Metacritic-Rezensionen

Nick Naveda's strong, smart script is based on the award-winning novel by Julia Walton. Adam is a perceptive and sympathetic character and director Thor Freudenthal brings us inside his perception of the world with striking visuals.

The movie has built up enough genuine warmth and displayed enough sensitivity that even the formulaic nature of its resolution does little to dull its impact.

Eager to split the difference between age-appropriate entertainment and raw honesty, Words on Bathroom Walls hedges a bit in its final act, delivering the kind of happy ending only seen in movies . . . while slyly resisting tying things up in a neat bow.

When Words on Bathroom Walls is at its sunniest and most blithe, the moral of the story feels a little more like a punchline than is appropriate.

Words on Bathroom Walls has its moments and its heart is in the right place, but the missteps are too many and too big for the story to carry the day.

Whatever precious touches emerge, I have to say Words on Bathroom Walls works. The performances are stellar and earn the emotional connection we feel with the characters. The lighter touches — Garcia, Bostick and especially Robb (“Charlie and the Chocolate Factory”), going all Woodstock Stevie Nicks — are a delight.

There are pockets of truth, grace and pain in this portrait of troubled adolescence, and its talented young stars know where to find them; like many a nervous teen, however, the film itself is caught between standing out and fitting in.

Words on Bathroom Walls deftly balances being part romcom and part mental illness drama, offering a uniquely compelling coming-of-age story.

The film reeks of the extremely idealistic notions of young love that plague many a YA adaptation.

It takes some big swings at a big subject and almost — not quite — pulls it off.