Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.Ein verwaister Teenager durchquert den amerikanischen Westen mit einem süßen, aber geheimnisvollen Roboter und einem exzentrischen Herumtreiber auf der Suche nach ihrem jüngeren Bruder.
- Regie
- Drehbuch
- Hauptbesetzung
Woody Harrelson
- Mr. Peanut
- (Synchronisation)
Ke Huy Quan
- Dr. Amherst
- (Synchronisation)
- …
Kurt Loder
- Kurt Loder
- (Synchronisation)
Alan Tudyk
- Cosmo
- (Synchronisation)
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"The Electric State" had all the ingredients for a great sci-fi adventure-an intriguing premise, a talented cast, and a massive $300+ million budget. Yet, despite these advantages, the film falls flat, failing to deliver anything beyond its initial setup.
The movie starts strong, presenting a mysterious and engaging world that grabs attention. However, as the plot unfolds, it becomes increasingly childish and loses its depth, turning what could have been a thought-provoking sci-fi journey into something simplistic and uninspired. The film seems unsure of its target audience, oscillating between serious themes and a tone that feels more suited for a younger crowd.
With a cast of this caliber, the performances should have been a highlight, but instead, they feel wasted on a script that doesn't give them much to work with.
Especially Millie Bobby Brown feels underwhelming. Her acting lacks the emotional weight needed to carry the story, making it difficult to connect with her character.
Visually, The Electric State is impressive, as expected from a film with such a massive budget. The CGI and world-building are well-crafted, but stunning visuals alone can't compensate for a lackluster narrative. Given the talent and resources behind the project, the final result is frustratingly mediocre.
Ultimately, The Electric State is a missed opportunity. It starts with promise but quickly loses its way, relying on spectacle rather than substance. For a film of this scale, it should have offered much more than a pretty but hollow experience.
The movie starts strong, presenting a mysterious and engaging world that grabs attention. However, as the plot unfolds, it becomes increasingly childish and loses its depth, turning what could have been a thought-provoking sci-fi journey into something simplistic and uninspired. The film seems unsure of its target audience, oscillating between serious themes and a tone that feels more suited for a younger crowd.
With a cast of this caliber, the performances should have been a highlight, but instead, they feel wasted on a script that doesn't give them much to work with.
Especially Millie Bobby Brown feels underwhelming. Her acting lacks the emotional weight needed to carry the story, making it difficult to connect with her character.
Visually, The Electric State is impressive, as expected from a film with such a massive budget. The CGI and world-building are well-crafted, but stunning visuals alone can't compensate for a lackluster narrative. Given the talent and resources behind the project, the final result is frustratingly mediocre.
Ultimately, The Electric State is a missed opportunity. It starts with promise but quickly loses its way, relying on spectacle rather than substance. For a film of this scale, it should have offered much more than a pretty but hollow experience.
Like other user reviews I can say this is no epic or a particularly memorable movie but it's not bad. I have not read the book so cannot speak to it's faithfulness to the original story but the dialogue is funny at times. I actually find chris pratts performance better than in most movies. More self deprecating and with nuanced quirkiness. Its an action/adventure movie so i never really understand why critics hold these romps to the standard of cinema. This is not cinema, this is simply a good action/adventure flick with some funny bits. Its not a dark movie but not overly campy either. You can absolutely see where the budget went. The cgi is flawless and plentiful which i always enjoy.
If viewers are looking for the haunting, dystopian vistas and devastating landscapes from Stalenhag's book, they'll be disappointed. But there are amazing and captivating effects, practical and digital, that build a unique world vision.
What this film has going for it is Chris Pratt and Millie Bobby Brown (more on them later), combining with a talented group of voice actors. Tucci is as good as ever but his part is thinly developed. Giancarlo Esposito brings his trademark gravitas and emotional weight to the story as well, in a role that, while not perfectly written, provides a surprising part of the movie's center.
The Mr Peanut (Woody Harrelson) role, for me, didn't quite work. The "bots" I enjoyed were Herm ( unrecognizably voiced by Anthony Mackie) and the postal bot Penny Pal (Jenny Slate).
There are definite plot holes, but considering the at times preposterous world we're in, is it worth complaining about story gaps? The robot cavalry makes a long sojourn to their final battlefield in a long caravan that doesn't get attacked, and improbably makes crazy good time doing it. And there's the disposal of a very central bot in a very uncaring way that wouldn't happen, but provides a sentimental wink at the viewer.
Humorous, with lots of crash bang and very cool looking shots, especially with the giant sized robots, it's just fun enough, and interesting enough to watch all the way through. Pratt and Brown are fun-ish together, and bring their acting talents to a movie from a genre they are both very familiar with, so I do recommend it.
But Brown feels wrong in this: her appearance as a bounced around foster child feels too "glam" at times, because she isn't grubby enough. Her acting also feels very much as though she's going through the paces, almost too self aware. Her fluffed up lip's lipstick and gloss doesn't fit with Keats' (Pratt) grimy, disheveled bootlegger.
While Brown is given too many "noble" lines to deliver without coming off as sanctimonious, and Pratt is a little too much like Starlord at his most shrill and irritating; you can mostly forgive them because of their innate charm.
The Russo brothers are definitely talented, so there is a high bar set before you watch the first scene.
But they made a choice, the scary barren world that the book painted beautifully, is not the direction they picked. Instead they leaned into a little Spielberg, a little Lucas and some James Gunn. It doesn't make for a perfect movie, but hey, I watched the whole thing and wasn't mad that I did.
There's a lot of kvetching about the big budget and where did it all go. I have two thoughts on that: one, those cool shots of the giant bots, and the very good animatronic facial expressions weren't cheap. Second, the movie definitely feels like there were a number of scenes that were cut. Quite a few actually. I'd definitely watch the full cut, if there is such a thing. There are many telling points, story jumps being one, but Holly Hunter is too much of an accomplished actress to appear in one scene, and a voiceover.
So, give it a watch, you won't be mad that you did, and if you are, well, there's worse things to be mad at.
Just don't expect to be blown away, and hoping for a new franchise.
What this film has going for it is Chris Pratt and Millie Bobby Brown (more on them later), combining with a talented group of voice actors. Tucci is as good as ever but his part is thinly developed. Giancarlo Esposito brings his trademark gravitas and emotional weight to the story as well, in a role that, while not perfectly written, provides a surprising part of the movie's center.
The Mr Peanut (Woody Harrelson) role, for me, didn't quite work. The "bots" I enjoyed were Herm ( unrecognizably voiced by Anthony Mackie) and the postal bot Penny Pal (Jenny Slate).
There are definite plot holes, but considering the at times preposterous world we're in, is it worth complaining about story gaps? The robot cavalry makes a long sojourn to their final battlefield in a long caravan that doesn't get attacked, and improbably makes crazy good time doing it. And there's the disposal of a very central bot in a very uncaring way that wouldn't happen, but provides a sentimental wink at the viewer.
Humorous, with lots of crash bang and very cool looking shots, especially with the giant sized robots, it's just fun enough, and interesting enough to watch all the way through. Pratt and Brown are fun-ish together, and bring their acting talents to a movie from a genre they are both very familiar with, so I do recommend it.
But Brown feels wrong in this: her appearance as a bounced around foster child feels too "glam" at times, because she isn't grubby enough. Her acting also feels very much as though she's going through the paces, almost too self aware. Her fluffed up lip's lipstick and gloss doesn't fit with Keats' (Pratt) grimy, disheveled bootlegger.
While Brown is given too many "noble" lines to deliver without coming off as sanctimonious, and Pratt is a little too much like Starlord at his most shrill and irritating; you can mostly forgive them because of their innate charm.
The Russo brothers are definitely talented, so there is a high bar set before you watch the first scene.
But they made a choice, the scary barren world that the book painted beautifully, is not the direction they picked. Instead they leaned into a little Spielberg, a little Lucas and some James Gunn. It doesn't make for a perfect movie, but hey, I watched the whole thing and wasn't mad that I did.
There's a lot of kvetching about the big budget and where did it all go. I have two thoughts on that: one, those cool shots of the giant bots, and the very good animatronic facial expressions weren't cheap. Second, the movie definitely feels like there were a number of scenes that were cut. Quite a few actually. I'd definitely watch the full cut, if there is such a thing. There are many telling points, story jumps being one, but Holly Hunter is too much of an accomplished actress to appear in one scene, and a voiceover.
So, give it a watch, you won't be mad that you did, and if you are, well, there's worse things to be mad at.
Just don't expect to be blown away, and hoping for a new franchise.
The acting is horrible and played from the bottom. The entire cast plays the same character they've always played in previous works.
The film leans heavily on CGI, but it never quite blends with the live-action. Every time the characters interact with the robots, it's painfully obvious they're talking to empty space.
The Electric State is just another example of Hollywood spending a massive budget on a film that has no real heart. Weak performances, lifeless CGI, and a predictable plot make it an easy pass. Instead of investing in real, compelling stories, studios keep churning out this overproduced, uninspired junk.
I did like Woody Harrelson as Mr. Peanut.
The film leans heavily on CGI, but it never quite blends with the live-action. Every time the characters interact with the robots, it's painfully obvious they're talking to empty space.
The Electric State is just another example of Hollywood spending a massive budget on a film that has no real heart. Weak performances, lifeless CGI, and a predictable plot make it an easy pass. Instead of investing in real, compelling stories, studios keep churning out this overproduced, uninspired junk.
I did like Woody Harrelson as Mr. Peanut.
So wanted to enjoy this. But... Oh, boy, what a dull movie. The actors look bored. The script is one of the worst I have witnessed. It's a hodge podge of other movie's scenes. ET, Aliens, T2 in the first 10 mins alone.
What a waste of talent. Is everyone now just cashing in the Netflix dollar and not caring about entertaining the audience. $320m and there's no soul, nobody to care about, no humour, no story, no jeopardy, nothing.
Predictable. The two stars look lost. The only redeeming feature is the FX which are phenomenally good. But you'd have as much fun flicking through the pictures in the book than you would sitting through 2 hours of this trite.
What a waste of talent. Is everyone now just cashing in the Netflix dollar and not caring about entertaining the audience. $320m and there's no soul, nobody to care about, no humour, no story, no jeopardy, nothing.
Predictable. The two stars look lost. The only redeeming feature is the FX which are phenomenally good. But you'd have as much fun flicking through the pictures in the book than you would sitting through 2 hours of this trite.
'The Electric State' Stars Share Their Special Skills
'The Electric State' Stars Share Their Special Skills
Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Giancarlo Esposito, and Stanley Tucci reveal the skills they have IRL that would help them survive a dystopian future.
WUSSTEST DU SCHON:
- WissenswertesThe mall used as the robot safe haven is North DeKalb Mall in North Decatur, a suburb of Atlanta, Georgia. It opened in 1965 and closed in 2020 before being demolished in mid 2024. The mall had previously been used in episodes of Loki and Cobra Kai as well as the Fear Street trilogy and feature films Civil War, The Mule and Zombieland: Double Tap.
- PatzerSeveral times throughout the movie, the Marshall drops his gun and the characters never try to grab it and use it against him. The most prominent of these examples are when they manage to temporarily trap the Marshall in a metal claw, and instead of picking up his gun off the floor and shooting his drone, they decide to run, even though shooting the drone would solve the entire problem. However, it is more than possible (and likely) that the weapon is linked somehow to its robot owner - there have been examples of weapons developed in the past ten years in real life that respond only to an authorised person's fingerprint, for example.
- Zitate
Ethan Skate: Our world is a tire fire floating on an ocean of piss.
- SoundtracksMary Jane's Last Dance
Written by Tom Petty
Performed by Tom Petty & The Heartbreakers
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Details
Box Office
- Budget
- 320.000.000 $ (geschätzt)
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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By what name was The Electric State (2025) officially released in Canada in French?
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