Ein abgehalfterter TV-Schauspieler und sein Stuntdouble begeben sich auf eine Odyssee, um sich während der grauenvollen Manson-Morde 1969 in Los Angeles einen Namen in der Filmindustrie zu m... Alles lesenEin abgehalfterter TV-Schauspieler und sein Stuntdouble begeben sich auf eine Odyssee, um sich während der grauenvollen Manson-Morde 1969 in Los Angeles einen Namen in der Filmindustrie zu machen.Ein abgehalfterter TV-Schauspieler und sein Stuntdouble begeben sich auf eine Odyssee, um sich während der grauenvollen Manson-Morde 1969 in Los Angeles einen Namen in der Filmindustrie zu machen.
- Regie
- Drehbuch
- Hauptbesetzung
- 2 Oscars gewonnen
- 146 Gewinne & 383 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Once Upon a Time in Hollywood' is a nostalgic, character-driven film focusing on 1960s Hollywood. It is praised for DiCaprio and Pitt's performances, meticulous era recreation, and cinematography. However, it is criticized for pacing, lack of a cohesive plot, and long scenes. The ending receives mixed reactions, celebrated for its surprise yet criticized for feeling out of place.
Empfohlene Bewertungen
This is a tricky one. The acting is superb trhoughout. DiCaprio does himself proud, as does Pitt. It's shot well, it's incredibly nostalgic, but I can't help feel it's missing something. The last 30 mins are ace - that's where the positive reviews are kept. Tarintino does what he does best in that last half hour. It's a shame it took two hours to get there. More time developing the final storyline and less nostalgia would probably have led to a better experience. Or tell the same story in 90 minutes. The soundtrack was ace - pure sixties.
All in all, go see it, but go for a wee first.
Plot 3/10 Acting 9/10 Ending 7/10 Duration vs interest 3/10 Soundtrack 7/10
Overall 6/10
All in all, go see it, but go for a wee first.
Plot 3/10 Acting 9/10 Ending 7/10 Duration vs interest 3/10 Soundtrack 7/10
Overall 6/10
Once Upon a Time in Hollywood is a film that is aesthetically appealing from start to finish. Quentin Tarantino's interpretation of 1969 Hollywood is a lush world with superb detail. This movie serves as a love letter to the place Tarantino presumably grew up with.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again.
Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie!
8/10
I'm a huge T fan, absolutely love many of his movies, but not all and sadly this joins the later list. The best way to describe this movie is "A day in the life of a Hollywood Actor in 1969". That is, mostly just an AVERAGE day, which is largely where the problem lies for many of us who expected more here.
Acting is great all around and saves it somewhat but like too often these days I really feel the script was weak. An example of this would be just how often we see Brad Pitt driving around by himself, where really nothing happens; it reeks of filler material but why even have it there in an already long film? Margo Robbie kind of got robbed here to some degree, her character just gets a very very minor role, didn't come off right at all.
A day in the life of in 1969 is somewhat interesting to many but if that is going to be the core it really needed some more Ooommph; like the Bruce Lee scene, German meeting scene and sequences like the ending, which finally had his trademarks all over it. Even though the film does have a "climax", there was really almost no lead up to it, and almost no really story tension throughout, sadly it mostly just plods along.
Really hoping for a return to form for his 10th and apparently possible last film. This film has some charm, which mostly comes through in the great acting, but overall this was disappointing.
Acting is great all around and saves it somewhat but like too often these days I really feel the script was weak. An example of this would be just how often we see Brad Pitt driving around by himself, where really nothing happens; it reeks of filler material but why even have it there in an already long film? Margo Robbie kind of got robbed here to some degree, her character just gets a very very minor role, didn't come off right at all.
A day in the life of in 1969 is somewhat interesting to many but if that is going to be the core it really needed some more Ooommph; like the Bruce Lee scene, German meeting scene and sequences like the ending, which finally had his trademarks all over it. Even though the film does have a "climax", there was really almost no lead up to it, and almost no really story tension throughout, sadly it mostly just plods along.
Really hoping for a return to form for his 10th and apparently possible last film. This film has some charm, which mostly comes through in the great acting, but overall this was disappointing.
I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
Explaining the Real Sharon Tate’s 'Hollywood' Appearance
Explaining the Real Sharon Tate’s 'Hollywood' Appearance
Quentin Tarantino and Margot Robbie reveal why footage of tragic actress Sharon Tate was included in Once Upon a Time in Hollywood.
Wusstest du schon
- WissenswertesThe character Flowerchild (Maya Hawke), who is shown having cold feet on going through with the murders, and who flees the scene in the 1959 Ford Galaxie, is based on Linda Kasabian, who became a witness for the prosecution in the murder trial of Tex Watson, Patricia Krenwinkel, and Susan Atkins. In real life Kasabian was ordered by Tex Watson to wait in the car, during which she heard the murders inside the Tate residence take place and witnessed the murder of Wojciech Frykowski outside the house. Kasabian claimed she wanted to drive away, but was too scared.
- PatzerWhen Sharon Tate was talking to the girl at the box office of the movie theater in Westwood, you can see the Starbucks sign for half the scene before it was covered up. Starbucks was founded in 1971.
- Zitate
Jay Sebring: Is everybody okay?
Rick Dalton: Well... the fuckin' hippies aren't. That's for goddamn sure.
- Crazy CreditsLike Django Unchained (2012), the film opens with the late 1960's Columbia Pictures logo.
- Alternative VersionenIn the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
- Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
- Sharon Tate dancing in a black dress in a moving stage.
- Mr. Schwarz salutes the projectionist before entering the projection room.
- Sharon Tate swimming in her pool.
- VerbindungenEdited from Gesprengte Ketten (1963)
- SoundtracksThe Rocks
(from Have Gun - Will Travel (1957))
Written by Bernard Herrmann
Under license from Sony/ATV Music Publishing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Once Upon a Time in Hollywood
- Drehorte
- Cielo Drive & Bella Drive, Los Angeles, Kalifornien, USA(the bottom of Rick's street begins here)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 142.502.728 $
- Eröffnungswochenende in den USA und in Kanada
- 41.082.018 $
- 28. Juli 2019
- Weltweiter Bruttoertrag
- 392.105.159 $
- Laufzeit2 Stunden 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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