Ein Geschäftsmogul trifft seine alte Freundin aus der Kleinstadt wieder, während sie in der Großstadt zu Besuch ist, und muss feststellen, dass sie ein gemeinsames Kind haben, von dem er nic... Alles lesenEin Geschäftsmogul trifft seine alte Freundin aus der Kleinstadt wieder, während sie in der Großstadt zu Besuch ist, und muss feststellen, dass sie ein gemeinsames Kind haben, von dem er nichts wusste.Ein Geschäftsmogul trifft seine alte Freundin aus der Kleinstadt wieder, während sie in der Großstadt zu Besuch ist, und muss feststellen, dass sie ein gemeinsames Kind haben, von dem er nichts wusste.
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Saw this in a 'surprise' screening of a random new movie.
The movie starts by Richard Gere and his ex from 20 years ago reconnecting, finding out that he had a son etc.
From the starting scene on I wanted to leave the cinema but I had just bought popcorn so decided to soldier on. That was a mistake.
Two hours later movie ended. Not a single laugh / chuckle from audience during the movie. Nobody looked happy while leaving the cinema. People around me were pondering is it ok to just sneak out halfway of the film.
The film was a mess, hard to relate to any of the characters and the grand wedding finale feels very flat. In Cinema I felt a wave of relief that it ended. That was also the only time audience seemed to react to the film.
The movie starts by Richard Gere and his ex from 20 years ago reconnecting, finding out that he had a son etc.
From the starting scene on I wanted to leave the cinema but I had just bought popcorn so decided to soldier on. That was a mistake.
Two hours later movie ended. Not a single laugh / chuckle from audience during the movie. Nobody looked happy while leaving the cinema. People around me were pondering is it ok to just sneak out halfway of the film.
The film was a mess, hard to relate to any of the characters and the grand wedding finale feels very flat. In Cinema I felt a wave of relief that it ended. That was also the only time audience seemed to react to the film.
Longing is an English reboot directed, written and partly produced by Savi Gabizon, who released a similar French Hebrew version called Ga'agua in 2017.
Businessman Daniel Bloch (Richard Gere) lives a rich life and never wanted children. When he learns from an old girlfriend that they had a son, but he has died, Daniel decides to immerse himself in the old life of his unknown, surviving son. In this way he learns about his life choices and is confronted with the mistakes he has made. He tries to correct these, so that he can leave him with dignity.
Despite the fact that this is a reboot of an earlier, similar film, you would expect the writer-director to have worked it out a bit more. However, there are logical details missing, which makes the film seem vague, far-fetched, or sometimes unintentionally comical instead of truly dramatic or emotional.
Because the father tries to live the life of his surviving son, many moments come to the fore in the film. Because you as a viewer have not really experienced this son, this revival seems rather long-winded than really emotional. Many scenes also go on for too long or have unnecessary, short scenes between the events.
Due to the lack of good direction and writing direction, the cast members also seem somewhat uncertain and unclear, which means you do not really care about their characters. The strange choices they make only make this more difficult.
Businessman Daniel Bloch (Richard Gere) lives a rich life and never wanted children. When he learns from an old girlfriend that they had a son, but he has died, Daniel decides to immerse himself in the old life of his unknown, surviving son. In this way he learns about his life choices and is confronted with the mistakes he has made. He tries to correct these, so that he can leave him with dignity.
Despite the fact that this is a reboot of an earlier, similar film, you would expect the writer-director to have worked it out a bit more. However, there are logical details missing, which makes the film seem vague, far-fetched, or sometimes unintentionally comical instead of truly dramatic or emotional.
Because the father tries to live the life of his surviving son, many moments come to the fore in the film. Because you as a viewer have not really experienced this son, this revival seems rather long-winded than really emotional. Many scenes also go on for too long or have unnecessary, short scenes between the events.
Due to the lack of good direction and writing direction, the cast members also seem somewhat uncertain and unclear, which means you do not really care about their characters. The strange choices they make only make this more difficult.
I loved this film and can't understand why it has such a low rating. The story develops beautifully from start to finish, with plenty of twists and turns, a lovely sense of humor, and a great cast delivering fantastic performances. What I like most is the balance: neither the actors nor the script become overly dramatic, despite the characters' significant pain. The humor is perfectly balanced as well-any more or less, and it wouldn't work. Well done. It seems like audiences are getting less discerning by the day. If you don't understand what you're watching, please refrain from rating it. I strongly recommend this unconventionally sweet movie.
In uncomfortably odd drama "Longing" Canadian Suzanne Clément suddenly tells ex-bf NY mogul Richard Gere that after they split up 20yrs ago she had his son... who's now just died in a car crash. Cue Gere taking off to Cambridge, Ontario to learn some harsh truths about the lad (from the likes of Diane Kruger) while engaging in some pushy and downright bizarre behaviour (like arranging a wedding between the dead son he never knew and a dead girl that the boy had also never met). What writer / director Savi Gabizon was going for in remaking his own 2007 Israeli original (of the same name) is unclear... but the result's perplexing... and not in a good way. Flush it.
Where do I start? With the superb acting? The genuinely not- cookie- cutter predictable story?
Or how about the true meaning of the film's title as devolves throughout the story?
This work of art left me longing for more films of this caliber.
This is a must- see!
I most enjoyed watching the characters themselves reveal dark secrets from many years past that haunt them, the novel, albeit unusual, way in which they dealt with the concomitant trauma, each character's hard- won redemption, and the graceful way that the story ended: simply and eloquently, never maudlin or sentimental.
And I thought that they didn't make movies this good anymore!
Or how about the true meaning of the film's title as devolves throughout the story?
This work of art left me longing for more films of this caliber.
This is a must- see!
I most enjoyed watching the characters themselves reveal dark secrets from many years past that haunt them, the novel, albeit unusual, way in which they dealt with the concomitant trauma, each character's hard- won redemption, and the graceful way that the story ended: simply and eloquently, never maudlin or sentimental.
And I thought that they didn't make movies this good anymore!
Wusstest du schon
- WissenswertesRemake of the Israeli Film - Longing (2017)
- Zitate
Daniel Bloch: I'm very glad I came here.
- VerbindungenRemake of Longing (2017)
- SoundtracksA Sad Comedy
performed by Maya Misaljevic & Eve Murray
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Details
Box Office
- Weltweiter Bruttoertrag
- 223.168 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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