Histórias que nosso Cinema (não) Contava

2017
1 Std. 20 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Histórias que nosso Cinema (não) Contava (2017)

Füge eine Handlung in deiner Sprache hinzuA historical review of the military dictatorship in Brazil only trough images and sounds from films that belong to the pornochanchada genre, a kind of erotic film that was the most seen and ... Alles lesenA historical review of the military dictatorship in Brazil only trough images and sounds from films that belong to the pornochanchada genre, a kind of erotic film that was the most seen and most produced during that period.A historical review of the military dictatorship in Brazil only trough images and sounds from films that belong to the pornochanchada genre, a kind of erotic film that was the most seen and most produced during that period.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,0/10

252

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 3 wins total

Fotos

Benutzerrezensionen2

7,0252

Empfohlene Bewertungen

9RosanaBotafogo

Perfect...

Very interesting, a movie clipping, with magnificent scenes, killing the nostalgia, reviewing great actors and actresses, a different and essential documentary, could not hold my attention fully, despite the intense and beautiful nude scenes, excellent film, documentary , satire, perfect montage...

8guisreis

It surprises

Amazing collection of clips from numerous films from former brazilian softcore genre named Pornochanchada. They not only give us a good glimpse on Brazilian culture, sexism and authoritarianism those days of military dictatorship, but also shows surprisingly politically critical moments which have been ignored by autocratic government censorship. The lack of a narration, however, makes a little bit harder to watch.

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Crazy Credits
Being a montage, the actors present in the movie sources are not credited, but the movies themselves. Their title screens appear in the opening credits and their names and director reappear before the ending ones.