IMDb-BEWERTUNG
5,0/10
1194
IHRE BEWERTUNG
Nach einer einseitigen Trennung bricht Karen mit gebrochenem Herzen in das Seehaus ihres Ex ein. Dort beginnt sie eine komplizierte Beziehung mit der aufreizenden jüngeren Frau Lana.Nach einer einseitigen Trennung bricht Karen mit gebrochenem Herzen in das Seehaus ihres Ex ein. Dort beginnt sie eine komplizierte Beziehung mit der aufreizenden jüngeren Frau Lana.Nach einer einseitigen Trennung bricht Karen mit gebrochenem Herzen in das Seehaus ihres Ex ein. Dort beginnt sie eine komplizierte Beziehung mit der aufreizenden jüngeren Frau Lana.
- Auszeichnungen
- 6 Gewinne & 5 Nominierungen insgesamt
Christopher Tallmadge
- Smoking Man
- (as Christopher Tallamadge)
Empfohlene Bewertungen
When you write a movie, despite what size of ego you have, in the end your job is to craft a escape for your audience. To ay least entertain them for 90 minutes... not put them to sleep. Clementine is a perfect example of how indie cinema is failing. Decent cast, decent production value... but otherwise complete bore. At least make a boring movie with an original story. Hopefully Gallagher will learn this on her next film.
I swear it's the same movie but Swimming Pool was better. A little more heat could have helped this movie a lot.
Terrible, artificial and forced. Overbearing musical score is jarring
This film is completely and thoroughly boring. The score is absurd and fills the aura of suspense, but the only reveal is that nothing happens!
Clementine is a slow paced film which conveys a very life like tone through a vehicle of subtle shots, the scenery and locations, the very relatable moments. Yet it only appears to work to some degree, as the audience are teased along on a ride to something dramatic or intense that never seems to come or register. The Film is relatable to everyone, however it is most relatable to those who have experienced a recent relationship breakup. Lara Gallagher builds up to something, but in the end I'm not entirely sure of what. The subliminal message is far from obvious, in fact it's more oblivious to me, my guess is it's something along the lines of 'relationships suck'!
Karen (Otmara Marrero) toys with the idea of a relationship with a younger provocative woman as opposed to the previous older partner of the same sex. Fresh off a breakup Karen breaks into her ex's lake house seeking refuge. The acting makes the film bearable in a turn of events that feel somewhat pointless. Lana (Sydney Sweeney) is perceived to be a troubled bored youth with a need for attention. Karen is fascinated by her but not entirely convinced she is trustworthy of always telling the truth. Both characters appear to be victims, possibly the strongest message of the piece is that relationships have no discrimination on sex and both men and women can be equally as difficult when strong feeling are involved. Lana stripped down to the bone in order to pursue her goals as an actress while Karen is left feeling hopeless and lost due to the impact of her relationship with D. (Sonya Walger). Promising signs from an acting point of view.
The score is the most unique or unusual considering the content, it often leads us to believe something horrific or outrageous is only a few feet away that never really comes to light. Far from a horror/thriller at times, just a reflection on reality from calm peaceful silence to on the edge tipping points, the balanced blend between the two is very close to home.
Lara Gallagher has made a worthy attempt of making her audience feel something for her characters, still, the final ingredient to the recipe is missing that spice leaving the end feeling a little flat.
Karen (Otmara Marrero) toys with the idea of a relationship with a younger provocative woman as opposed to the previous older partner of the same sex. Fresh off a breakup Karen breaks into her ex's lake house seeking refuge. The acting makes the film bearable in a turn of events that feel somewhat pointless. Lana (Sydney Sweeney) is perceived to be a troubled bored youth with a need for attention. Karen is fascinated by her but not entirely convinced she is trustworthy of always telling the truth. Both characters appear to be victims, possibly the strongest message of the piece is that relationships have no discrimination on sex and both men and women can be equally as difficult when strong feeling are involved. Lana stripped down to the bone in order to pursue her goals as an actress while Karen is left feeling hopeless and lost due to the impact of her relationship with D. (Sonya Walger). Promising signs from an acting point of view.
The score is the most unique or unusual considering the content, it often leads us to believe something horrific or outrageous is only a few feet away that never really comes to light. Far from a horror/thriller at times, just a reflection on reality from calm peaceful silence to on the edge tipping points, the balanced blend between the two is very close to home.
Lara Gallagher has made a worthy attempt of making her audience feel something for her characters, still, the final ingredient to the recipe is missing that spice leaving the end feeling a little flat.
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Details
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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