The Replacement
- Miniserie
- 2017
- 58 Min.
Eine Frau, die kurz vor dem Beginn ihres Mutterschaftsurlaubs steht, hat den Verdacht, dass ihre Nachfolgerin ihr Leben in die Hand nehmen will.Eine Frau, die kurz vor dem Beginn ihres Mutterschaftsurlaubs steht, hat den Verdacht, dass ihre Nachfolgerin ihr Leben in die Hand nehmen will.Eine Frau, die kurz vor dem Beginn ihres Mutterschaftsurlaubs steht, hat den Verdacht, dass ihre Nachfolgerin ihr Leben in die Hand nehmen will.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
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This excellent, suspenseful three part thriller was all the better for featuring identifiable locations in my ain hometown. The tension was skilfully ratcheted up episode by episode as a routine maternity-cover employee arrives at a successful Glasgow city centre architect firm, where young up-and-coming architect Ellen has just secured a major contract to design a contemporary library, but who gradually suspects her all-too-perfect stand-in Paula of taking over every aspect of her life.
But is she herself just being paranoid? Married to a psychiatrist (and whose mother was also a shrink), with whom she's just had their first child, we learn that they first met when she was his patient. Not until the conclusive final episode does it become abundantly clear just who the psychologically disturbed party really is, indeed there was actually a point where it seemed as if evil was going to win out but a miraculous near-death recovery precipitates an ending where just desserts are served all round, including to her less than staunch husband and loose ends are tied up.
The title of the piece might seem unimaginative but in fact once the evil-doer's intentions become clear, it's obvious that it's not only her rival's job as lead architect that she's attempting to replace.
The idea of the deranged home-wrecking female of course has been around for years but I liked the twist here of the real motivation for the perpetrator's deranged actions which again aren't revealed until the end and turned out to centre on child-loss bereavement. Actually, whilst saying that, I was probably a little disappointed when a murder occurs out of nowhere in the form of the suspicious death of the wife of the husband and wife business owners, as I thought at that stage the drama didn't need any further heightening but thankfully it didn't trigger a spree of killings which narrative restraint I must admit I appreciated.
The acting by the principals was very good throughout, Morven Davies as the triumphant young career-mother who can't quite believe what is happening to her, Dougray Scott as her conflicted but admiring boss and especially Vicky McClure, last seen on the right side of the law in "Line Of Duty", now excelling as the unhinged Paula, portrayed almost as a Mary Poppins' evil doppelgänger.
Sure there were some holes in the plot and some of the characters' actions and motivations didn't always add up, but in the end it played out very well in a clear, bright production (it's shot almost entirely in daylight, office hours with no clichéd danger-at-midnight darkness scenes) that was well-filled, well-paced, well acted and well executed.
But is she herself just being paranoid? Married to a psychiatrist (and whose mother was also a shrink), with whom she's just had their first child, we learn that they first met when she was his patient. Not until the conclusive final episode does it become abundantly clear just who the psychologically disturbed party really is, indeed there was actually a point where it seemed as if evil was going to win out but a miraculous near-death recovery precipitates an ending where just desserts are served all round, including to her less than staunch husband and loose ends are tied up.
The title of the piece might seem unimaginative but in fact once the evil-doer's intentions become clear, it's obvious that it's not only her rival's job as lead architect that she's attempting to replace.
The idea of the deranged home-wrecking female of course has been around for years but I liked the twist here of the real motivation for the perpetrator's deranged actions which again aren't revealed until the end and turned out to centre on child-loss bereavement. Actually, whilst saying that, I was probably a little disappointed when a murder occurs out of nowhere in the form of the suspicious death of the wife of the husband and wife business owners, as I thought at that stage the drama didn't need any further heightening but thankfully it didn't trigger a spree of killings which narrative restraint I must admit I appreciated.
The acting by the principals was very good throughout, Morven Davies as the triumphant young career-mother who can't quite believe what is happening to her, Dougray Scott as her conflicted but admiring boss and especially Vicky McClure, last seen on the right side of the law in "Line Of Duty", now excelling as the unhinged Paula, portrayed almost as a Mary Poppins' evil doppelgänger.
Sure there were some holes in the plot and some of the characters' actions and motivations didn't always add up, but in the end it played out very well in a clear, bright production (it's shot almost entirely in daylight, office hours with no clichéd danger-at-midnight darkness scenes) that was well-filled, well-paced, well acted and well executed.
I really enjoyed this thriller. A slick, gripping, engaging three part drama which develops well, before a dramatic, albeit unusual conclusion.
Beautifully acted, the two main players Morven Christie (Ellen) and Vicky McClure (Paula) are excellent, bouncing off one another brilliantly, as you watch you get a true sense of awkwardness, almost loathing between the pair, the body language was expertly done.
McClure is always the good guy, moral, but here she has a killer smile, beautiful but deadly. Well acted all round, Dougray Scott, Siobhan Redmond etc, but it's the two lead actresses that shine.
The first two episodes are great, if a little padded at times, the third is definitely bonkers, and came in for a lot of criticism, but I enjoyed it, after two hours of meaningful stares they needed to do something different, and that they certainly did.
The finale wasn't what I was expecting, I had a different conclusion in my mind altogether, but I applaud it for being bold, too often you watch a drama which contains a flat conclusion, not here.
8/10, really enjoyed.
Beautifully acted, the two main players Morven Christie (Ellen) and Vicky McClure (Paula) are excellent, bouncing off one another brilliantly, as you watch you get a true sense of awkwardness, almost loathing between the pair, the body language was expertly done.
McClure is always the good guy, moral, but here she has a killer smile, beautiful but deadly. Well acted all round, Dougray Scott, Siobhan Redmond etc, but it's the two lead actresses that shine.
The first two episodes are great, if a little padded at times, the third is definitely bonkers, and came in for a lot of criticism, but I enjoyed it, after two hours of meaningful stares they needed to do something different, and that they certainly did.
The finale wasn't what I was expecting, I had a different conclusion in my mind altogether, but I applaud it for being bold, too often you watch a drama which contains a flat conclusion, not here.
8/10, really enjoyed.
This was creepy in a sociopath kind of way, the ending was perfectly ok and I really enjoyed it. I have no idea why some people are bagging it.
Thank you to the reviewer who said ignore the negative reviews and watch it. Really good.
Thank you to the reviewer who said ignore the negative reviews and watch it. Really good.
The great thing about TV in this day and age is that sometimes a show comes from nowhere and grabs peoples attention. In 2017 this show did that.
With a good premise and a cast that you've likely seen in lots of other things this show brightened up dreary spring evenings with its quick turns and obsession based plot.
We need intelligent TV shows like this, and on free to watch stations, rather than buried away on Netflix. I'm sure in time more people will find this on IPlayer/DVD and see what a good show it was.
It's a shame that there won't be a series 2.
With a good premise and a cast that you've likely seen in lots of other things this show brightened up dreary spring evenings with its quick turns and obsession based plot.
We need intelligent TV shows like this, and on free to watch stations, rather than buried away on Netflix. I'm sure in time more people will find this on IPlayer/DVD and see what a good show it was.
It's a shame that there won't be a series 2.
This is more of a Scottish Lifetime Movie. Very long. Too long.
I am not sure why I watched this, especially after reading all the negative reviews. I should have believed them.
This is the same thing you've seen many times before - trust me! Only with a crying baby.
It's almost as if someone took all the parts of their favorite Lifetime Movies and tossed them together into this and set it in Glasgow. That's the smartest thing they did. It's a unique city for films and series.
But basically, other than the scenery, this is a waste of time. IMHO.
I am not sure why I watched this, especially after reading all the negative reviews. I should have believed them.
This is the same thing you've seen many times before - trust me! Only with a crying baby.
It's almost as if someone took all the parts of their favorite Lifetime Movies and tossed them together into this and set it in Glasgow. That's the smartest thing they did. It's a unique city for films and series.
But basically, other than the scenery, this is a waste of time. IMHO.
Wusstest du schon
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