May, die dritte Frau

This is well shot and very pretty with glorious distant vistas and plant and insect close-ups. The pace is slow and although the depiction of 19th century Vietnamese rural life picturesque enough there is an awfulness here from start to finish. Unfortunately we are too familiar with tales from China and the Far East and Asia generally even today of the problems caused by favouring the birth of boys over girls to be particularly surprised by the extent of the awfulness depicted here. Yes, it is dreadful but this seems almost prurient in its constant close-ups of very young girls being displayed for very old men and that despite everything, the torture, the killing and the suicides that all is for the best. Beautiful but harrowing.

Filmed as late 18, early 1900s Vietnam but applies throughout the world today, especially where conservative religious precepts prevail, we see three of the main suppressors of female equality. First, we have forced marriage. Second, we have family honor (usually supposed female dishonor w/consequences). Third, infant female infanticide for, well, not being a male. Are females in many family units value ranked beneath males, livestock & Trump? Several scenes toward the end were not clear, for those not sure Nightshade was suggested, but may not have been accurately presented.

In the opening scene of the movie, it is mentioned that the movie is based on true events, but it was not told on whom it is based. So, it is really hard to believe those claims. The cinematography is beautiful, but the story is so complicated that it is hard to believe that it could be based on true events. It feels as if all the known social taboos are depicted in one joint family. The movie comments on child marriage, multiple wives, teen pregnancy, lack of healthcare, pressure on wife for birthing male child, extra-marital affair, incest, social status, dowry, marriage consummation pressure, suicide, female infanticide, etc. Etc. There is no lack of content in the movie, yet the progression feels slow because of less dialogues and multiple scenes of inanimate objects. I liked it for this very reason.

The movie was beautifully made, good actors and the music was excellent. The film was strangely both calm and intense at the same time. It clearly shows the woman's view of the traditions, which is still relevant today.

A very impressive debut from the director. Well deserving of the Golden Hugo. Though the end was ethically very disturbing for me, the film was consistent in its visual and aural appeal throughout, especially the end sequence. A director to watch. A very good choice of actresses.

Vietnam is presented as a heavenly tropical country in the 19th century, without insects or reptiles (a lizard is the only exception) even in bamboo groves, with washed linen hung out white as snow. One would wish more realism to match the time frame of the story.

Why was this film not Vietnam's Oscar submission for 2019 in the Foreign Language Film category? I guess there were technical reasons.