Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Woody Harrelson
- Mr. Peanut
- (Synchronisation)
Ke Huy Quan
- Dr. Amherst
- (Synchronisation)
- …
Kurt Loder
- Kurt Loder
- (Synchronisation)
Alan Tudyk
- Cosmo
- (Synchronisation)
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The Electric State is actually a very good concept, but its execution is incredibly rushed, with no real character or world development.
The cast is incredible and the visuals are fantastic, but this really needed to be a limited series. Two hours is nowhere near enough time for an unorthodox story like this.
The limited robots we meet seem silly and ineffective, so a more developed backstory could have really served to make this world much more realistic and menacing. But it seems they took numerous shortcuts in the story to move it along and finish it a movie timelength. A perfect example of what they could have done is Sweettooth, another very unique Netflix property that has much higher ratings.
The cast is incredible and the visuals are fantastic, but this really needed to be a limited series. Two hours is nowhere near enough time for an unorthodox story like this.
The limited robots we meet seem silly and ineffective, so a more developed backstory could have really served to make this world much more realistic and menacing. But it seems they took numerous shortcuts in the story to move it along and finish it a movie timelength. A perfect example of what they could have done is Sweettooth, another very unique Netflix property that has much higher ratings.
Like other user reviews I can say this is no epic or a particularly memorable movie but it's not bad. I have not read the book so cannot speak to it's faithfulness to the original story but the dialogue is funny at times. I actually find chris pratts performance better than in most movies. More self deprecating and with nuanced quirkiness. Its an action/adventure movie so i never really understand why critics hold these romps to the standard of cinema. This is not cinema, this is simply a good action/adventure flick with some funny bits. Its not a dark movie but not overly campy either. You can absolutely see where the budget went. The cgi is flawless and plentiful which i always enjoy.
Honestly, I guess this film is aimed at the 5-10 age group, and I think that makes it fine....ok....not too awful etc etc.
For a background film while you cook, it's ok. Difficult to follow anyhow when you sit and concentrate.
With the amount of well known names in this film, and the fact I love sci-fi, I was truly expecting and hoping for so much better.
People giving this a ten? Really? Have you never watched a film before, or think this is the height of sci-fi?
Acting for me was all good, even MBB whom I'm not a fan of. It's the story that lets it down. Lack of cohesion, lack of direction, absolute lack of compassion for any of the characters. :-(
For a background film while you cook, it's ok. Difficult to follow anyhow when you sit and concentrate.
With the amount of well known names in this film, and the fact I love sci-fi, I was truly expecting and hoping for so much better.
People giving this a ten? Really? Have you never watched a film before, or think this is the height of sci-fi?
Acting for me was all good, even MBB whom I'm not a fan of. It's the story that lets it down. Lack of cohesion, lack of direction, absolute lack of compassion for any of the characters. :-(
The Electric State wants to be a requiem in retro-futurist tones, a tale of loss and wanderings, robots with forlorn eyes, and a girl drifting through the ash-heap of civilisation. But though the frame is stunning and the budget considerable, the film slips through the fingers like vapour.
The Russo brothers summon their usual largesse of scale, but seem uninterested in the subtler contours of feeling. The performances are hemmed in by the architecture of the film. Millie Bobby Brown, oddly airbrushed and disconcertingly polished for someone meant to carry the ache of memory, never quite finds the soul of the part. Her face, perhaps shaped more by surgeons than experience, distracts from the emotional weight the role asks of her.
The robot companion, tender in design and nearly mute, is meant to be the beating heart. Instead, it feels like window-dressing for a story that can't commit to intimacy. There are fragments that glint, an abandoned cinema, a voice on a forgotten radio, but they aren't allowed to resonate.
I watched it unfold with admiration for its mechanics and a growing indifference to its meaning. The Electric State has all the signs of a journey, except the feeling of having gone anywhere at all.
The Russo brothers summon their usual largesse of scale, but seem uninterested in the subtler contours of feeling. The performances are hemmed in by the architecture of the film. Millie Bobby Brown, oddly airbrushed and disconcertingly polished for someone meant to carry the ache of memory, never quite finds the soul of the part. Her face, perhaps shaped more by surgeons than experience, distracts from the emotional weight the role asks of her.
The robot companion, tender in design and nearly mute, is meant to be the beating heart. Instead, it feels like window-dressing for a story that can't commit to intimacy. There are fragments that glint, an abandoned cinema, a voice on a forgotten radio, but they aren't allowed to resonate.
I watched it unfold with admiration for its mechanics and a growing indifference to its meaning. The Electric State has all the signs of a journey, except the feeling of having gone anywhere at all.
The acting is horrible and played from the bottom. The entire cast plays the same character they've always played in previous works.
The film leans heavily on CGI, but it never quite blends with the live-action. Every time the characters interact with the robots, it's painfully obvious they're talking to empty space.
The Electric State is just another example of Hollywood spending a massive budget on a film that has no real heart. Weak performances, lifeless CGI, and a predictable plot make it an easy pass. Instead of investing in real, compelling stories, studios keep churning out this overproduced, uninspired junk.
I did like Woody Harrelson as Mr. Peanut.
The film leans heavily on CGI, but it never quite blends with the live-action. Every time the characters interact with the robots, it's painfully obvious they're talking to empty space.
The Electric State is just another example of Hollywood spending a massive budget on a film that has no real heart. Weak performances, lifeless CGI, and a predictable plot make it an easy pass. Instead of investing in real, compelling stories, studios keep churning out this overproduced, uninspired junk.
I did like Woody Harrelson as Mr. Peanut.
New and Upcoming Book-to-Screen Adaptations
New and Upcoming Book-to-Screen Adaptations
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Wusstest du schon
- WissenswertesThe mall used as the robot safe haven is North DeKalb Mall in North Decatur, a suburb of Atlanta, Georgia. It opened in 1965 and closed in 2020 before being demolished in mid 2024. The mall had previously been used in episodes of Loki and Cobra Kai as well as the Fear Street trilogy and feature films Civil War, The Mule and Zombieland: Double Tap.
- PatzerSeveral times throughout the movie, the Marshall drops his gun and the characters never try to grab it and use it against him. The most prominent of these examples are when they manage to temporarily trap the Marshall in a metal claw, and instead of picking up his gun off the floor and shooting his drone, they decide to run, even though shooting the drone would solve the entire problem.
However, it is more than possible (and likely) that the weapon is linked somehow to its robot owner - there have been examples of weapons developed in the past ten years in real life that respond only to an authorised person's fingerprint, for example.
However, there's no evidence for this theory within the film. In addition the above states that examples of such weapons have been developed in the last 10 years (ie, since 2015). The film is set in the 1990s.
- Zitate
Ethan Skate: Our world is a tire fire floating on an ocean of piss.
- SoundtracksMary Jane's Last Dance
Written by Tom Petty
Performed by Tom Petty & The Heartbreakers
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
Box Office
- Budget
- 320.000.000 $ (geschätzt)
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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By what name was The Electric State (2025) officially released in Canada in French?
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