IMDb-BEWERTUNG
6,0/10
3780
IHRE BEWERTUNG
Wie weit ist man bereit, um seines politischen Engagements willen zu gehen?Wie weit ist man bereit, um seines politischen Engagements willen zu gehen?Wie weit ist man bereit, um seines politischen Engagements willen zu gehen?
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Christopher Hans
- Rolf
- (as Christopher Kjell Hans)
Empfohlene Bewertungen
Never have I seen a film come so close to making a point and then miss the mark entirely. The acting is fantastic, especially by lead Emde, the cinematography is striking, and the editing is well done. But the script reads like a first year's essay on Free Speech and Fascism that didn't bother to do any real research. For a much better version of this film, check out "The East."
This movie shows the different ways of defending and idea. We know violence is bad but is it ok to use it for the greater good? I personally don't think so but this film makes you think.
Some things are never gonna change, politics is personal.
It's better to have a belief than have none at all.
Some things are never gonna change, politics is personal.
It's better to have a belief than have none at all.
The movie captured some media interest in Germany when it was screened in Venice film festival but was also critisised by leftists focussing on the childish and psychotic behaviour of the antifascist group. So I was at least curious. Well, the movie doesn't live up to expectations. The story is a bit dull and I had a hard time to follow it. Shooting and edit is not bad but the visual side also failed to hold up my interest. On the positive side I think the acting is at least authentic and the movie lacks the usual dose of policial indoctrination.
Very often people forget that movies could and should be two separate things. Some are entertainment, pure and simple, and some are art, trying to tell a story or make a statement about the world around us. It usually isn't that difficult to figure out what kind of a movie we want to watch. Even so, too often viewers who despair to be entertained at any cost complain about art movies. They are slow, boring, blah, blah, blah... That is always unfair and we and only we have a final decision what to watch. So, this is an art movie, raw and unraveling like the relentless passion of youth. Jerky camera moves, gray streets of an industrial city, innocent idealism that turns dark and dangerous. Fighting evil is a filthy business, nobody comes out of it unscathed. Perhaps that's the reason why there are so many onlookers and collaborators. Fear and cowardice, the twins of failure and missed opportunities.
A mediocre and overall fairly disappointing movie due to weak plot and overall message, mediocre direction, slow clunky pacing, and a very predictable cliched ending. There are some redeeming qualities though such as acting, music, production values, cinematography, and some cool (despite being thinly executed) ideas here & there. It's certainly watchable and all, but don't get too excited about this one.
Wusstest du schon
- WissenswertesWhen Luisa's father (Michael Wittenborn) says "those under 30 and not on the left, have no heart. Those over 30 and still on the left, have no brain." it's a direct reference to the 2004 movie Die fetten Jahre sind vorbei (2004). This quote originated in France in the 19th century.
- VerbindungenReferences Die fetten Jahre sind vorbei (2004)
- SoundtracksWenn die Nacht am tiefsten ist, ist der Tag am nächsten
Written by Captain Gips, Johnny Mauser, Marie Curry, Ralph Möbius, Ralph Steitz and Spion Y
Performed by Neonschwarz
Top-Auswahl
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Details
Box Office
- Weltweiter Bruttoertrag
- 302.101 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Und morgen die ganze Welt (2020) officially released in India in English?
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