Arctic Circle: Der unsichtbare Tod

This Finnish series is set in Finnish Lapland, near the Russian border. Nina Kautsalo, a local police officer, is part of the investigation into what happened to a Russian prostitute found in a remote cabin. The case is complicated when it is discovered that she is carrying a deadly disease that has previously only been found in a remote corner of the Yemen. German virologist Thomas Lorenz is sent to investigate the disease and the two work together and discover a sinister and dangerous plot. The second season sees Nina once again involved in an investigation that crosses the border when somebody who seeks her help is silenced by a wealthy hunting party.

I really enjoyed this series. The cases were interesting and the characters were fun to watch. The first two seasons feel as if they are set in totally different places; the first is snow covered as far as the eye can see while the second features a green landscape. I always like to see shows set in places I know little about. The cast did a fine job; especially Iina Kuustonen as Nina, Venla Ronkainen, who played her delightful daughter and Maximilian Brückner as Thomas. There are some family issues in each season but these give depth to the characters rather than distract from the story. Overall a solid series; I hope we don't have to wait too long to get the third season here.

These comments are based on watching the series in the original languages with English subtitles; it should be noted that the characters talk to other nationalities in perfect English.

This series started out strong, but then it got tangled up in it's own convoluted and unbelievable plotting. The actors and actresses are great, and especially the child actress Venla does a great job. The sense of family really comes across. The filmography is incredible and the beauty of winter in Lapland comes across wonderfully. These are the reasons I'm giving this a 6 instead of a 5/10.

But if you could give an outstanding award for plot holes and ridiculousness, it would go to this series, I'm sad to say. I lost interest after the halfway-point and barely watched the last two episodes.

What is most irksome is how the lead characters are excused all their flaws--the German man cheats on his wife and the whole storyline is about her being a "psycho crazy woman". To give the depiction of her mental breakdown some balance, perhaps his cheating could've been in some way even mentioned, but it's literally never addressed and he's depicted as the victim to her inexcusable mental breakdown while he is heroically trying to save lives. Nina's character has a similar problem, her actions as a police officer in the last episodes are not believable and for her to be barely reprimanded for them is irksome.

Overall, not a very good watch.

I have to say that some of the plot lines are somewhat fantastical but I enjoyed them for all that. The acting was good and once more I am just so impressed at the proficiency of so many European actors in English. And a special mention, as so many others have done, for the young woman who played Venla so incredibly well.

The second season is freshest in my mind as I just saw it last week and I was left with an impression that the series was grappling with ethical and moral dilemmas as well as being a cop drama. The writers took the position that any form of vigilantism is completely wrong even if it were a considered, researched one. And extrapolating from the events in season two, that the death penalty is wrong if only for the fact that the executed person might be innocent.

Tension built as new revelations about the characters grew and explained their motivations. We also saw the very real difference between Finland, the supposedly least corrupt country in the world, and Russia where the authorities collude in lawlessness and corruption.

We also had human interest themes - the aforementioned Venla, infidelity and betrayal, the grisly fate of gays in Russia, relationships with parents.

I hope I'm not making this sound terribly worthy and boring as it isn't. Both seasons were fast paced and gripping. I hope there will be a third.

I just finished both seasons of Arctic Circle ("Ivalo"). I liked it. Yes, there were some strange twists of plot that strained credulity and were quite farfetched. That said, the drama was marked by good acting, sympathetic characters, an engaging storyline, and gorgeous Nordic vistas. I was going to give it a seven, but the surprises that unfolded late in the second season caused me to add a point and bump it up to eight.

Arctic Circle met my criterion for a good drama: I cared about all the major characters. Lina Kuustonen was a strong lead as policewoman Nina; both her sister Marita and her ex (and baby daddy) Esko became sympathetic characters as the story unfolded. And I can't say enough about actress Venla Ronkainen, an actress with Down Syndrome, who played Nina's special needs daughter, also named Venla. Often I find that kids in dramas don't add much to the storyline. But Arctic Circle was the exception. Venla was possibly the most endearing character I've ever seen in a drama. She played an important role in the flow of the action, and lit up every scene she was in. The actress was great. I don't know if she'll ever act in another production, but she did herself proud with her performance in 16 episodes of Arctic Circle.

As I write this, I have no idea whether there will be a third season, but I would watch it.

(How is it that mine is the only review here? That's just mental.)

While the British TV makers are farting about with blurry vision, wobbly cameras, pointless flashbacks, insane diversity quotas, incomprehensible accents and disco-volume 'background' music, the Finnish (and the rest of Europe) are quietly making riveting TV drama the way it should be made.

Nobody is crying or shouting... people are making sensible decisions and every camera has a working tripod that anchors it to the floor. It's truly awesome to see television like this and you really have to wonder why the UK have lost their touch when it comes to quality crime drama.

Anyway... Russian prostitutes are showing up in Lapland dead, or nearly dead. The one thing they have in common is the virus they share... and the infection runs deep into this ice cold rural area.

This has attracted the centers for disease control in Germany and Helsinki and experts are sent to figure out what's going on.

The local police team up with the Russian cops and the bio experts bring in their own teams of investigators. Nobody is sharing information, so of course, the situation deteriorates rapidly.

Watching this drama unfold is simply a joyous way to spend time. The dialog is about half in Finnish and half in English. Top notch TV and a master class in how television drama should be made.