Füge eine Handlung in deiner Sprache hinzuIn 1953, Army scientist Frank Olson takes a fatal plunge from a hotel window. In 1975, a bombshell report ties his death to a top-secret experiment.In 1953, Army scientist Frank Olson takes a fatal plunge from a hotel window. In 1975, a bombshell report ties his death to a top-secret experiment.In 1953, Army scientist Frank Olson takes a fatal plunge from a hotel window. In 1975, a bombshell report ties his death to a top-secret experiment.
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Love Errol Morris, but far too much time spent on dramatic non-enactments of men pensively staring at each other. An important story that needs to be told, and could have been told more effectively with half the screen time.
...with all these negative reviews.
Wormwood is a fresh take on the 'documentary with dramatic acting' genre. Using established actors to capture the dramatic reenactments, juxtaposed with Morris' real-life interviews and media clips from that time-period, brings a different level of legitimacy, to an incredibly fascinating story.
Worth the watch
Wormwood is a fresh take on the 'documentary with dramatic acting' genre. Using established actors to capture the dramatic reenactments, juxtaposed with Morris' real-life interviews and media clips from that time-period, brings a different level of legitimacy, to an incredibly fascinating story.
Worth the watch
Thank goodness for streaming - now you can also speed through hours of nonsense without missing anything. Very handy for a snail-paced maze of unnecessary "dramatisation". The story stands on its own; either make a 2 hr Hollywood special or don't, but don't degrade a powerful and valuable moment in history with mindless editing. Can't imagine why Netflix wants to throw away money - I'll take it?!
This is a great true story, yet another one, of unethical actions taken by our government agencies that took someone's life - and of course nobody has been held to account. For me the docudrama thing just doesn't do it. On top of that that is some borderline amateurish editing. The entire thing should have been half the number of episodes but instead they drag it out to the point that I'm on episode five (of six) and, knowing what happens, to make it though the last two is a complete chore.
This needed to be edited down. I value the gradual unveiling of information in the order it was revealed historically. That is how it unfolded for one affected family.
There are way too many minutes of re-enactment, especially the rendering of details that the storytellers say are missing. At times, the re-enactment footage is re-used! Additional footage comes from productions of a Shakespeare tragedy. So it feels as if the Shakespeare OR the re-enactments would have been indulgence enough. Why feature both?
I was curious. This answered some questions. Wish it had done so more quickly.
There are way too many minutes of re-enactment, especially the rendering of details that the storytellers say are missing. At times, the re-enactment footage is re-used! Additional footage comes from productions of a Shakespeare tragedy. So it feels as if the Shakespeare OR the re-enactments would have been indulgence enough. Why feature both?
I was curious. This answered some questions. Wish it had done so more quickly.
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- WissenswertesThe clock above Eric Olson's head throughout his interview is stopped at 2:32; the time of his father's death.
- VerbindungenReferenced in Film Junk Podcast: Episode 647: The Square (2018)
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- Laufzeit40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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