Börü

Storyline was not good. If you don't have any knowledge about coup attempt, you don't understand anything from the movie. Visual effects could be better. The action could have been higher. 3/10

First of all, this series was not made for Americans to like it. The purpose of this drama is to tell the saga of July 15 to the public, so whether the action scenes are good or bad doesn't interest me. The series has fulfilled its original purpose.

Just a poor copy of American TV series. Too slow, few Action and too many pause. Nice try but fail. After Generation Kill and Over There nothing sounds good

If you watched the TV series you need to watch this movie to understand what happens and how it ends. Brilliant performances by an amazing cast. It's definitely worth watching, please watch the TV Show first is just 6 episodes so you get the full experience and understand the full story behind this event, you will get to know the characters and their stories.

I am an english teacher at a private school in Istanbul. You can say I'm a long term tourist in a beautiful country. I lived through the events of July 15th 2016. It was an extremely dangerous and polarizing night when against all odds the democratically elected government and the brave security forces won against the shadowy conspiracy of an Khomeini-like cleric and their faction within the military and the police.

This film is about that second group of people. It is a peek into that night when patriotic police and soldiers went through great ordeals to protect against a modern putsch that Turkey might not have survived at all.

The film itself is well acted, action packed and full of triple-A visuals which are an absolute delight considering cinema in Turkey is in its infancy when it comes to action. It is miles better than any in-house production Netflix ever came up with, while clearly being a fraction of the budget.

Even though almost everyone is familiar with the maverick Mr. Caglar who produced the film (I should know all my 12th grade English literature students are fanatics of his style), the two talented directors Emre and Ozduru who weave heart-pounding action and grim drama deserve props. The sublime musical composer Lincoln Jaeger is also world class here, as well as the cinematographer who lights a dark and foreboding urban Ankara where only the brave roam the streets of the putsch. Turks often have trouble relating their point of view to the western world. They have a tempestous love and hate relationship with the democracies of the Atlantic. But this film does and will appeal to the discerning international viewer who wants to enjoy a thrilling slice of the distressing night that Ataturk's republic almost fell.