In den frühen 80er Jahren wird ein junger Filmstudent romantisch mit einem komplizierten und unwahrscheinlichen Mann verbunden.In den frühen 80er Jahren wird ein junger Filmstudent romantisch mit einem komplizierten und unwahrscheinlichen Mann verbunden.In den frühen 80er Jahren wird ein junger Filmstudent romantisch mit einem komplizierten und unwahrscheinlichen Mann verbunden.
- Auszeichnungen
- 7 Gewinne & 38 Nominierungen insgesamt
Empfohlene Bewertungen
Swinton Byrne does not, in any way, give a bad performance; in fact, it is rather good. But she lacks the depth and subtlety required to carry the main role in a two-hour movie. Adding to the trouble is Burke whose Tom is as bland as kale and as common as a condo construction project in downtown Toronto. This character is so lacking in charisma and charm that the film becomes an unintentional mystery as the viewer is left to wonder what Julie could possibly see in him with or without his shortcomings.
A sad irony is a scene in the film in which a film teacher explains that "Psycho" was a success as most scenes were normal, thus making its abnormal, frightening scenes stand out more. If only writer/director Joanna Hogg had followed the advice that she had written for one of her secondary characters. While the narrative of "The Souvenir" is consistent, it does not have any scene that stands out, making it long and dull.
A saving grace was the presence of Tilda Swinton (Swinton Byrne's real-life mother) portraying Julie's mother - emphasis on the word 'presence' which was missing in the primary performances. The film would have benefited with more scenes that included Swinton Senior.
"The Souvenir" is hyper-praised in the most baffling of ways by most critics. One of the praises is that it's based on a true story. Well, there are billions of true stories that don't make good films. Sadly, "The Souvenir" is one of them. - dbamateurcritic
The Souvenir tells a story about a privileged film student who involves herself in an intense relationship with a shady older man, who is full of charisma.
I can definitely see why this film is getting mixed ratings. The pacing was rather slow and the story was under-dramatized. I see a lot of reviewers really disliking this film due to the unbearable toxic romance between the two characters. I mean, I can somewhat agree. Seriously, just break up already! But sometimes relationships are just... like that. People often stay in toxic situations even if they can clearly see the red flags. People cling on to the slightest glisten of hope when everything is falling apart. As they say, it really... do be like that.
I loved the cinematic direction they took in this film. I felt like I was looking into the memories of the protagonist. The faded dream-like colour scheme really pulls the film together. I was really lured into the soft pastel universe that was created on screen. Did I mention how much I loved the cinematics?
What I couldn't see past was how unlikeable Julie and Anthony are. Julie is a privileged film student that tries really hard to be interesting, and Anthony is this pretentious, manipulative douchebag of a person. I just can't seem to find any redeeming qualities in the characters, which makes it hard for me to fully connect with this story. But maybe this film wasn't made for the viewer to be connected to any of the characters. Maybe this film was made to be consumed as what it is. A naive girl falling in love with a secretive older man.
Nevertheless, The Souvenir really made me sit and ponder about the film a lot. I'm still processing the emotions I've felt throughout the film and that should be enough for me to give it a good enough rating. I just wish it could've resonated with me in a stronger way.
She is a thoughtful, sensitive person who soon finds herself navigating the pitfalls of his serpentine personality. The film proceeds at a very deliberate pace and is low-key to the point of being catatonic at times. The main criticism of this film is that its slow patches do go on for quite a bit. But out of this dry and methodical narrative eventually emerges a raw tension leading to a conclusion that is quite powerful.
Although this isn't quite the masterpiece that many reviews have made it out to be, I found it a worthwhile and subtly rewarding cinematic experience. Recommended to patient viewers.
Wusstest du schon
- WissenswertesJoanna Hogg wrote the script based on her real-life experiences while attending film school in London in the early '80s. Tilda Swinton and Hogg have been friends since they were ten years old, and Swinton witnessed Hogg's relationship at the time. All actors read the script except for Honor Swinton Byrne. Director Joanna Hogg gave her instead her diaries from the early '80s, notes, photographs, and old scripts and films she wrote and made at that time. She was told to improvise every scene, while the rest of the cast had scripts but were still told to react to her as well as they could. Hogg also gave Tom Burke old letters, recordings, and drawings from the man his character is based on.
- Zitate
Anthony: We don't know what the inner machinations of their mind are, or their heart. We don't know. But that's what we want to know when we go and see a film. We don't wanna just see life played out as is. We wanna see life as it is experienced, within this soft machine, within this...
Julie: But the life of Tony and his mother, they're the lives of real people. I'm not- I'm not making that up.
Anthony: Why are they more real than me?
Julie: They're not more real than you.
Anthony: Am I more real than you?
Julie: No. I think we're all equal in that. I think we're all as real as each other. There's no competition. It doesn't matter that they're not real people. I mean, I'm not trying to make a documentary. I'm just- you know, I'm making a feature film.
Anthony: Now, are you sure?
Julie: Yes, I am. I'm making a feature film.
- Crazy CreditsThe credits end with "The Souvenir Part 2 coming soon"
- VerbindungenFeatured in WatchMojo: Top 10 Best Movies of 2019 (So Far) (2019)
- SoundtracksGhost Town (Extended Version)
Performed by The Specials
Written by Jerry Dammers
Licenced courtesy of Chrysalis Records Ltd.
Publishing by BMG Rights Management UK Ltd., a BMG Company
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.036.737 $
- Eröffnungswochenende in den USA und in Kanada
- 78.400 $
- 19. Mai 2019
- Weltweiter Bruttoertrag
- 1.777.486 $
- Laufzeit2 Stunden
- Farbe
- Seitenverhältnis
- 1.66 : 1