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Elizabeth Taylor: The Lost Tapes

  • 2024
  • TV-MA
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
7,4/10
1148
IHRE BEWERTUNG
Elizabeth Taylor: The Lost Tapes (2024)
Newly discovered interviews with Elizabeth Taylor and unprecedented access to the star's personal archive reveal the complex inner life and vulnerability of the groundbreaking icon.
trailer wiedergeben1:52
1 Video
6 Fotos
Documentary

Elizabeth Taylor und ein noch nie dagewesener Zugang zum persönlichen Archiv des Stars enthüllen das komplexe Innenleben und die Verletzlichkeit der bahnbrechenden Ikone.Elizabeth Taylor und ein noch nie dagewesener Zugang zum persönlichen Archiv des Stars enthüllen das komplexe Innenleben und die Verletzlichkeit der bahnbrechenden Ikone.Elizabeth Taylor und ein noch nie dagewesener Zugang zum persönlichen Archiv des Stars enthüllen das komplexe Innenleben und die Verletzlichkeit der bahnbrechenden Ikone.

  • Regie
    • Nanette Burstein
  • Drehbuch
    • Tal Ben-David
    • Nanette Burstein
  • Hauptbesetzung
    • Elizabeth Taylor
    • Roddy McDowall
    • Debbie Reynolds
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    1148
    IHRE BEWERTUNG
    • Regie
      • Nanette Burstein
    • Drehbuch
      • Tal Ben-David
      • Nanette Burstein
    • Hauptbesetzung
      • Elizabeth Taylor
      • Roddy McDowall
      • Debbie Reynolds
    • 10Benutzerrezensionen
    • 13Kritische Rezensionen
    • 75Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 10 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:52
    Official Trailer

    Fotos5

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung13

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    Elizabeth Taylor
    Elizabeth Taylor
    • Self
    • (Archivfilmmaterial)
    Roddy McDowall
    Roddy McDowall
      Debbie Reynolds
      Debbie Reynolds
        George Hamilton
        George Hamilton
          Richard Burton
          Richard Burton
            Rock Hudson
            Rock Hudson
            • Self - Actor
            • (Archivfilmmaterial)
            Montgomery Clift
            Montgomery Clift
            • Self - Actor
            • (Archivfilmmaterial)
            Elizabeth Cuzzupoli
            Elizabeth Cuzzupoli
            • Younger Elizabeth Taylor
            John Heyman
              Samuel Marx
                Marion Rosenberg
                  Rob Gill
                  Rob Gill
                  • Richard Merryman
                  Tim Mendelson
                    • Regie
                      • Nanette Burstein
                    • Drehbuch
                      • Tal Ben-David
                      • Nanette Burstein
                    • Komplette Besetzung und alle Crew-Mitglieder
                    • Produktion, Einspielergebnisse & mehr bei IMDbPro

                    Benutzerrezensionen10

                    7,41.1K
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                    Empfohlene Bewertungen

                    9hectorramirez-73112

                    Behind the Giant

                    Academy Award® nominee Nanette Burstein builds an insightful and moving documentary of one of the greatest Hollywood icons that ever existed using what could be very obvious resources for a project like this, recorded interviews, photographs and files footage.

                    However, she uses all these resources and her expertise properly, creating an intimate and gracious 100 minutes journey worthy of an acclaimed actress as Elizabeth Taylor.

                    We find out what we've all been knowing all along but we happen to disregard very often, behind the glamorous legend, she was just a person.

                    A person with insecurities, a person who made mistakes, and a person trying to learn and improve...

                    Elizabeth Taylor's achievements didn't only occur in her amazing career (5 Academy Awards® nominations - twice winner - and becoming the first actor ever earning 1 million dollars for a movie) but in her personal life, being her one of the first public figures talking openly about subjects that were taboo over that time, drugs and alcohol addiction, rehab process and AIDS.

                    As fascinating as once was Elizabeth Taylor, this documentary is an exceptional tribute for her and an outstanding addition to this genre.
                    Sissy111

                    Superb documentary

                    This documentary is a fascinating and revealing depiction that takes a deeply personal look at a brilliant actress. The film takes a very powerful approach to telling the story in an inventive documentary style.

                    It's an absorbing and engaging, an extraordinary film that is very insightful, honest and really quite emotional - one of the most powerful documentaries that I've seen in years.

                    In essence, this film delivers a riveting and all-encompassing testament to Taylor's legacy. By the end, you feel like you really knew her. For fans of Elizabeth Taylor, this is a must-see.

                    Highly recommended.
                    7ferguson-6

                    Dark blue, not violet

                    Greetings again from the darkness. Not many people are famous for their entire life. Elizabeth Taylor came about as close as one can. Director Nanette Burstein uses 40 hours of recordings that resulted from journalist Richard Meryman's 1964 interviews with 32-year-old Ms. Taylor. This was at the height of her fame and popularity.

                    Liz claims her infamous "violet" eyes are actually "dark blue". She is quite forthcoming during the recordings, and we can't even imagine a top-tier celebrity today offering this much personal insight ... outside of the obvious blabbering we are subjected to on social media and talk shows. Liz became famous at 10 years old when she starred in LASSIE COME HOME (1943) and was a cinema sex-symbol at age 16 when she played the beautiful wife of Robert Taylor (12 years her senior) in CONSPIRATOR (1949). We hear Liz recall her idyllic childhood, yet also describing herself as a "terrified little girl" during those early Hollywood years.

                    In addition to the recordings which give the documentary a certain structure, director Burstein also includes a treasure trove of personal photos, home movies, archival interviews, and archival footage. A slew of photos of her famous dates stream by - even including football star Glenn "Mr. Outside" Davis. Liz was only 18 years old when she married Conrad "Nick" Hilton Jr, heir to the hotel magnate. She explains how she locked herself in the bathroom on her wedding night, and was so nervous, it took 3 days to consummate the marriage. Of course, Elizabeth Taylor is as famous for her marriages as she is her acting. She wed 8 times to seven different men. The most interesting of those are detailed here, including the plane crash death of true love Mike Todd, which led to Liz wooing singer Eddie Fisher from her friend Debbie Reynolds. What a scandal!

                    Despite the marriages, she also had close friends - some of whom were closeted homosexuals in order to protect their career and image. Roddy McDowell, Rock Hudson, Montgomery Clift, and James Dean were all close to Liz. She details the shock at Dean's car crash death and notes she had been cruising with him in his Porsche earlier that same day.

                    During the interviews, Liz makes the point a few times that it was so important for her to be accepted as an actress, not just a movie star. She expresses a humble pride in being the first actor to be paid one million dollars for a role, but then things went sideways for CLEOPATRA, when Liz was hospitalized with pneumonia so serious it required a tracheotomy. Production on the film was delayed more than two years, and it was during her recovery that she won the first of her two Oscars. However, it's surreal hearing her bash BUTTERFIELD 8 as an inferior film. When production on CLEOPATRA re-started, she met her real life Marc Antony in actor Richard Burton, thus kicking off their years-long on-again/off-again intense relationship (including two marriages).

                    Director Burstein flashes clip after clip to convince those who don't already know that Elizabeth Taylor was an actor, a movie star, and a cultural icon. The film is quite a tribute, though it kind of blows through the later years of a couple of marriages, rehab, and weight gain. She does commit time to Liz's relentless work as an AIDS activist, including her support of long-time friend Rock Hudson. So many of Liz's memorable performances came in 1967 and earlier (some of those not mentioned above are NATIONAL VELVET (1944), FATHER OF THE BRIDE (1950), A PLACE IN THE SUN (1951), GIANT (1956), CAT ON A HOT TIN ROOF (1958), and of course, WHO'S AFRAID OF VIRGINIA WOOLF (1966, her second Oscar). Despite her career peaking in that era, Elizabeth Taylor remained a star until her death in 2011 at age 79. Nanette Burstein has delivered a worthy tribute.

                    Premieres August 3, 2024 on HBO and MAX.
                    7justahunch-70549

                    An amazing life

                    Those of a certain age might enjoy this trip down memory lane of perhaps the most famous woman In America especially in the 1960's, though I suppose Jackie Kennedy might rival that, but whatever, Elizabeth Taylor led one of the most spectacular lives in the 20th century. She was rarely a great actress, though talent was always there and surfaced strongly now and then particularly in A Place In the Sun, Giant and, of course, Who's Afraid of Virginia Woolf?. She states here that she never had an acting lesson and perhaps she should have. The result might have been something to witness. These tapes make her sound like a down to earth rational woman, but that's not quite how I remember her 50's/60's heydays. She talks quite kindly about all of her ex-husbands, but oddly today in the NY Times there is an article about her and how she and Richard Burton created the paparazzi that we sadly live with now. It also goes into details on how she took everyone of those ex's to the cleaners when they split, sort of a different version than the one we listen to here. It's filled with wonderful photos and candid clips of her personal life and scenes from some of her films and they are a delight to view. I was a bit surprised to also hear vocal comments from Eddie Fisher and Debbie Reynolds and neither seem to be upset with her, though I suppose time heals a lot of things. She was also simply stunning to look at, especially in shots with no makeup, but like all of us it faded, but in her latter years after pretty much quitting films, while seemingly trying to get her hair to be big as possible, she then became a truly great humanitarian and helped so many with AIDS. She became as admirable crusader. It was a remarkable, enviable, bold life from just about the very beginning. Katharine Hepburn once called her the last movie star and that is true in the tradition of the past greats. It doesn't take much to be called a star these days. This is not a great documentary, but it's a good one and hearing her talk about herself after all these years was quite interesting. I'm not sure why, but I really did adore her especially in the 60's, both on and off the screen. I met her once briefly when she did The Little Foxes on Broadway as I worked in the theater industry at that time. She was short, vulgar, funny with immense presence.
                    7blanbrn

                    Looking back at life and movie doc thru the words of Liz.

                    "Elizabeth Taylor: The Lost Tapes" is without a doubt a compelling, provocative, and revealing doc that any film buff or movie history fan should see. Elizabeth from an early age shined by getting her start at age 10 in 1943's "Lassie Come Home". Soon Taylor electrified as she became the stuff of legend. On the "HBO" doc it's mostly her voice that we hear which was pulled from over 40 hours of discovered audio recordings with Richard Meryman.

                    Taylor admits she made mistakes and was not perfect as her love life and many marriages would prove, and like any doc we the viewers are treated to photos, film clips, footage, and headlines, always when she wed and divorced it was front page news.

                    Highlighted was Elizabeth growing up in front of the camera from her young teen roles to winning an Oscar for "Who's Afraid of Virginia Wolf?". She owed much of her success to her parents for helping her get involved in movies learning to act at acting and film school.

                    Taylor's life was a roller coaster from being swept off her feet by director Mike Todd and dealing with his tragic death in a plane crash. Then Liz romanced Eddie Fisher after he left Debbie Reynolds, only Elizabeth changed again leaving Eddie for Richard Burton whom she meet on the set of "Cleopatra".

                    Touching was highlighting Taylor's friendships with closeted gay actors such as Roddy McDowall and Rock Hudson, which later lead to her activism for AIDS research. Good look at a legendary actress who's work public and private will never be forgotten.

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                      [last lines]

                      Elizabeth Taylor: [from a recording of a 1985 interview] Now, I find life so exciting. There's so many things to do now, so many things to learn. And I'm doing that now. If I want to go someplace, I *go.* If there's something I want to study, I'll *study it* now. I'm not under obligation to *anyone*

                      [pause]

                      Elizabeth Taylor: but myself. And to thine own self be true. That's all I have to do.

                    • Verbindungen
                      Features Heimweh (1943)

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                    Details

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                    • Erscheinungsdatum
                      • 3. August 2024 (Vereinigte Staaten)
                    • Herkunftsland
                      • Vereinigte Staaten
                    • Sprache
                      • Englisch
                    • Auch bekannt als
                      • Elizabeth Taylor: Las cintas perdidas
                    • Produktionsfirmen
                      • Zipper Bros Films
                      • Bad Robot
                      • Gerber Pictures
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                    • Laufzeit
                      1 Stunde 40 Minuten
                    • Farbe
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