Für einen Filmregisseur und seine Crew, die gerade in einem verlassenen japanischen Fabrikgebäude aus dem Zweiten Weltkrieg einen Zombie-Film drehen, läuft es gar nicht mehr gut, als sie plö... Alles lesenFür einen Filmregisseur und seine Crew, die gerade in einem verlassenen japanischen Fabrikgebäude aus dem Zweiten Weltkrieg einen Zombie-Film drehen, läuft es gar nicht mehr gut, als sie plötzlich von echten Zombies angegriffen werden.Für einen Filmregisseur und seine Crew, die gerade in einem verlassenen japanischen Fabrikgebäude aus dem Zweiten Weltkrieg einen Zombie-Film drehen, läuft es gar nicht mehr gut, als sie plötzlich von echten Zombies angegriffen werden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 28 Gewinne & 19 Nominierungen insgesamt
Yoshiko Takehara
- Yoshiko Sasahara
- (as Donguri [Yoshiko Takehara])
Sakina Asamori
- Saki Matsuura
- (as Sakina Iwaji)
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ACTION!
Some novels trust you to be able to stick with strange decisions and styles to push through to a few final pages or chapters or lines that achieve the near-impossible, they redefine and reframe the previous ones, they shed a new light, and radically change your thoughts on the previous material/project as a whole.
That happens in this film. To discuss it any further is to completely ruin it. Suffice to say, it is every bit as good as it is being touted as. It's got clever commentary and a style of comedy that means you can actually be laughing before they even show you anything. I'm still laughing about it today, and I think it even manages to take Zombies and be the first film of this decade to give them a new thematic meaning.
It's got a denouement too many, but they've earned it: I watched this film at the Sitges film festival and the filmmakers and cast received a standing ovation, at which, I was almost in tears, not only because they thoroughly deserved it, but also because they managed to make a film about what making a film is about. It captures almost all of what it feels like in an authentic and different way to usual, and it uses its budget to make a film about making a film at that budget perfectly.
I have no doubt that this cast and crew (of whom none have a single IMDB headshot image!) will get One Cut of the Dead will get a distributor and achieve worldwide success and acclaim, it's just too special and genuine and innovative not to.
And it even manages to correct that fact that it 'should' have been called One Take of the Dead in a way that satisfies a pedant like me! Time to get off my arse and make something...
Some novels trust you to be able to stick with strange decisions and styles to push through to a few final pages or chapters or lines that achieve the near-impossible, they redefine and reframe the previous ones, they shed a new light, and radically change your thoughts on the previous material/project as a whole.
That happens in this film. To discuss it any further is to completely ruin it. Suffice to say, it is every bit as good as it is being touted as. It's got clever commentary and a style of comedy that means you can actually be laughing before they even show you anything. I'm still laughing about it today, and I think it even manages to take Zombies and be the first film of this decade to give them a new thematic meaning.
It's got a denouement too many, but they've earned it: I watched this film at the Sitges film festival and the filmmakers and cast received a standing ovation, at which, I was almost in tears, not only because they thoroughly deserved it, but also because they managed to make a film about what making a film is about. It captures almost all of what it feels like in an authentic and different way to usual, and it uses its budget to make a film about making a film at that budget perfectly.
I have no doubt that this cast and crew (of whom none have a single IMDB headshot image!) will get One Cut of the Dead will get a distributor and achieve worldwide success and acclaim, it's just too special and genuine and innovative not to.
And it even manages to correct that fact that it 'should' have been called One Take of the Dead in a way that satisfies a pedant like me! Time to get off my arse and make something...
If you don't like violent zombie films, you might still enjoy "One Cut of the Dead". Sure, it has blood (as you'd expect) but it is more tongue in cheek and silly as opposed to being gross or gratuitous. So, if you are a parent, you could let older kids watch this one with no serious concerns about your kids becoming warped for life!
The story is a confusing one. It's kind of like a movie within a movie...within a movie. Instead of explaining the exact plot, I'll just insist that you watch it and don't worry if you are confused....stick with it.
The movie is clever, funny and offers something new and different. And, with so many young filmmakers making zombie films, this one actually offers you some things that are unique and well thought out. Well worth seeing....and a great example of cheap but effective film making.
The story is a confusing one. It's kind of like a movie within a movie...within a movie. Instead of explaining the exact plot, I'll just insist that you watch it and don't worry if you are confused....stick with it.
The movie is clever, funny and offers something new and different. And, with so many young filmmakers making zombie films, this one actually offers you some things that are unique and well thought out. Well worth seeing....and a great example of cheap but effective film making.
Easily one of the most original movies of recent years, 'One Cut Of The Dead (2017)' is best experienced if you know as little about it as possible. As such, I'm only going to talk about it in the vaguest of terms. It's safe to say, though, that I highly recommend you go out and watch it. It's a film that successfully subverts expectation on more than one occasion, displaying an excellent understanding of its audience in the process. Though its second act does slow things down considerably, it's wholly necessary to set up one of the most satisfying finales I've ever seen. Seriously, the final third is absolutely phenomenal and retrospectively makes the affair's first movement (which is done as an incredibly ambitious, thirty-seven-minute oner) even more effective. The film feigns amateurism, but it's actually acutely choreographed and amazingly clever. It's funny, engaging, surprising, energetic, inspired and enjoyable. It's fantastic. 9/10.
I would watch this with no context of what the movie is about. Each act of the movie is a totally different experience that expands on the last and makes it infinitely better.
When I started watching it, I thought it was one of the cheapest, stupidest zombie movies that I had ever seen (and I saw really a lot!). I continued hoping it could get any better, and it does, BIG WAY. The end reveals this movie as one of the best homages ever made to the art of cinema and an hilarious celebration of human creativity.
Wusstest du schon
- WissenswertesCost $25,000 to make. Made over $25,000,000.
- PatzerDuring part one, the car trunk is closed while the characters talk about the car keys.
During part three, the car trunk is open.
- Zitate
[repeated line]
Director Higurashi: Action!
- Crazy CreditsThe end credits showed real-life footage of the cast and crew shooting the movie.
- VerbindungenFeatured in Half in the Bag: 2019 Movie Catch-Up! (part 2 of 2) (2019)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Zombis, Cámara, ¡Acción!
- Drehorte
- Mito, Ibaraki, Japan(Abandoned building)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 ¥ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 52.406 $
- Eröffnungswochenende in den USA und in Kanada
- 6.360 $
- 15. Sept. 2019
- Weltweiter Bruttoertrag
- 27.590.180 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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