Dolemite Is My Name

I've got to be honest here: I pretty much liked this movie before I even saw one frame. I love both "Dolemite" and movies about making movies. Combine that with an Eddie Murphy who actually gives a damn and you can't really do much wrong anymore.

It's sad how the real Rudy Ray Moore never got to see this movie, because it's a great portrayal of what made him so endearing and likeable. Moore just never gave up and became a household name (well, a cult figure at least) against all odds. His movies just ooze a genuine love for film-making. "Dolemite" wasn't good on a technical level and the plot made no sense, but it gave the audience exactly what it wanted. Even decades later, it's one of the most genuinely entertaining movies ever made, without ever being in the same ballpark as competent. The boom mic is pretty much a supporting character, but that's all part of the charm.

This movie was written by Scott Alexander and Larry Karaszewski, who also wrote the biopics about Ed Wood and Andy Kaufman (and also... "Problem Child"?). They clearly know what they're doing and get their facts right, but it's the performances that really elevate this movie. It's not only Murphy. Wesley Snipes actually seems to be enjoying himself for the first time in years and steals every scene he's in. The cast gels together very well and all give believable performances.

The only small downside is that the movie pretty much ends at the premiere of "Dolemite". Granted, that's a great climax for this movie, but there's so much more to the life of Rudy Ray Moore. He was actually quite successful for a couple of years after that, before losing everything on the commercial flop "Disco Godfather". Throughout the 1980s he pretty much disappeared, but his career had a revival when rappers started mentioning him as a great influence. Dolemite actually made a comeback in the early 2000s with "The Return Of Dolemite". It's a chapter worth exploring, but with so much source material I understand you have to make a selection.

This movie has certainly revived Eddie Murphy's career, but more importantly it did the same for Rudy Ray Moore. Obviously, he's not around to enjoy it, but the Dolemite character is alive and well after more than four decades. Not bad at all for a movie that everybody tried to talk him out of. Rudy Ray Moore's story is an inspiration to all of us.

Eddie Murphy is back on top with this biopic of Rudy Ray Moore, the hustler, shameless self-promoter of wildly cornball action-comedies of the 1970s. Murphy has finally found a character to really sink his teeth into...and Murphy relishes every moment of inhabiting the joyful and strangely charming yet naive character desperately searching to simply express himself a an entertainer of the people and for the people. His character is an outsider who elevates other outliers all searching for validation and some simple joys in the midst of working class America.

Murphy is funny, charming, and touching as this flawed heroic character. He deserves all the acclaim for bringing this story back to life and surrounding himself with talented ensemble cast and strong direction and wonderfully zany costumes of the 70s era.

This film is at times foul and other times touching and it deserves your attention throughout as it revels in the joys of telling a story deserving to be told and to be relished and enjoyed by anyone searching for an escape from the mundane or cynical stories prevalent in movies of today.

The movie is a beautifully portrayed story of grit and having the support of a few good people around you.

The writers and Murphy showed Rudy Ray Moore as a real entertainer in that he did not care about displaying his ego to the audience - he just wanted to deliver what he knew the people enjoyed.

His friends did not always share his vision but they supported him until the end anyways. Their roles were played by actors who can project soul into the screen and were shot to make the most out of that soul.

Even the sound track was great and made watching the movie more entertaining and inspiring!

"How'd my life get so small?" Rudy Ray Moore (Eddie Murphy, who's not been this good in 30 years)

Rudy Ray Moore has been called the father of rap and more certainly a force in the blaxploitation movement several decades ago. "Dolemite is My Name" is an entertaining depiction of his rise ( see the above quote at a low moment in his career) to stardom as a recording star and movie actor, but more as a force in the movie enthusiasm for sexy, violent, funny films starring blacks in stories about their own imaginative lives, not those seen through the white lens.

Nothing new is added to the docudrama recipe here, although it would seem to call for creativity itself given Rudy's imaginative genius. Yet, a fine performance by Murphy, who captures Rudy's charming enthusiasm and at times naivete (think Ed Wood), anchors the film in Rudy's genial turn of phrases and gentle put downs, an Oscar nomination for Murphy possible.

The ensemble cast deserves a nod for supporting Murphy's performance, that allows them all to be the stars they wish to be, given that his dominance as star and producer could have eclipsed their performances. The almost whimsical way everyone participates in Rudy's dream creates a warm, energetic, smooth production.

Although the bio could be accused of hitting the "follow-your-dream" theme too heavily, the story of this sometimes down-and -out record clerk is an inspiration for those who love the history of entertainment and may themselves dream of stardom. BTW: The period detail is worth seeing for itself.

Dolemite Is My Name is a production of Netflix, which has become a major studio in a few years. Although the film will be seen streaming for a longtime, this short theatrical run offers the audience a chance to see spectacular costuming and big performances on the big screen. Do it now.

"Dolemite Is My Name" is a typical biopic bolstered by its implacable hilarity, its affection for its subject and its commitment to the time and place it is set. And yet, I'm still being nagged by something about his lead performance. Don't get me wrong, Murphy is very, very good, and I'd love to see him tackle Pryor next because of that. Just like Rudy Ray Moore, I buy him more than I do like Dolemite.That's probably the intention here, as Moore repeatedly says in the movie that the role is a put-on. That I keep rolling around in my head this performance says something about its staying power.Murphy isn't exactly the most charitable actor when he's the lead, a by-product of his star power, but he's here at its best when he's slyly letting the scene be stolen from below him.