IMDb-BEWERTUNG
7,2/10
17.620
IHRE BEWERTUNG
Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.Lara ist ein 15-jähriges Mädchen, das im Körper eines Jungen geboren wurde und davon träumt, Ballerina zu werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 33 Gewinne & 39 Nominierungen insgesamt
Empfohlene Bewertungen
First things first: I really enjoyed the movie. Do I think its great? No. But I actually thought the ongoing ballet metaphor (and all the discipline and equilibrium that is involved in classical training) was powerful in showing the development of an "unbalanced" psyche that is trying desperately to cling on to whatever "normal" it can construct. Although certainly repetitive I thought it was inspired,, rather than boring. I also appreciated the non-preachy nature of most of the film, thus I rated it how I rated it.
Having now read some of the reviews, I do understand possible objections to the depiction of the characters transition, and how it is shown. But, as in other instances with many other films for many different reasons, I don't know enough to judge. I will be more aware in the future, so for me both film and reviews were very useful.
Girl is the type of movie that will hopefully open your eyes and heart to the little known challenges that face someone caught in the wrong body. I fell in love with Lana almost immediately because of her sensitive, kind, passionate character. She brings you deep into her world of the pain it takes to hide her unwanted features with such elegance and composure. Even when egged on by fellow dancers she holds in her pain in hope of acceptance. Victor Polster is brilliant as the graceful and beautiful Lana. The determination, blood, sweat and tears it takes to be a ballerina is mind boggling but for Lara it is a passion she is not willing to give up on no matter what it takes.
Straigh, gay or trans, everybody should watch this flick so that we get this transphobia out of the current topics and see people as human beings.
Beautifully narrated and visually impressive, shocking even at some point.
Beautifully narrated and visually impressive, shocking even at some point.
The struggles of a 15 year old girl are more than familiar and already well documented but just imagine and add to that the struggle of a girl living inside a masculine body. Every day being confronted with a body that you don't want and don't feel.The film does an extraordinay job of letting you feel all the emotions this courageous girl has to face each day over and over again. The main actor is simply stunning and if there's any justice, he should receive an oscar for this jaw dropping performance. I'm very displeased with comments as "the pacing is too slow" "or "too much repetition". To me there's only one way of discribing the ordinary life of this girl and the director was 100% right with the repetition and the pacing. Every shot is packed with emotion and tells so much. Just watch the faces of the actors and there's more action and emotion than any boring action movie.
All the actors are amazing, the father, doctors, students even her little brother are very natural. It almost felt like a documentary but full of emotion.
Naturally the transgender community was the first to protest - being gay myself i can say - what's new. The selfhate of - luckily - a small but loud part of the LGBT is that great that each and every attempt at making a book, film, play, etc... about the community is met with derision and has to be fiercely bashed. "Only a transgender actor could have played the role and felt the right emotions": did they really see the film and can honestly say that the emotions and acting are not spot on ?
"Too much focus on the physical aspects": really ??? Ask just any 15-year old and they can tell just how much they are obsessed with their appearance, just add to that a girl in a boys' body, then tell me again why you shouldn't focus on the plysical aspects and their emotional impact. If you want to see a truly great film, it's this one.
It is difficult to review this film without referring to the performance and casting of Victor Polster as the Girl the title refers to. Both appear to be quite polarising. There seem to be many reviewers who feel his portrayal was brave, emotive and mature as an adolescent ballet dancer going through a transitionary period in her life in more ways than one: moving to a new school and meeting new people, moving to a different apartment, and, of course, the crux of the film, taking the next step in confirming her gender identity by taking hormones with a view to having gender reassignment surgery in the future. There also appear to be many people, mostly people who identify as either transgender themselves or part of the wider LGBT+ community, who think that the performance and casting is offensive and lacks the nuance that only a real-life transgender actor could bring to the role. Personally, I cannot believe I watched the same film as anyone who thinks that his performance was anything less than exceptional.
Ballet as an art-form creates beauty out of pain, patience and practice, and Lara's journey to become a better dancer runs in parallel with her journey to physically become the woman she believes she is. The routine physical exhaustion and bleeding toes she experiences whilst dancing provide a visceral contrast with the emotional challenges of day-to-day living she has to face, such as showering or going to the toilet, whilst living in a body that just doesn't fit. Victor Polster manages to convey these experiences and emotions, showing an intense determination and underlying vulnerability that never spills over into melodrama. The question of whether or not he should have been cast in the role in the first place is moot as it is evident that he was up to the task. Morally I do not see any reason why a non-trans actor cannot play a trans role if they have the ability to do so, in the same way that an actor does not need to have kids to play the role of a father or mother. I believe that he got the role on merit, in the same way that Daniela Vega got the lead role in A Fantastic Woman, because they were the best person for the job.
Where the film falls slightly flat, however, is that there are no other fully fleshed out characters apart from Lara, and although the film focuses around Lara's pain and experiences in the here and now, there isn't always a clear motivation for her actions. It isn't even clear why she is so keen on becoming a dancer in the first place. I'd like to have seen more of the father and younger brother and how their lives were affected by Lara's situation.
Ultimately it is a painful portrait of a young woman fighting to be who she wants to be that could have benefited from widening the scope and delving into the lives of other characters more in order to give more weight to the situations Lara found herself in. I also feel that the ending, although earned and wincingly effective from an emotional standpoint, didn't provide much closure and left the film feeling unresolved. Having said that, I have a suspicion that this was intentional as stories such as these do not have a cut-off point where the transformation is complete and the only resolution is the acceptance that there is none and that the fight must go on.
Definitely would recommend it.
Ballet as an art-form creates beauty out of pain, patience and practice, and Lara's journey to become a better dancer runs in parallel with her journey to physically become the woman she believes she is. The routine physical exhaustion and bleeding toes she experiences whilst dancing provide a visceral contrast with the emotional challenges of day-to-day living she has to face, such as showering or going to the toilet, whilst living in a body that just doesn't fit. Victor Polster manages to convey these experiences and emotions, showing an intense determination and underlying vulnerability that never spills over into melodrama. The question of whether or not he should have been cast in the role in the first place is moot as it is evident that he was up to the task. Morally I do not see any reason why a non-trans actor cannot play a trans role if they have the ability to do so, in the same way that an actor does not need to have kids to play the role of a father or mother. I believe that he got the role on merit, in the same way that Daniela Vega got the lead role in A Fantastic Woman, because they were the best person for the job.
Where the film falls slightly flat, however, is that there are no other fully fleshed out characters apart from Lara, and although the film focuses around Lara's pain and experiences in the here and now, there isn't always a clear motivation for her actions. It isn't even clear why she is so keen on becoming a dancer in the first place. I'd like to have seen more of the father and younger brother and how their lives were affected by Lara's situation.
Ultimately it is a painful portrait of a young woman fighting to be who she wants to be that could have benefited from widening the scope and delving into the lives of other characters more in order to give more weight to the situations Lara found herself in. I also feel that the ending, although earned and wincingly effective from an emotional standpoint, didn't provide much closure and left the film feeling unresolved. Having said that, I have a suspicion that this was intentional as stories such as these do not have a cut-off point where the transformation is complete and the only resolution is the acceptance that there is none and that the fight must go on.
Definitely would recommend it.
Wusstest du schon
- WissenswertesThe casting call for the protagonist was genderless, i.e. open for girls, boys, and those who were neither. 500 people between 14 and 17 auditioned but none of them could both dance and act well, so the filmmakers decided to cast the rest of the dancers first, and there they found Victor Polster.
- Crazy CreditsThe movie's title is not shown until the start of the end credits.
- VerbindungenFeatured in 2019 Golden Globe Awards (2019)
- SoundtracksTomboy
Performed by Princess Nokia
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Cô Gái
- Drehorte
- Gent, Oost-Vlaanderen, Belgien(street scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 4.179.737 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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