In einer Fantasiewelt vor den Toren der Stadt begeben sich zwei jugendliche Elfenbrüder auf die Suche, um herauszufinden, ob es da draußen noch Magie gibt.In einer Fantasiewelt vor den Toren der Stadt begeben sich zwei jugendliche Elfenbrüder auf die Suche, um herauszufinden, ob es da draußen noch Magie gibt.In einer Fantasiewelt vor den Toren der Stadt begeben sich zwei jugendliche Elfenbrüder auf die Suche, um herauszufinden, ob es da draußen noch Magie gibt.
- Für 1 Oscar nominiert
- 4 Gewinne & 66 Nominierungen insgesamt
Tom Holland
- Ian Lightfoot
- (Synchronisation)
Chris Pratt
- Barley Lightfoot
- (Synchronisation)
Julia Louis-Dreyfus
- Laurel Lightfoot
- (Synchronisation)
Octavia Spencer
- The Manticore
- (Synchronisation)
Mel Rodriguez
- Colt Bronco
- (Synchronisation)
Kyle Bornheimer
- Wilden Lightfoot (Dad)
- (Synchronisation)
Lena Waithe
- Officer Spector
- (Synchronisation)
Ali Wong
- Officer Gore
- (Synchronisation)
Grey DeLisle
- Dewdrop (Pixie Dusters Leader)
- (Synchronisation)
- (as Grey Griffin)
Tracey Ullman
- Grecklin (Pawn Shop Owner)
- (Synchronisation)
Wilmer Valderrama
- Gaxton (College Friend)
- (Synchronisation)
George Psarras
- Officer Avel
- (Synchronisation)
- …
John Ratzenberger
- Construction Worker Fenwick
- (Synchronisation)
Empfohlene Bewertungen
I didn't like the look of this, the animation, the content or the story.
I am glad I decided to watch it.
The film is set in a world where magic is replaced by technology because it is easier. Two young men get the opportunity to use magic to spend a single day with their deceased father. It doesn't go according to plan so they go on an adventure.
The story is simple but lean, the jokes are obvious but funny, the characters are stock but fleshed out.
This movie is really enjoyable and tugs at the heart strings.
There is nothing ground-breaking about this movie but it has a very big heart and is very well executed.
The film is set in a world where magic is replaced by technology because it is easier. Two young men get the opportunity to use magic to spend a single day with their deceased father. It doesn't go according to plan so they go on an adventure.
The story is simple but lean, the jokes are obvious but funny, the characters are stock but fleshed out.
This movie is really enjoyable and tugs at the heart strings.
There is nothing ground-breaking about this movie but it has a very big heart and is very well executed.
The premise for 'Onward' is a good one if not unique. Pixar have more creative concepts than the one here, such as 'Inside Out', 'Soul' and 'Coco'. Pixar has not been as consistent in the 2010s compared to before, more though when it comes to its sequels and prequels. The studio was very consistently high quality up to 'Toy Story 3' and has varied since that film in my view. 'Onward' is one of two, and the first, of their films released in 2020, the other being 'Soul'.
For me, 'Soul' was the marginally better film, more imaginative and more ambitious without being overly so. Yet 'Onward' is a great film in its own way and worthy of more attention than it does. Is it the most original film in the world story-wise? No, absolutely not though sometimes lack of originality is not always a bad thing (it's when it goes too far on that where it matters). It is good though that many liked or loved it. Pretty much all of what makes the studio's output when on particularly good form so high quality though are here in 'Onward'. While it is not one of their best, it's relatively under-appreciated.
Very little wrong here in 'Onward'. Other than the lack of originality, the only thing that could have been better is that if the pacing slowed down a little towards the end.
'Onward' however is highly successful in every other regard. The animation is stunning as has nearly always been the case (the only exception actually has been some of the character designs in 'The Good Dinosaur'), with such beautiful colours and meticulously detailed backgrounds. The music is always dynamic with the action and is never at odds with it, full of character, energy and pathos. The script is a perfect balance of genuinely hilarious humour and moving and not too sentimental emotion.
Pixar always did have mature storytelling, especially apparent in almost all the non-sequel output since 'Inside Out' (and including that film). 'Onward' is one of the particularly mature ones in this period and one of their particularly mature ones overall. For what it may lack in originality, 'Onward' more than makes up for it in exciting and nostalgic action, hilarious entertainment value, affecting (but not over-sentimental) emotional power and affectionate honouring of the fantasy genre.
It is also hugely successful in its depiction of the relationship between the brothers (doing for brothers what the 'Frozen' films did for sisters), a beautifully and realistically written bond that was also hugely insightful and relatable. Will admit that the ending did make me cry, one of Pixar's most poignant endings. The characters felt real and didn't come over as too perfect or have negative characteristics over-emphasised. The voice acting is on point, with Tom Holland being particularly splendid and the bond between him and Chris Pratt felt authentic.
Concluding, wonderful. 9/10.
For me, 'Soul' was the marginally better film, more imaginative and more ambitious without being overly so. Yet 'Onward' is a great film in its own way and worthy of more attention than it does. Is it the most original film in the world story-wise? No, absolutely not though sometimes lack of originality is not always a bad thing (it's when it goes too far on that where it matters). It is good though that many liked or loved it. Pretty much all of what makes the studio's output when on particularly good form so high quality though are here in 'Onward'. While it is not one of their best, it's relatively under-appreciated.
Very little wrong here in 'Onward'. Other than the lack of originality, the only thing that could have been better is that if the pacing slowed down a little towards the end.
'Onward' however is highly successful in every other regard. The animation is stunning as has nearly always been the case (the only exception actually has been some of the character designs in 'The Good Dinosaur'), with such beautiful colours and meticulously detailed backgrounds. The music is always dynamic with the action and is never at odds with it, full of character, energy and pathos. The script is a perfect balance of genuinely hilarious humour and moving and not too sentimental emotion.
Pixar always did have mature storytelling, especially apparent in almost all the non-sequel output since 'Inside Out' (and including that film). 'Onward' is one of the particularly mature ones in this period and one of their particularly mature ones overall. For what it may lack in originality, 'Onward' more than makes up for it in exciting and nostalgic action, hilarious entertainment value, affecting (but not over-sentimental) emotional power and affectionate honouring of the fantasy genre.
It is also hugely successful in its depiction of the relationship between the brothers (doing for brothers what the 'Frozen' films did for sisters), a beautifully and realistically written bond that was also hugely insightful and relatable. Will admit that the ending did make me cry, one of Pixar's most poignant endings. The characters felt real and didn't come over as too perfect or have negative characteristics over-emphasised. The voice acting is on point, with Tom Holland being particularly splendid and the bond between him and Chris Pratt felt authentic.
Concluding, wonderful. 9/10.
A great film about siblings and the incredible bond they can share. I enjoyed every second, don't listen to the haters.
The dead parent trope might be overused for Disney movies but Onward doesn't make the mistakes of those movies. The siblings fight like siblings though out, not just at plot critical moments. Their single mom has a boyfriend who is not an evil stepparent trope, and their mom is actually proactive during the events of the film, but the adventure still belongs to the boys. I've been tired of plots that have parents oblivious to what their kids are doing. I came for the DnD references but I cried for the well-rounded characters.
Really beautiful and emotional movie. It won me primarily over by its absolutely fantastic and very detailed animations, look and use of colors.
Truely magical. It had so much time to develope so many different characters even if its just little extras. I would actually watch a TV series based on the lives of those fantasy characters in the suburbans. A very creative idea to actually tell a very simple and common story. The film convinced me because it just touched the right buttons and activated them with the story structure and the relationship between the two leading characters. There is some great voice work, most noteable Tom Holland and Octavia Spencer but also Chris Pratt meets the right tone.
One of the best Pixar movies that came out the last years and one of the most creative and magical ones (more in design than story) for a very long time. It got me close to tears at the end and that means something for a animated film. Kudos to Pixar, they know how to bring magic back t the cinema.
Wusstest du schon
- WissenswertesOne of the most iconic monsters in Dungeons & Dragons is the gelatinous cube. Imagined by creator E. Gary Gygax himself in the very first edition of Dungeons & Dragons in 1974, the gelatinous cube is a staple foe that players encounter early on in their adventuring. (It has an entry-level challenge rating of "2" in the current version of D&D. That's low.) The cube moves slowly but can be very dangerous once it gets close, as it absorbs victims and slowly digests them while they float helplessly inside.
- PatzerWhen The Manticore is telling Laurel about the curse, she tears off her sleeves to reveal expository tattoos on her arms. However, when Laurel initially asks about the curse, The Manticore's left sleeve is already seen to be torn off as the tattoo is already visible.
- Crazy CreditsA nod to a role-playing classic in the closing credits: "Special thanks to the D&D team at Wizards of the Coast for use of The Beholder and The Gelatinous Cube"
- Alternative VersionenThe movie is also presented in a 3D version, the IMAX-Enhanced version and the 4DX-Enhanced version.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: Onward to Weird Hedgehogs (2018)
- SoundtracksLet's Get It On
Written by Marvin Gaye & Ed Townsend
Performed by Marvin Gaye
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Details
Box Office
- Budget
- 175.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 61.555.145 $
- Eröffnungswochenende in den USA und in Kanada
- 39.119.861 $
- 8. März 2020
- Weltweiter Bruttoertrag
- 141.940.042 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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