IMDb-BEWERTUNG
8,0/10
40.628
IHRE BEWERTUNG
Aida ist als Übersetzerin für die UNO in der Kleinstadt Srebrenica tätig. Als die serbische Armee die Stadt übernimmt, gehört ihre Familie zu den Tausenden von Bürgern, die im UN-Lager Unter... Alles lesenAida ist als Übersetzerin für die UNO in der Kleinstadt Srebrenica tätig. Als die serbische Armee die Stadt übernimmt, gehört ihre Familie zu den Tausenden von Bürgern, die im UN-Lager Unterschlupf suchen.Aida ist als Übersetzerin für die UNO in der Kleinstadt Srebrenica tätig. Als die serbische Armee die Stadt übernimmt, gehört ihre Familie zu den Tausenden von Bürgern, die im UN-Lager Unterschlupf suchen.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 40 Gewinne & 43 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Quo Vadis, Aida?' is a powerful, harrowing film about the Srebrenica massacre, praised for impactful storytelling and strong performances, especially Jasna Duricic as Aida. It critically examines the United Nations' failure and explores themes of war and survival. While lauded for emotional depth and historical significance, some criticize perceived inaccuracies and over-dramatization. It is considered an important, though challenging, film that highlights a significant historical event.
Empfohlene Bewertungen
This is about events around the Srebrenica massacre in 1995. The UN promised that this would be a safe zone, but doesn't back up its ultimatums with action, leaving the small contingent of UN peacekeepers helpless in the face of stronger Serbian forces, who step-by-step get bolder, take over the town, and eventually the civilians seeking safety at the UN base.
I saw this as a digital screening of the Toronto International Film Festival, with writer / director Q+A. The writer put together the story based on actual transcripts, together with survivor stories. Many were composited into the main character Aida. Aida is a translator for the UN troops, and she also tries to keep safe her husband and 2 teenaged sons,. Thus she could move between the "defenders" and the defended, and tell the stories of both.
The characters are well-played and believable, and there are little touches that are illuminating: some flashbacks to pre-war life, a reference to neighbors turning against neighbors, etc. My one complaint is that, as a composite, some events seem to happen too quickly.
I saw this as a digital screening of the Toronto International Film Festival, with writer / director Q+A. The writer put together the story based on actual transcripts, together with survivor stories. Many were composited into the main character Aida. Aida is a translator for the UN troops, and she also tries to keep safe her husband and 2 teenaged sons,. Thus she could move between the "defenders" and the defended, and tell the stories of both.
The characters are well-played and believable, and there are little touches that are illuminating: some flashbacks to pre-war life, a reference to neighbors turning against neighbors, etc. My one complaint is that, as a composite, some events seem to happen too quickly.
... because you never learn! The despicable, diabolical and disgusting events from Srebrenica, replayed many times before, currently playing out in several countries now, and quite probably for the foreseeable future while we continue to turn a blind eye, ignore, disengage or perhaps don't care. Jasna Djuricic as Aida, immense!
It was an ongoing debate in my family if we should watch the movie or not. My mother is from Srebrenica and we lost a huge part of our family and amongst them my grandpa. The wounds are still open and will be no matter how long time passes and my mother's memories are still as vivid as if it was yesterday. Having seen a few bad movies left us not wanting to se another one on that subject because directors ( particularly Jolie) tried in a way to romanticize the war even though there is NOTHING ROMANTIC about that war. A huge loss, suffering and vivid memories of near friend and family being killed and tortured is something that my mother lives with daily. So I watched the movie first and later we saw it together. And it hits you to the core. I think that Jasmila Zbanic accomplished something great by leaving out horror scenes and making us just imagine. Because no scene can ever compare with the reality of crime and horrors that happened. In a few segments of the movie we had to pause because they felt so real to my mother that she started to look for my grandpa in the scenes with people outside the UN zone hq. We highly recommend everyone to see this movie and to never forget about Srebrenica.
*Why this film*- This was nominated for the 2021 Best Foreign Film Academy Award, which it lost to Another Round.
Also, I am reading America and the Problem of Hell - an account of genocides of the 20th century. The last genocide that the book extensively talks about, is of the Bosnian Muslims by the Serbians, at Srebrenica. This is set smack in the middle of that tumultuous time.
*What I liked about it* - The pacing and the scripting. It is 100 minute long and packs so much in that century. The chief protagonist, Aida, a UN translator, might be the one of the most true flesh-and-blood characters written for screen. Her personal and professional battles form the crux. The UN soldiers, tasked with enforcing truce between the Bosnians and the Serbs and the Serbian warlords, intent on capturing the city and relocating its citizens are vividly drawn. The acting is so natural that you feel at times that you are watching a documentary, rather than a thriller.
It reminded me of our very own _The Kashmir Files_ at times. The terror that you are being hunted just for your religious identity, is as real here, as it was there. The brutality, much of it off screen here, would make your fertile imagination churn up many scenarios. It is telling that this was sent to the Academy Award by the country whereas The Kashmir Files was reviled by a section of the intelligentsia and political class as conjecture and not fact based.
This is a great film and is surely going to be seared in the memories of those who choose to watch it.
Also, I am reading America and the Problem of Hell - an account of genocides of the 20th century. The last genocide that the book extensively talks about, is of the Bosnian Muslims by the Serbians, at Srebrenica. This is set smack in the middle of that tumultuous time.
*What I liked about it* - The pacing and the scripting. It is 100 minute long and packs so much in that century. The chief protagonist, Aida, a UN translator, might be the one of the most true flesh-and-blood characters written for screen. Her personal and professional battles form the crux. The UN soldiers, tasked with enforcing truce between the Bosnians and the Serbs and the Serbian warlords, intent on capturing the city and relocating its citizens are vividly drawn. The acting is so natural that you feel at times that you are watching a documentary, rather than a thriller.
It reminded me of our very own _The Kashmir Files_ at times. The terror that you are being hunted just for your religious identity, is as real here, as it was there. The brutality, much of it off screen here, would make your fertile imagination churn up many scenarios. It is telling that this was sent to the Academy Award by the country whereas The Kashmir Files was reviled by a section of the intelligentsia and political class as conjecture and not fact based.
This is a great film and is surely going to be seared in the memories of those who choose to watch it.
I am a guy from Serbia and I gave this movie 10/10 because it has really good script and it is true work of art. I wish directors from Serbia would make more films which are as good as this one.
Wusstest du schon
- WissenswertesJasna Djuricic, who plays the main role, is the wife of Boris Isakovic, who plays general Mladic. They often work together in film and theater, but in this film they don't share any scenes.
- Zitate
Aida Selmanagic: We are on the list!
- VerbindungenFeatured in Die 93. Oscar-Verleihung (2021)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Where are you going, Aida?
- Drehorte
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Box Office
- Budget
- 4.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 813.253 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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