Bap Jal Sajuneun Yeppeun Nuna

This is rare ,this is one of the examples of the simple but powerful screenplay.this is one of the best and on point romantic drama I have ever seen.There are some elements which are used very creativity and effectively to derive the emotions on the screen.i am impressed.

Nobody else would have considered producing this. It is too slow, too repetitive, people are too sensitive for the story to sell outside Asia, it's overall "too Korean", people spend too much time eating and drinking and many other reasons. I am a European, old, white male and therefore as far away from the intended target group of this movie as possible (I guess). And yet, the characters and the story got me hooked within 15 minutes and I binge-watched to the end. Character development is beautiful and slow, timing is impeccable, drama is balanced with light comedy in an effortless way, every single actor is well cast and executes perfectly. And most of all, it is incredibly refreshing to see sensible "normal" people compared to all these overly egoistic and egocentric characters in American blockbusters that are only motivated by money, sex, violence, power... I probably should add that I am a hopeless romantic who watches Casablanca every few years and still enjoys it every time. If you fall into this category, no matter what else you like or dislike I highly recommend this series. Also if you are interested in Asian cultures or have never been to Korea you will probably learn a lot. The reason why I started using Netflix was Sense8. And this series also has the tenderness and "love conquers all" message but without the sex scenes obviously :-)

I have watched the opening 6 episodes several times because the story of these two characters falling in love is so warm and sweet, and I was deeply fortunate to have a precious soul mate in my own life, so I often have tears watching them. The chemistry between the actors is palpable: they are charming together and completely believable. The uses of elevators, rain, and umbrellas are nice touches that contribute figuratively to their evolving story and again at the end-with the addition of the all-important necklace. The rest of the series explores the judgmental intrusiveness of family members, with a mother figure so over the top she is an abusive, hateful cartoon figure that borders on psychopathy. Also very important is the study of workplace sexual harassment, which this series explores successfully along with the female lead's maturing as she grows into the person she wants to be. But both themes take their tolls on the love story. I do think the series finds a positive resolution that satisfies the love story; it is rushed, but it is there in the symbols as well as their joy.

After watching this series a second time, I am upgrading the rating to 9 stars.

Situated in 2015 Seoul, a 35 year old submissive woman meets younger guy, is wooed and falls in love. The relationship between Jin-A and Jun-Hui, 10 years her junior, is both touching and annoying. The miscommunication, indirectness, missed opportunities, etc., make for some interesting plot arcs. It is enjoyable to watch Jin-A progress from a woman who cannot believe she possesses a guy who is totally consumed by her into someone who, in one sense, doesn't need him anymore but, in another sense, knows he is the only man who will ever truly love her and thus won't settle for anything less.

At the lowest level, this series is a Romeo and Juliet type of love story, but it has a number of other more interesting plot issues that make it one of the better k- dramas that is definitely worth the viewer's time. The most important one is the heroine's development into a self confident woman who maintains her compassionate dignity. Next is the sexual harassment plot arc that must be fully played out and ultimately affects the romance. The ultra-traditional mother, who demands Jin-a marries a wealthy husband to the point of, absurdity, takes on a comedic role at times. American viewers who know nothing about Korean culture, like me, may be struck by the constraints placed on Korean women: family duty, the favoring of the son, male chauvinism and laws that seem to treat women as 2nd class citizens. This realistic glimpse into Korean life may be the series best aspect and sets it apart from many other Korean shows.

Son Ye-jin, whose wholesome beauty and effortless acting in the role of Jin-A, has a good screen presence and stands out by virtue of the seemingly mild mannered self-deprecating character she develops into mature self-confident woman who decides to live life on her own terms. Supported by a very capable cast, Son is able to juxtapose her character against a panoply of relatives, friends and colleagues who, due to their bondage to Korean traditions, have some significant issues that test Jin-a's determination and humanity.

All told, this would make a very good first Korean drama series for you to watch

Well I though it was a beautiful love story again the Koreans know how to make a good drama, I think the acting is superb not just the main two but everyone.