IMDb-BEWERTUNG
6,4/10
28.522
IHRE BEWERTUNG
Ein Nachwuchs-Polizist in New Orleans muss seine Identität als schwarze Frau mit seiner Rolle als Polizist in Einklang bringen, wenn er Zeuge wird, wie andere Polizisten Mord begehen.Ein Nachwuchs-Polizist in New Orleans muss seine Identität als schwarze Frau mit seiner Rolle als Polizist in Einklang bringen, wenn er Zeuge wird, wie andere Polizisten Mord begehen.Ein Nachwuchs-Polizist in New Orleans muss seine Identität als schwarze Frau mit seiner Rolle als Polizist in Einklang bringen, wenn er Zeuge wird, wie andere Polizisten Mord begehen.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Lucky Johnson
- Ox
- (as Kevin Johnson)
Rhonda Johnson Dents
- Old Woman
- (as Rhonda Dents)
Empfohlene Bewertungen
Very interesting narrative about police and race relations; but because of how the movie was executed, it falls short. Ok writing, acting, and plot. The main character, Alicia West played by Naomi Harris, story was pretty good. At times, because of the directing, her acting wasn't believable. Also, because of the spotty development of the secondary characters, it was hard to have any empathy towards them. In contrast, great use of background aka mise-en-scene, to deliver a message to the viewers that are watching. Lastly, I do like the overall message of the film which is that we all are people (especially black people and other people of color) and all we want is to be treated as such.
Solid movie. It was very tense and entertaining. I get the feeling that the super low ratings are from people that hate the message. I mean seriously...a 1/10? Thats silly. I guess the low rating people are either unaware or turn a blind eye to police brutality and corruption. Do a little research and you will find that the NOPD has a long history of corruption. I rate it a 7/10 based on the movie outside of the message. I would not be surprised if the same people that hated black and blue loved training day because the lead is a corrupt cop black man. This is not a bad film at all.
Harris is great, superb, the script is overlong, has plot holes you could drop Kansas into, and the political overtones don't help. Perfect for a cross country flight.
I didn't know why this movie had a low review. Went to watch it then thought, "Ohhh, now I see why." The low reviews probably come biased with the bad publicity for law enforcement lately. This movie portrayed some issues that happen to relate to law enforcement but sticks to its own plot for the sake of its own ENTERTAINMENT VALUE instead of political statement.
Good cast. Good acting. Suspenseful. More substance than Gemini Man. Straight up linear movie without offensive hidden agendas. The movie definitely deserves more praise. Come on, people!
Good cast. Good acting. Suspenseful. More substance than Gemini Man. Straight up linear movie without offensive hidden agendas. The movie definitely deserves more praise. Come on, people!
I've been a fan of Naomie Harris since she was in White Teeth, and I was interested to see this thriller with her in the lead, even if the trailer and everything I heard about it told me it would be generic at best. Unsurprisingly this is what it was - the type of thriller that you could stop after 15 minutes and pretty much guess the rest. Of course the reason why we know this type of plot is that some films have done it really well and made it a model to be leant on, but not this film. Instead it plays it out in the most obvious way, with little effort in the writing and no twists or turns to even vaguely excite - everything is heavily signposted as if they didn't trust the viewer to get anything by themselves. As it goes where you expect, it delivers enough distracting scenes to manage to get by, but everything is heavy-handed. The title is pretty obvious in its meaning, but it doesn't do anything clever with it, but it leans all over it from the very start. The actual thriller elements are also fairly basic and hard to believe and there was so much scope to be tighter and better.
The blame lies in two very obvious places - writer and director. Neither of them have much in their filmography to be excited about. The writer did Flightpath and Reasonable Doubt - high points in his career but demonstrably not great films. The most notable thing about the director that I can see on his IMDb page is that his PR people wrote his bio - or at least I can't see any other reason why it says that he "is a self-taught, creative genius" when this film suggests he is absolutely not. The main selling point of the film is what brought me to it - the cast. Harris is much, much better than the material deserves; she puts in a lot of effort to show her rage, morality, desperation, but the writing does not help her one bit and too many lines clunk out of her mouth. It hurts because there was a much better film and performance here, and the writing takes it from her. Gibson is a bit better because he has more to work with, although not much. Grillo is reliable as ever, and the rest of the cast are mostly generic cariactures befitting such a generic film.
It distracts and meets the low bar I came to it with, but it doesn't do anything more than that. The cast make it better than it is, but at the same time they are pretty much all wasted here.
The blame lies in two very obvious places - writer and director. Neither of them have much in their filmography to be excited about. The writer did Flightpath and Reasonable Doubt - high points in his career but demonstrably not great films. The most notable thing about the director that I can see on his IMDb page is that his PR people wrote his bio - or at least I can't see any other reason why it says that he "is a self-taught, creative genius" when this film suggests he is absolutely not. The main selling point of the film is what brought me to it - the cast. Harris is much, much better than the material deserves; she puts in a lot of effort to show her rage, morality, desperation, but the writing does not help her one bit and too many lines clunk out of her mouth. It hurts because there was a much better film and performance here, and the writing takes it from her. Gibson is a bit better because he has more to work with, although not much. Grillo is reliable as ever, and the rest of the cast are mostly generic cariactures befitting such a generic film.
It distracts and meets the low bar I came to it with, but it doesn't do anything more than that. The cast make it better than it is, but at the same time they are pretty much all wasted here.
WUSSTEST DU SCHON:
- WissenswertesMajor League Baseball player, Mitch Moreland of the Boston Red Sox, has an uncredited role as a New Orleans police officer storming the apartment complex.
- PatzerWhile waiting in the squad car, West witnesses someone attempting to break into a car using a Slim Jim, once she scares him off, the camera pans over to the car, and the window is already partially down. There would be no need for a Slim Jim if you can just reach inside to open the door.
- Zitate
Alicia West: Murder is murder, no matter who you are.
- VerbindungenReferenced in Midnight Screenings: Black and Blue (2019)
- SoundtracksWelcome to America
Written by Lecrae (as Lecrae Moore), Symbolyc One (as Larry Griffin) and Justin Rhodes
Performed by Lecrae
Courtesy of Courage Music
By arrangement with Nettwerk Music Group Inc.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Fuera de la ley
- Drehorte
- DeGaulle Manor Housing Project - 3010 Sandra Drive, New Orleans, Louisiana, USA(Drug dealers apartment)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.055.313 $
- Eröffnungswochenende in den USA und in Kanada
- 8.376.846 $
- 27. Okt. 2019
- Weltweiter Bruttoertrag
- 22.741.061 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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