Koko-di koko-da

Koko-di Koko-da is about a young couple, a man and a woman with a deep trauma that is slowly tearing them apart. They have reached an endpoint in their relationship and something is about to give. The first thing to breaks is their reality.

On a dull camping-trip the couple encounter a troupe of three menacing and allegorical figures that suddenly emerges from the woods. Things quickly turns nightmarish. The man keeps reliving the violent encounter time after time while the woman remembers nothing of it. She in her turn experience her own nightmare, less violent but cold and lonely.

Johannes Nyholm is a very visual artist with some quirky and frankly stunningly beautiful pictures. While Koko-di Koko-da is dense and dark, it is not hopeless and I left the theater feeling quite elate. So, it's not for everyone but give it a go. All in all it's a beautiful experience.

I woke up after a long nights sleep, put this on.... by the end of it, I was so numbed by the chore of sitting through it that I had to go back to sleep. It sucked the life out of me. Do not waste your time. AVOID.

If you're expecting jump scares or gore, you'll be sorely disappointed, this is an art first head trip through and through. In short, it uses a time-loop slasher as a metaphor for a failing relationship. How well this metaphor works is a little iffy, but points for the bold creativity and sturdy execution. There are also these extended sequences that pair crude shadow play animation with a foreboding string score that could be read as pretentious, but I felt added nicely to the mood of the film. It may not be perfect, but it's certainly an interesting experience if this kind of film is up your alley. If it's not, stop watching these movies and giving them an undeserved low score.

However... I liked it. I thought it started out strong. I liked where the story was going and thought the acting was great. The story didn't stay as engaging as I wanted it to though. It was repetitive (obviously) but not with enough variation.

There are so many different ways it could have gone each time. Some quick, some slow. Some more creepy, some more funny. Some with more hope and some with more despair. And with each of those variations we could have observed a new window into a different facet of each characters emotions and how they would manifest in said scenario. Instead we got almost identical emotions each time, panic and confusion, so we really only saw one side of each character. Missed opportunity for me there.

And listen, I'm here for a long shot. Especially if it's beautiful and/or really trying to drive a point home or stir an emotion or feeling. There were many long shots in this that it almost felt like they ran out of ideas and wanted to fill 85 minutes. You could've taken all of those superfluously long shots, cut each one of them in half, still gotten the point across just as effectively and had another whole rewind to do something cool with.

Now that that's out of the way, I really did actually enjoy this movie. It was not perfect, but it was cool and creepy with (what seemed like to me as an English speaker) really good and authentic acting. If they had pushed it just a little harder I think they could have had something really special and erie on their hands. Also, I feel as if they had driven home the point/moral at the end a bit more... i'm not asking you to spoonfeed it, but with the overall atmosphere of the movie, if the ending had been a little bit more poignant I feel like it would've really given it that parable feel like I was already getting from the piece.

Would recommend, just not to everybody.

... and you're still overwhelmed from the loss of a child a few years earlier, then be prepared for some surreal, dark and psychedelic like goings on from a trio of weird wood wanderers. Extremely bizarre and fantastical, an imaginative way to emphasise the challenge of overcoming loss and the torment that loss can infuse in the minds of the emotionally tortured.