Im Herbst 1960 wurden Pater Thomas Riley und Pater John Thornton vom Vatikan gesandt, um ein wundersames Ereignis in einem irischen Heim für "gefallene Frauen" zu untersuchen, nur um etwas v... Alles lesenIm Herbst 1960 wurden Pater Thomas Riley und Pater John Thornton vom Vatikan gesandt, um ein wundersames Ereignis in einem irischen Heim für "gefallene Frauen" zu untersuchen, nur um etwas viel Schrecklicheres aufzudecken.Im Herbst 1960 wurden Pater Thomas Riley und Pater John Thornton vom Vatikan gesandt, um ein wundersames Ereignis in einem irischen Heim für "gefallene Frauen" zu untersuchen, nur um etwas viel Schrecklicheres aufzudecken.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
- Eileen
- (as Dearbhail Carr)
- Sister Maria Agnes
- (as Cathy Brennan Bradley)
- Nun Body Double
- (as Daragh Merrit)
- Doctor Flynn
- (Unbestätigt)
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There is not a lot going on in this movie. Some might even say that it's a bit slow. But since it's a short movie, it doesn't drag out and it manages to stay tight towards the end. The style reminds me of Asians movies like Ju-on, The Eye and Dark Water.
There are some really clever shoots and some really effective shoots as well. Extremely well use of sounds and "off camera action". The special effects are done smartly. We the viewer often see very little. This is exactly how to avoid using a lot of cheap and ugly CGI.
The acting is good. The mother superior comes of as being 100% authentic.It's almost like 'Dolores Umbridge' in the Harry Potter movies. On one hand you want to congratulate the actress for doing a good job, on the other hand you want to slap her in the face with a chair because you so thoroughly hated the character.
There are some flaws. The shaky cam is done to death and annoying as hell. Most of the time it works in this movie, but "found footage" always create some plotholes. I mean, who found this footage? and who showed it? and why are WE seeing it?
It also has the same flaw as most haunted house movies: Why didn't they get out as soon as things started to go wrong?, why didn't they call for help? Why would you go around in the dark following creepy sounds?
BUT, if you are mature enough to suspend your beliefs for 75 minutes and jut follow the story as it goes, it's a pretty effective horror movie. If you like scary movies, old buildings, creepy nuns and jump-scares this is the movie for you.
Zero build-up quickly gives way to Excorcist/Blair Witch cliches galore, as we once more tread the weary path of shouting, screaming, levitation and tripod-free DP work that we've seen countless times before (and done far better) in this long exhausted sub-genre.
I caught Writer/director Aisleen Clarke's debut effort at Nottingham's Mayhem 2018 Film Festival. Clarke followed the screening with a very informative and generous Q&A session which I found far more interesting and engaging than most of what she'd just served up on screen.
The use of 16mm and authentic location choice were big pluses in her movie's favour, as were the performances - not least from Lalor Roddy as the wisely sceptical Father Thomas. Its in the quieter moments where his monologues to camera accompanied only by the night time wind outside that TDD really hits home. Otherwise its business as usual as the seen-it-all-before possession tropes pile up faster than the linen in the wash room.
If Clarke had forsaken the FF for a more formal approach with a slow build-up and a tight reign on the creepy-kids-that-go-BOO-in-the-night traits, then she might have come up with a winner, instead of this strictly third place, non-event spook-show. A missed opportunity.
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- WissenswertesClarke was concerned for the Galway premiere in 2018, for women in the age demographic who could have undergone the treatment depicted in the film; however, the film met with positive reception.
- Zitate
Mother Superior: You've some neck on you. Coming into this home and casting aspersions on me. Who do you think you are? You send all the country's dirty wee secrets here, here to my home and sally off without a care in the world. Sweep it all under the carpet and they expect us to hide the dirty laundry. Isn't that it, Father? Leave all the dirty work to the women.
Father Thomas: Reverend Mother, I don't think that...
Mother Superior: No! You don't, do you? You worry about how we treat the girls. What about how you treat us? Leave us to hide all the messes and cover it all up and sworn and all holier-than-thou. Do you know how many of the church's messes that I personally have had to clean up? Do you know how many of the babies born here had fathers who were Fathers, Father?
- VerbindungenFeatured in The Found Footage Phenomenon (2021)
- SoundtracksIf You're Irish Come Into the Parlour
Words and Music by Shaun Glenville and Frank Miller
Published by B. Feldman and Co. Ltd.
EMI Music Publishing
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- Herkunftsländer
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- Auch bekannt als
- The Devil's Doorway
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Box Office
- Weltweiter Bruttoertrag
- 516.660 $
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1