Füge eine Handlung in deiner Sprache hinzuAfter losing her parents in a car accident, Okko starts living in the countryside with her grandmother who runs a traditional Japanese inn. While she prepares to be the next owner of the inn... Alles lesenAfter losing her parents in a car accident, Okko starts living in the countryside with her grandmother who runs a traditional Japanese inn. While she prepares to be the next owner of the inn, Okko can somehow see friendly ghosts.After losing her parents in a car accident, Okko starts living in the countryside with her grandmother who runs a traditional Japanese inn. While she prepares to be the next owner of the inn, Okko can somehow see friendly ghosts.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
- Seki Oriko - 'Okko'
- (Synchronisation)
- Akino Matsuki
- (Synchronisation)
- 'Uri-bô' - Tateuri Makoto
- (Synchronisation)
- Akino Miyo
- (Synchronisation)
- Suzuki
- (Synchronisation)
- Seki Mineko
- (Synchronisation)
- (as Harumi Ichiryûsai)
- Seki Mineko - shôjo jidai
- (Synchronisation)
- Tajima Etsuko
- (Synchronisation)
- Minoda Kônosuke
- (Synchronisation)
- Kise Torako
- (Synchronisation)
- Kanda Akane
- (Synchronisation)
- Kise Shôta
- (Synchronisation)
- Uribo (Makoto Tateuri)
- (English version)
- (Synchronisation)
- Mineko
- (English version)
- (Synchronisation)
- (as Glynis Ellis)
- …
- Akande Kanda
- (English version)
- (Synchronisation)
- …
- Yoriko Ikezuki
- (English version)
- (Synchronisation)
- Okko's Father
- (English version)
- (Synchronisation)
- Glory Suiryo
- (English version)
- (Synchronisation)
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The problem, though, is that events don't naturally flow from one to another. It's a cute girl going through processing of personal drama, but her behavior is almost robotic. And I don't mean STTNG's "Hero Worship" type of thing, it's just that she goes through all of the actions required by the script without any internal conflict. She starts off afraid of countryside insects, but accepts ghosts immediately, for example. Maybe it was an editing problem, but I doubt it.
In order for a story to hit, things need to happen for a reason that is clear to the audience and slightly forcing to the characters. A person who just does what she was supposed to do and then the movie ends doesn't really fall into that.
Bottom line: really cute, satisfactory, but totally predictable and derivative.
This animated film by Kitarô Kôsaka is not just Japanese; it is VERY Japanese, with is old-fashioned virtues of service to others, tradition, and to a westerner, exaggerated fear of losing face. Like all good fantasies, it has a strong symbolic message to support the surface plot. Then visual style combines full animation of simple yet effective character design with lush, almost candybox background work.
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Okko's Father: I'm so sorry, Okko, that we can't be there.
Okko: But Daddy...! Mommy...!
Okko's Father: Your mom and dad are happy because their beautiful little girl is still alive and healthy. I know we can't be in this world with you anymore, but please smile and become a wonderful junior innkeeper.
Okko: No! No! Mommy, Daddy, please don't leave me all alone!
Okko's Father: Okko, you are not alone.
Okko's Mother: Never.
- VerbindungenFeatured in 47th Annie Awards (2020)
- SoundtracksMata Ashita
(See You Tomorrow)
(opening theme song)
Vocals by Sakura Fujiwara
Lyrics & Music by Sakura Fujiwara
Arrangement by Mabanua
Courtesy of Speedstar Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Okko und ihre Geisterfreunde - Der Film
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 134.787 $
- Eröffnungswochenende in den USA und in Kanada
- 763 $
- 28. Apr. 2019
- Weltweiter Bruttoertrag
- 317.547 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1