Metacritic-Rezensionen

The bigger sin here is that “Nobody’s Fool” wastes its comic goodwill and performances by wallowing in the same tired story elements Tyler Perry has been milking on TV and in his movies for decades. He’s done this before, and you’ve seen it before.

When his zany cast of characters (many but not all played by Perry himself) takes leave of his material, as in Nobody’s Fool, his movie’s faults start to look more congruent with less auteur-driven studio comedies.

If the movie’s looseness lets in an excess of dead air, “Nobody’s Fool” is still dotted with pleasures besides those Haddish brings.

Even with all of Haddish's hard work, she still can't clean up the mess she's landed in.

Too much of Nobody’s Fool makes do with well-worn exchanges and contrived, overheard conversations.

In Nobody’s Fool, Tiffany Haddish is just furious and funny enough to make you wish that the rest of the movie wasn’t a droopy romantic comedy without the comedy.

Few mainstream romantic comedies are so brazen or as unconvincing in their third acts. As if the movie were embarrassed about the tidy way it wraps things up, it trots Haddish out for a silly coda that reminds us how little we saw of her during the film's final hour.

In the end, you feel like you’re the victim of a cruel bait-and-switch, lured into thinking Nobody’s Fool would be a crappy but nevertheless entertaining Tiffany Haddish movie, only to have it turn out to be a crappy but nevertheless crappy Tyler Perry movie. Talk about mixed feelings.

Given that this is the auteur’s 20th theatrical feature film, there’s no longer any excuse for the pacing issues, the scenes that don’t end and the general flaccidness of his direction.

There’s barely a laugh in it. And Haddish does lasting damage to her brand and suggests “time’s up” on her 15 minutes as she mugs, vamps, overplays and over-reaches in a vain attempt to give what she HAD to see what “not funny” a laugh.