt im fiktiven Staat Clerville in den späten 1960er Jahren.Die düstere und romantische Geschichte der ersten Begegnung zwischen Meisterdieb Diabolik und Eva Kant spielt im fiktiven Staat Clerville in den späten 1960er Jahren.
- Auszeichnungen
- 3 Gewinne & 18 Nominierungen insgesamt
Empfohlene Bewertungen
"Diabolik" is nowhere as bad as people make it out to be: it's certainly flawed (mostly from pacing issues) but it's solid, well-directed and acted, and fairly respectful of the source material. Is this a masterpiece? No. Is this the "rebirth of Italian genre movies"? No, but it's fun and entertaining to watch if you don't expect to go see Citizen Kane.
A note: obviously, Italian press reviews are hating on this movie only because they tried to make something different from the otherwise monotonous theathrical panorama: it's beyond me why every single time someone tries to make a genre movie in Italy, press is always demolishing the effort, there's no surprise the film catalogue isn't evolving much as it should.
A note: obviously, Italian press reviews are hating on this movie only because they tried to make something different from the otherwise monotonous theathrical panorama: it's beyond me why every single time someone tries to make a genre movie in Italy, press is always demolishing the effort, there's no surprise the film catalogue isn't evolving much as it should.
As a lover of the original comics (I still have the first 690 numbers), I would say that this is a nice movie. The scenography, the locations, the actors, all have a good "noir" style. Whoever is expecting a more fast rhytm of the action and more special effects doesn't understand that this is an entire recostruction of a paper comics, of the 60s, and it seems that the movie itself has been filmed and produced in those years... We realize this when we see the plastic door of the refuge of Diabolik, the masks, and other details which seem rough and simple, when cinematography didn't have yet the CGI or advanced special effects. Then with a slow rhytm action our attention is more focused on the particulars of the scenes, the characters, the single details, as well as we do when we see the designs on paper. Genious. Ginko character vote 3 (actor Mastandrea is not as pretty as the paper character and has a wrong Roman accent..), Diabolik Marinelli vote 7 (just ok, and with the same eyes and height of the original character :), Eva Kant 10 perfect! (The beauty and the charm by Miriam Leone). Ok to find some defects in the movie, but the lovers of the comics will enjoy watching it.
It is an entertaining movie.
The soundtrack is beautiful.
It is clear that they put a lot of effort to crete the 60s vibe with a lot of liminal spaces.
You have all the tropes in it: the sensual woman, the attractive and skilled villain and the determined detective.
I think that the masks part was an inspiration from "Fantômas".
I had mixed fellings about how should I feel about a movie that glorifies crooks and killers but now I'm sure, I hate it because even if some of people killed haven't been clean they haven't been dirty enough to justify a killing and most of them have been regular people anyway.
This is a '60 movie for the "modern" audiences where the bad must be presented as good.
The soundtrack is beautiful.
It is clear that they put a lot of effort to crete the 60s vibe with a lot of liminal spaces.
You have all the tropes in it: the sensual woman, the attractive and skilled villain and the determined detective.
I think that the masks part was an inspiration from "Fantômas".
I had mixed fellings about how should I feel about a movie that glorifies crooks and killers but now I'm sure, I hate it because even if some of people killed haven't been clean they haven't been dirty enough to justify a killing and most of them have been regular people anyway.
This is a '60 movie for the "modern" audiences where the bad must be presented as good.
Amoral thief Diabolik is planning to steal a pink diamond from the wealthy Lady Eva Kant. An expanded adaptation of the third issue of the comic (L'arresto di Diabolik, 1963), where Kant's character is introduced.
The movie, set in "the late 1960s" in the fictional Clerville, is crafted like an Italian giallo of the time. Aside from the attention to scenography and costumes this stylistic choice is clear in cinematography, the use of editing, and the screenplay. The pace is much slower that what you would be used to in an action movie or thriller today, giving more of a vague vintage 'mystery' vibe, and sometimes relying too much on exposition. None of the camp of Mario Bava's "Danger: Diabolik", however: this is still a movie that takes itself seriously.
The main actors have good chemistry, with Eva Kant emerging as the real protagonist of the movie, but the cold and detached portrayal of the title character isn't inspiring and the actors beyond the main trio are forgettable.
Overall a charming and well-made work, although the style may not go well with all audiences.
The movie, set in "the late 1960s" in the fictional Clerville, is crafted like an Italian giallo of the time. Aside from the attention to scenography and costumes this stylistic choice is clear in cinematography, the use of editing, and the screenplay. The pace is much slower that what you would be used to in an action movie or thriller today, giving more of a vague vintage 'mystery' vibe, and sometimes relying too much on exposition. None of the camp of Mario Bava's "Danger: Diabolik", however: this is still a movie that takes itself seriously.
The main actors have good chemistry, with Eva Kant emerging as the real protagonist of the movie, but the cold and detached portrayal of the title character isn't inspiring and the actors beyond the main trio are forgettable.
Overall a charming and well-made work, although the style may not go well with all audiences.
I know about "Diabolik" as a character from a comic book, though I actually never read it. So as I sat down to watch this 2021 Italian movie from directors Antonio Manetti and Marco Manetti, I didn't really know what to expect.
Writers Antonio Manetti, Marco Manetti, Michelangelo La Neve and Mario Gomboli put together an entertaining storyline and script for the movie. Sure, it was a pretty straight forward crime heist mystery, but there was still something that worked about it. Perhaps it was a mixture of the storyline and character gallery.
With my very limited exposure to the Italian cinema, then I wasn't familiar with the cast ensemble at all. But they definitely had some good talents on the cast list, especially the leading actors Luca Marinelli (playing Diabolik) and Valerio Mastandrea (playing Ginko), as well as leading actress Miriam Leone (playing Lady Kant).
There is a good amount of mystery, action and character development throughout the course of the 133 minutes that the movie ran for. And I will say that I didn't find a single dull moment throughout the runtime of the movie. So thumbs up to directors Antonio Manetti and Marco Manetti on that accomplishment.
Visually then "Diabolik" was good. It wasn't a movie that made use of a whole lot of CGI. But the effects in the movie worked well in favor of the overall movie. And the wardrobe department definitely also did a good jobs.
If you haven't seen "Diabolik" yet, and enjoy a heist movie laced with mystery elements, then give this 2021 Italian movie a chance.
My rating of "Diabolik" lands on a six out of ten stars.
Writers Antonio Manetti, Marco Manetti, Michelangelo La Neve and Mario Gomboli put together an entertaining storyline and script for the movie. Sure, it was a pretty straight forward crime heist mystery, but there was still something that worked about it. Perhaps it was a mixture of the storyline and character gallery.
With my very limited exposure to the Italian cinema, then I wasn't familiar with the cast ensemble at all. But they definitely had some good talents on the cast list, especially the leading actors Luca Marinelli (playing Diabolik) and Valerio Mastandrea (playing Ginko), as well as leading actress Miriam Leone (playing Lady Kant).
There is a good amount of mystery, action and character development throughout the course of the 133 minutes that the movie ran for. And I will say that I didn't find a single dull moment throughout the runtime of the movie. So thumbs up to directors Antonio Manetti and Marco Manetti on that accomplishment.
Visually then "Diabolik" was good. It wasn't a movie that made use of a whole lot of CGI. But the effects in the movie worked well in favor of the overall movie. And the wardrobe department definitely also did a good jobs.
If you haven't seen "Diabolik" yet, and enjoy a heist movie laced with mystery elements, then give this 2021 Italian movie a chance.
My rating of "Diabolik" lands on a six out of ten stars.
Wusstest du schon
- WissenswertesBased on the Italian comic book by the same title. The book peaked in Italy through the 1960s and 1970s, and it is still published.
- VerbindungenFollowed by Diabolik wird gejagt (2022)
- SoundtracksLa profondità degli abissi
Written and performed by Manuel Agnelli
Top-Auswahl
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Details
Box Office
- Budget
- 8.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 3.231.422 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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