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- Auszeichnungen
- 5 Gewinne & 10 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'Sahsiyet' is celebrated for its psychological depth, intricate characters, and Haluk Bilginer's standout performance. The series is lauded for its compelling narrative, dark themes, and social commentary. Critics commend the writing, direction, and cinematography, often comparing it to top-tier international crime dramas. Some feel it could be more concise and that certain subplots are less engaging. Nonetheless, 'Sahsiyet' is widely seen as a major accomplishment in Turkish TV, providing a unique perspective on crime and justice.
Empfohlene Bewertungen
How I was wrong about Turkish production. Its just because my wife consume some bunch of stupid soap stories from Turkey.
Persona is heavy story about what is place and role of women in Tukrish society, even today, in 21st century and clearing conscience.
Story is very good, plot is heavy, directing beutifuly, music nice, dialogs in some moments fantastic and with heavy social messages.
It could be shorter for one or two episode but in overall its ok.
"Sahsiyet" is the best Turkish series I've ever watched; it's awesome, exciting and very very different. I'm so excited to watch the next episodes.
Frankly, it took for me like ages to get past the first episode. But then, I increased pace and completed the entire season in 2 days; 2 days because i needed some sleep so as to grasp and catch hold of the sequences.
Sahsiyet gets my applause. It has well deserved cinematography, appeal, timing, and pace. It is slow at times, and yet thoughtful and decisive. Bravo its creators, director, and actors.
The main lead, Agah, is impressive and quirky. Really, his timings at times made me into thinking like he was really suffering with Alzihmers. How well executed. The other actors also did a great job.
Above all, the last two episodes had a dreadful atmosphere, and i think, that was something which sums up to all the reasons the firsts ten episodes left an impression on me; and definitely the other audiences who watched this show. Unsettling, nervebreaking and tear jerkers. Maybe through a fictional way, the creators wanted to showcase the brutal reality of our "world".
Don't miss this if you love mystery, thrill, and an impeccable creativity.
Sahsiyet gets my applause. It has well deserved cinematography, appeal, timing, and pace. It is slow at times, and yet thoughtful and decisive. Bravo its creators, director, and actors.
The main lead, Agah, is impressive and quirky. Really, his timings at times made me into thinking like he was really suffering with Alzihmers. How well executed. The other actors also did a great job.
Above all, the last two episodes had a dreadful atmosphere, and i think, that was something which sums up to all the reasons the firsts ten episodes left an impression on me; and definitely the other audiences who watched this show. Unsettling, nervebreaking and tear jerkers. Maybe through a fictional way, the creators wanted to showcase the brutal reality of our "world".
Don't miss this if you love mystery, thrill, and an impeccable creativity.
After Fi, I started with a low expectation and continued with admiration. Hakan Günday and Azra Kohen are not comparable to each other. There is no need to look for flaws in Sahsiyet. Thanks to Puhu TV, quality in the Turkish series sector has risen so much. Sahsiyet's story is a bit like Breaking Bad, a bit of a Dexter mix, much more different and much more intimate.
Sahsiyet's greatest trump card; Behind the screen are two successful names such as Hakan Gunday and Onur Saylak. Hakan Gunday, one of the greatest writers that Turkish literature has recently released, writes the screenplay of Sahsiyet. The scenarios in each section are overly pleasing. Those who know their books, I am sure they felt this.
The second biggest trump card in the series is the Haluk Bilginer factor. As for the Cansu Dere... Everyone has a prejudice against her. But I do not think it's bad. I did not see an exaggeration. Exceptionally lean, understated, with a moderate performance on display, without too much trouble. Only the character Nevra, a little too American. The Turkish police is like a Behzat Ç. Police office looks like the American Police Department in Sahsiyet. It's a very successful mini-series. I wish it was a few seasons. 10/10
Sahsiyet's greatest trump card; Behind the screen are two successful names such as Hakan Gunday and Onur Saylak. Hakan Gunday, one of the greatest writers that Turkish literature has recently released, writes the screenplay of Sahsiyet. The scenarios in each section are overly pleasing. Those who know their books, I am sure they felt this.
The second biggest trump card in the series is the Haluk Bilginer factor. As for the Cansu Dere... Everyone has a prejudice against her. But I do not think it's bad. I did not see an exaggeration. Exceptionally lean, understated, with a moderate performance on display, without too much trouble. Only the character Nevra, a little too American. The Turkish police is like a Behzat Ç. Police office looks like the American Police Department in Sahsiyet. It's a very successful mini-series. I wish it was a few seasons. 10/10
I don't know why have I delayed this show to watch. A wonderful story, great cinematography, and a flow that does not get you bored. Some how, it keeps you awake. highly unpredictable.
Beside this, the show focuses on some huge problems in turkish society, shamefull incedents and knowing them by a community that act like it is not happening. The show throws this up to us to face this mass so rigorously.
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- WissenswertesHaluk Bilginer was awarded International Emmy for his performance as Agah Beyoglu in 2019.
- Zitate
#1: There are no serial killers in Turkey. There are people who go on a killing spree.
- VerbindungenRemade as Asesino del Olvido (2021)
- SoundtracksAgâh Makami
Music and Lyrics by Hakan Gunday
Arrangement by Rubato
Performed by Haluk Bilginer and Rubato
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