[go: up one dir, main page]

    VeröffentlichungskalenderDie 250 besten FilmeMeistgesehene FilmeFilme nach Genre durchsuchenTop Box OfficeSpielzeiten und TicketsFilmnachrichtenSpotlight: indische Filme
    Was läuft im Fernsehen und was kann ich streamen?Die 250 besten SerienMeistgesehene SerienSerien nach Genre durchsuchenTV-Nachrichten
    EmpfehlungenNeueste TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightFamily Entertainment GuideIMDb-Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsZentrale AuszeichnungenFestival CentralAlle Ereignisse
    Heute geborenBeliebteste ProminenteProminente Nachrichten
    HilfecenterBereich für BeitragsverfasserUmfragen
Für Branchenexperten
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Girl

  • 2018
  • 12
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
7,2/10
17.620
IHRE BEWERTUNG
Victor Polster in Girl (2018)
Coming-of-AgeDrama

Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.

  • Regie
    • Lukas Dhont
  • Drehbuch
    • Lukas Dhont
    • Angelo Tijssens
  • Hauptbesetzung
    • Victor Polster
    • Arieh Worthalter
    • Oliver Bodart
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    17.620
    IHRE BEWERTUNG
    • Regie
      • Lukas Dhont
    • Drehbuch
      • Lukas Dhont
      • Angelo Tijssens
    • Hauptbesetzung
      • Victor Polster
      • Arieh Worthalter
      • Oliver Bodart
    • 65Benutzerrezensionen
    • 140Kritische Rezensionen
    • 73Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 33 Gewinne & 39 Nominierungen insgesamt

    Fotos47

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung61

    Ändern
    Victor Polster
    Victor Polster
    • Lara
    Arieh Worthalter
    Arieh Worthalter
    • Mathias
    Oliver Bodart
    • Milo
    Tijmen Govaerts
    Tijmen Govaerts
    • Lewis
    Katelijne Damen
    • Le docteur Naert - le médecin
    Valentijn Dhaenens
    Valentijn Dhaenens
    • Le docteur Pascal - le psychiatre
    Magali Elali
    • Christine
    Alice de Broqueville
    • Lois
    Alain Honorez
    • Alain
    Chris Thys
    • Hannah
    Angelo Tijssens
    Angelo Tijssens
    • Hendricks
    Marie-Louise Wilderijckx
    • Marie-Louise
    Virginia Hendricksen
    • Alain's Assistant
    Daniel Nicodème
    • Opa
    Els Olaerts
    • Oma
    Hélène Theunissen
    • Meme
    Alexia Depicker
    Alexia Depicker
    • Anne
    Steve Driesen
    • Tom
    • Regie
      • Lukas Dhont
    • Drehbuch
      • Lukas Dhont
      • Angelo Tijssens
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen65

    7,217.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    6jramalho

    Good, not Great

    First things first: I really enjoyed the movie. Do I think its great? No. But I actually thought the ongoing ballet metaphor (and all the discipline and equilibrium that is involved in classical training) was powerful in showing the development of an "unbalanced" psyche that is trying desperately to cling on to whatever "normal" it can construct. Although certainly repetitive I thought it was inspired,, rather than boring. I also appreciated the non-preachy nature of most of the film, thus I rated it how I rated it. Having now read some of the reviews, I do understand possible objections to the depiction of the characters transition, and how it is shown. But, as in other instances with many other films for many different reasons, I don't know enough to judge. I will be more aware in the future, so for me both film and reviews were very useful.
    8moveebuff1953

    This is true cinematic brilliance

    Girl is the type of movie that will hopefully open your eyes and heart to the little known challenges that face someone caught in the wrong body. I fell in love with Lana almost immediately because of her sensitive, kind, passionate character. She brings you deep into her world of the pain it takes to hide her unwanted features with such elegance and composure. Even when egged on by fellow dancers she holds in her pain in hope of acceptance. Victor Polster is brilliant as the graceful and beautiful Lana. The determination, blood, sweat and tears it takes to be a ballerina is mind boggling but for Lara it is a passion she is not willing to give up on no matter what it takes.
    8dascalu_mihai

    Tear jerking and emotional

    Straigh, gay or trans, everybody should watch this flick so that we get this transphobia out of the current topics and see people as human beings.

    Beautifully narrated and visually impressive, shocking even at some point.
    9Brusselssprout

    A truly great film with an oscar winning performance

    The struggles of a 15 year old girl are more than familiar and already well documented but just imagine and add to that the struggle of a girl living inside a masculine body. Every day being confronted with a body that you don't want and don't feel.The film does an extraordinay job of letting you feel all the emotions this courageous girl has to face each day over and over again. The main actor is simply stunning and if there's any justice, he should receive an oscar for this jaw dropping performance. I'm very displeased with comments as "the pacing is too slow" "or "too much repetition". To me there's only one way of discribing the ordinary life of this girl and the director was 100% right with the repetition and the pacing. Every shot is packed with emotion and tells so much. Just watch the faces of the actors and there's more action and emotion than any boring action movie. All the actors are amazing, the father, doctors, students even her little brother are very natural. It almost felt like a documentary but full of emotion. Naturally the transgender community was the first to protest - being gay myself i can say - what's new. The selfhate of - luckily - a small but loud part of the LGBT is that great that each and every attempt at making a book, film, play, etc... about the community is met with derision and has to be fiercely bashed. "Only a transgender actor could have played the role and felt the right emotions": did they really see the film and can honestly say that the emotions and acting are not spot on ? "Too much focus on the physical aspects": really ??? Ask just any 15-year old and they can tell just how much they are obsessed with their appearance, just add to that a girl in a boys' body, then tell me again why you shouldn't focus on the plysical aspects and their emotional impact. If you want to see a truly great film, it's this one.
    7Doctor_Mongoose

    A poignant tale of a young transgender woman that could have benefited from a broader scope.

    It is difficult to review this film without referring to the performance and casting of Victor Polster as the Girl the title refers to. Both appear to be quite polarising. There seem to be many reviewers who feel his portrayal was brave, emotive and mature as an adolescent ballet dancer going through a transitionary period in her life in more ways than one: moving to a new school and meeting new people, moving to a different apartment, and, of course, the crux of the film, taking the next step in confirming her gender identity by taking hormones with a view to having gender reassignment surgery in the future. There also appear to be many people, mostly people who identify as either transgender themselves or part of the wider LGBT+ community, who think that the performance and casting is offensive and lacks the nuance that only a real-life transgender actor could bring to the role. Personally, I cannot believe I watched the same film as anyone who thinks that his performance was anything less than exceptional.

    Ballet as an art-form creates beauty out of pain, patience and practice, and Lara's journey to become a better dancer runs in parallel with her journey to physically become the woman she believes she is. The routine physical exhaustion and bleeding toes she experiences whilst dancing provide a visceral contrast with the emotional challenges of day-to-day living she has to face, such as showering or going to the toilet, whilst living in a body that just doesn't fit. Victor Polster manages to convey these experiences and emotions, showing an intense determination and underlying vulnerability that never spills over into melodrama. The question of whether or not he should have been cast in the role in the first place is moot as it is evident that he was up to the task. Morally I do not see any reason why a non-trans actor cannot play a trans role if they have the ability to do so, in the same way that an actor does not need to have kids to play the role of a father or mother. I believe that he got the role on merit, in the same way that Daniela Vega got the lead role in A Fantastic Woman, because they were the best person for the job.

    Where the film falls slightly flat, however, is that there are no other fully fleshed out characters apart from Lara, and although the film focuses around Lara's pain and experiences in the here and now, there isn't always a clear motivation for her actions. It isn't even clear why she is so keen on becoming a dancer in the first place. I'd like to have seen more of the father and younger brother and how their lives were affected by Lara's situation.

    Ultimately it is a painful portrait of a young woman fighting to be who she wants to be that could have benefited from widening the scope and delving into the lives of other characters more in order to give more weight to the situations Lara found herself in. I also feel that the ending, although earned and wincingly effective from an emotional standpoint, didn't provide much closure and left the film feeling unresolved. Having said that, I have a suspicion that this was intentional as stories such as these do not have a cut-off point where the transformation is complete and the only resolution is the acceptance that there is none and that the fight must go on.

    Definitely would recommend it.

    Mehr wie diese

    Close
    7,8
    Close
    Girl
    4,9
    Girl
    Corps perdu
    6,5
    Corps perdu
    L'Infini
    6,1
    L'Infini
    Our Nature
    7,0
    Our Nature
    Tomboy
    7,4
    Tomboy
    Eine fantastische Frau
    7,2
    Eine fantastische Frau
    Laurence Anyways
    7,6
    Laurence Anyways
    Easter Eggs
    6,3
    Easter Eggs
    Petite Maman - Als wir Kinder waren
    7,4
    Petite Maman - Als wir Kinder waren
    Wo in Paris die Sonne aufgeht
    7,0
    Wo in Paris die Sonne aufgeht
    Glücklich wie Lazzaro
    7,5
    Glücklich wie Lazzaro

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The casting call for the protagonist was genderless, i.e. open for girls, boys, and those who were neither. 500 people between 14 and 17 auditioned but none of them could both dance and act well, so the filmmakers decided to cast the rest of the dancers first, and there they found Victor Polster.
    • Crazy Credits
      The movie's title is not shown until the start of the end credits.
    • Verbindungen
      Featured in 2019 Golden Globe Awards (2019)
    • Soundtracks
      Tomboy
      Performed by Princess Nokia

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ16

    • How long is Girl?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 18. Oktober 2018 (Deutschland)
    • Herkunftsländer
      • Niederlande
      • Belgien
    • Offizielle Standorte
      • Diaphana Films (France)
      • Official site (Japan)
    • Sprachen
      • Französisch
      • Flämisch
      • Englisch
    • Auch bekannt als
      • Cô Gái
    • Drehorte
      • Gent, Oost-Vlaanderen, Belgien(street scenes)
    • Produktionsfirmen
      • Menuet bvba
      • Frakas Productions
      • Topkapi Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.500.000 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 4.179.737 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 45 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.66 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Victor Polster in Girl (2018)
    Oberste Lücke
    What is the Hindi language plot outline for Girl (2018)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.