To Leslie

I know absolutely nothing about this film. Other than the performance from Andrea Riseborough got a lot of attention for gatecrashing the Oscar's nominations. She plays Leslie. A firebrand Texan who wins $190k, but who we meet being kicked out of a cheap apartment, penniless. The money gone and bridges apparently torched to the ground. This is a gritty and true story of hopeful redemption. James (Owen Teague), her son hasn't given up hope and barely 10 minutes in, I'm fully onboard and praying that she doesn't screw this up. He's a good kid. I say kid, he's grown up and capable. More capable than Leslie, who's an alcoholic train wreck, who quickly dashes my hopes. It's hard to watch. Riseborough really is quite brilliant. Vile as Leslie but brilliant. You want to root for Leslie. Want her to find her feet. Gain the control she needs, but she doesn't make it easy and neither do those around her. Texas looks a lonely place, especially through her eyes. Dry heat and dust. Blue collar brutalism. Everyone just keeping moving slowly onward. You can appreciate the drudgery and Leslie's desire to "Just have some fun". Kicked out by James, she bounces around. Still drinking, incapable of looking after herself. There's plenty of bar scenes. Neon Miller signs on the walls as awful country music twangs in the background. It's like a slow motion car crash. Someone has got to find the brakes. Could that be Sweeney (Marc Maron), a nice guy charitable type who steps in with a job and roof. He's not daft though, he sees what she's up to, but he's patient. I like Maron a lot. I'm sure he'd admit he's not the best actor, but he's honest, homely. Maybe it helps that Maron understands what Leslie is about to go through. Riseborough is hauntingly good and together they grab this story by the horns. Almost quite literally, as things get a bit redneck at the town fair. Who doesn't love a bit of line dancing in the sun though. It's powerful stuff. It looks remarkably good too, despite the bleakness. I don't want to give anything away, but it's not a typical redemption tale. I've no idea how close to the true story it is, but it feels honest. There's no fluff, no needless sentiment. I've no idea if Riseborough will win the Oscar, but she deserves to as much as anyone. That said, the Oscar's are pointless anyway, but I'm thankful in this case that their existence brought me To Leslie.

I found this film evocative and provocative. It was a deep dive into the pain and wreckage that is left in the wake of addiction. Andrea Riseborough transforms herself into a down and out alcoholic who is on a day to day survival program. Her non-verbal acting is over the top good.

Mark Moran appears as an unlikely hero who demonstrates what the power of believing in someone can do.

Andre Royo (loved him in the Wire) plays a lovable sidekick with no shortage of street wisdom.

I highly recommended this movie to anyone who is interested in a human drama about a human being searching for redemption.

A young mother wins and then squanders a lottery win, losing herself to alcoholism and her family to the aftermath. The film charts her journey to redemption.

I think it's rare to see performances like this one. Yes there's oscar winners every year, but they tend to be for formulaic roles and popular roles, rather than for technical merit as an actor.

In To Leslie Riseborough reminds us what acting really is. You don't see an actor playing the role of a recovering alcoholic, you see a recovering alcoholic. She breathes life into the role and every nuanced move, glance, pursing of lips, scrunching of eyes, movement of body is the epitome of a woman in torment. Her delivery is perfect.

I was shocked to see her so thin which lent authenticity to the role, but she had me right from the opening scene right the way through to the very last scene where she held nothing back. She gave everything to her part.

It reminded me of Jessica Chastain in The Eyes of Tammy Faye. Total immersion into the role where the pretended morphed into the real and you forgot it was acting.

To Leslie was flawlessly directed and Riseborough benefited from a strong cast. Janney was her usual excellent self, but there was not one weak character in the film.

Absolutely spellbinding and I give this a very rare 8.

Sure, this type of story has been told before, but never this well, and certainly never this authentic and real. It almost felt like there was a hidden camera following a real-life Lee around battling her demons and going through life.

I'm not a fan of slow-paced films, but every second in the just under two hour runtime was used to perfection. I actually wanted more. This is TV film director Michael Morris' full length feature film debut, and what a masterclass achievement his directing was. Along with Ryan Binaco in his second ever writing credit, they managed to create a truly atmospheric, powerful, honest and multi-layered complex portrait on alcohol addiction.

As great as the filmmaking is, the Oscar-worthy performance by Andrea Riseborough as Leslie "Lee", is the icing on the cake. She is clearly an underrated actress, and I can't think of anyone that could've been cast or perform better than she did. Every expression - tear, smile and stare she gave told a thousand stories. Her chemistry with Marc Maron as Sweeney was undeniable. For that matter, all casting and performances were outstanding - props to the casting director. I only wish we saw more of Allison Janney.

Even the cinematography and score were perfect. Along with the excellent sets and landscape that fit every scene perfectly, there really isn't much to critique in this gem of a film. It's the perfectly made social commentary and character study of its topic.

To Leslie needs to be a curriculum study in every category of film school - from writing, directing, acting, cinematography, etc. It truly is one of the very few near-perfect films out of my 1500+ reviewed films, and a well deserved 9/10 from me. A standing ovation to all cast and crew is in order.

One of the very best films I saw at SXSW 2022.

I don't usually cry watching films but the characters were so genuine and heartfelt that I did. Another male audience member said the same thing: not someone who cries but this time yes. One thing I really liked was the way in which the writers don't spoon feed you the story; some things are unexplained and you don't always understand exactly why or what is happening just like in real life. Combined with the handheld camera work, there was a gritty fly on the wall perspective. This gave it the feel of a "filmmaker film" rather than a Hollywood focus group formula.

Andrea really showed her acting chops; I had to look her up and see what films I had been missing. But sadly she seems to have mostly been in schlocky formulaic films in the past. Hoping this is the inflection point where she starts getting more roles of the caliber of her acting.