IMDb-BEWERTUNG
5,8/10
3762
IHRE BEWERTUNG
Martins Tochter Emma trifft sich mit Wörmer in dessen Isolierzelle, was den verurteilten Kommissar aus dem Koma holt und eine Kette von schicksalhaften Ereignissen in Gang setzt.Martins Tochter Emma trifft sich mit Wörmer in dessen Isolierzelle, was den verurteilten Kommissar aus dem Koma holt und eine Kette von schicksalhaften Ereignissen in Gang setzt.Martins Tochter Emma trifft sich mit Wörmer in dessen Isolierzelle, was den verurteilten Kommissar aus dem Koma holt und eine Kette von schicksalhaften Ereignissen in Gang setzt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
Nina Terese Rask
- Maria
- (as Nina Rask)
Tina Gylling Mortensen
- Henriques
- (as Tina Gylling)
Empfohlene Bewertungen
First Nightwatch was released in 1994 and a sequel was announced in 2022. I was surprised to hear that news because usually, it does not take that long for a horror movie sequel to arrive. Well now the year is 2024 and I could finally watch Nightwatch 2. I can tell you the atmosphere is not as eerie and scary as in the first movie. However, this does not mean that this movie is not worth watching but it is worth it. This movie is based on revenge and it is a rematch. I loved the duo of Bodnia and Waldau in the first movie and again we have the duo in the second. I liked the ending of this movie and I advise everyone to watch the first movie before watching this to remember the details. I give 8 over 10! Good job Mr. Bornedal!
Ole Bornedal's "Nattevagten - Dæmoner Går i Arv" ("Nightwatch: Demons Are Forever") is a horror sequel that delivers a satisfying blend of tension, and eerie sound design. While it doesn't reach the heights of its iconic predecessor, this Danish film proves that lightning can strike twice, even if it doesn't rewrite the horror rulebook.
The original "Nightwatch" shook the local industry, proving that Danish filmmakers could craft compelling horror. Two decades later, Bornedal revisits his classic, exploring generational trauma and the weight of the past. The result is a competent, if familiar, sequel that delivers on entertainment value, even if it doesn't break free from the shadow of its iconic predecessor.
The story centers around Emma (Fanny Leander Bornedal), a young medical student drawn into a web of horror as she attempts to clear her family name. It's a tale of mistaken identity and confronting the sins of the past, with a strong performance by Bornedal, who portrays a character trying to escape their legacy.
While the film follows a similar formula to its predecessor, with familiar story beats and character types, it excels in building tension. The sound design is particularly effective, with the unnerving sound of a utility knife adding to the sense of impending danger. The film also doesn't skimp on gore, delivering plenty of bloody moments to satisfy horror enthusiasts.
However, "Nattevagten - Dæmoner Går i Arv" falls short of fully exploring its potential for intergenerational dialogue and commentary. It feels like a missed opportunity, as the film stops just short of delving into deeper themes, instead opting for a safer, more familiar path. This is a common pitfall of legacy sequels, and while it doesn't detract from the enjoyment of the film, it does leave you wanting more.
In conclusion, "Nattevagten - Dæmoner Går i Arv" is a solid addition to the horror genre. It effectively balances tension and gore, delivering an entertaining and satisfying experience. While it may not be the most innovative entry, it is a worthy successor to the original "Nightwatch," reminding us of its impact and proving that some formulas are worth revisiting.
The original "Nightwatch" shook the local industry, proving that Danish filmmakers could craft compelling horror. Two decades later, Bornedal revisits his classic, exploring generational trauma and the weight of the past. The result is a competent, if familiar, sequel that delivers on entertainment value, even if it doesn't break free from the shadow of its iconic predecessor.
The story centers around Emma (Fanny Leander Bornedal), a young medical student drawn into a web of horror as she attempts to clear her family name. It's a tale of mistaken identity and confronting the sins of the past, with a strong performance by Bornedal, who portrays a character trying to escape their legacy.
While the film follows a similar formula to its predecessor, with familiar story beats and character types, it excels in building tension. The sound design is particularly effective, with the unnerving sound of a utility knife adding to the sense of impending danger. The film also doesn't skimp on gore, delivering plenty of bloody moments to satisfy horror enthusiasts.
However, "Nattevagten - Dæmoner Går i Arv" falls short of fully exploring its potential for intergenerational dialogue and commentary. It feels like a missed opportunity, as the film stops just short of delving into deeper themes, instead opting for a safer, more familiar path. This is a common pitfall of legacy sequels, and while it doesn't detract from the enjoyment of the film, it does leave you wanting more.
In conclusion, "Nattevagten - Dæmoner Går i Arv" is a solid addition to the horror genre. It effectively balances tension and gore, delivering an entertaining and satisfying experience. While it may not be the most innovative entry, it is a worthy successor to the original "Nightwatch," reminding us of its impact and proving that some formulas are worth revisiting.
It has been almost 30 years since the events of the original. Martin is kind of a wreck; he doesn't work, doesn't receive welfare and takes too many pills. His daughter Emma is trying to help, but he's very resistant to it. Neither of them have properly processed the suicide of Kalinka. So one day she does something she feels is definitely going to make it better. The road to Hell is paved with good intentions.
A major theme here is the way that trauma has a ripple effect. And how something intended to improve things can actually worsen them. The terror is in part derived from this, thus making it more effective than if it truly was something as banal (at this point in genre fiction) as merely a serial killer. The mystery is compelling, and though I applied myself, I did not deduce the identity of the murderer. This has amazing cinematography and editing, which truly do hold you in a vice grip in the scariest scenes. Movies like this can get a significant boost out of credible characterization. Maria feels like a real person; she is not confined by stereotypical femininity. The acting and the chemistry is all convincing.
This features brief sexuality, a little strong bloody violence and gore, and some swearing. I recommend this to fans of Horror. 7/10.
A major theme here is the way that trauma has a ripple effect. And how something intended to improve things can actually worsen them. The terror is in part derived from this, thus making it more effective than if it truly was something as banal (at this point in genre fiction) as merely a serial killer. The mystery is compelling, and though I applied myself, I did not deduce the identity of the murderer. This has amazing cinematography and editing, which truly do hold you in a vice grip in the scariest scenes. Movies like this can get a significant boost out of credible characterization. Maria feels like a real person; she is not confined by stereotypical femininity. The acting and the chemistry is all convincing.
This features brief sexuality, a little strong bloody violence and gore, and some swearing. I recommend this to fans of Horror. 7/10.
To be totally honest.. Its a stinker. And i have a hard time figuring out why people can actually give it a good rating. A film made at this 'level' have to perfom better. It solely lives on the name.
Which sucks, because the first one is so good. Already in the beginning there is some of the worst dubbing work I've ever seen in a film, ever. The whole setup is just so bad. The pacing is off and in general the work takes you away from the movies. Not that the plot is good. The story is in general thin as paper, and you sit with that feeling that the protagonist's action is so unreal. In know we talk about a film here, but come on. Its not good, and a real disappointment.
Cant recommend.
Which sucks, because the first one is so good. Already in the beginning there is some of the worst dubbing work I've ever seen in a film, ever. The whole setup is just so bad. The pacing is off and in general the work takes you away from the movies. Not that the plot is good. The story is in general thin as paper, and you sit with that feeling that the protagonist's action is so unreal. In know we talk about a film here, but come on. Its not good, and a real disappointment.
Cant recommend.
I saw this directly after seeing it's predecessor.
In this sequel we have Martin's daughter Emma who conveniently takes a job as a night watch in the same forensic department where her parents were traumatized by a psycho.
She finds out that the psycho is alive at a nearby asylum. She becomes obsessed to see him.
At the same time we have a copycat killer on the prowl.
The movie is very predictable but it is atmospheric n an effective thriller.
It takes more than 40 mins before the first kill.
One of the best part is that they have included many new characters, not just so that they can be killed off.
How Brent gets to get out on weekends inspite of him being a brutal killer was beyond me.
In this sequel we have Martin's daughter Emma who conveniently takes a job as a night watch in the same forensic department where her parents were traumatized by a psycho.
She finds out that the psycho is alive at a nearby asylum. She becomes obsessed to see him.
At the same time we have a copycat killer on the prowl.
The movie is very predictable but it is atmospheric n an effective thriller.
It takes more than 40 mins before the first kill.
One of the best part is that they have included many new characters, not just so that they can be killed off.
How Brent gets to get out on weekends inspite of him being a brutal killer was beyond me.
Wusstest du schon
- WissenswertesLotte Andersen was offered to reprise the role as Lotte, Godmother of Emma, but declined as she couldn't see herself in the role.
- PatzerIn the scene with the priest in the car, the inside car manufacturer logo at the steering wheel is VW, but when you see the car from the outside, it is a Citroën...
- VerbindungenFollows Nightwatch - Nachtwache (1994)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Nightwatch: Demons Are Forever
- Drehorte
- Aarhus Amtssygehus, Aarhus, Dänemark(Hospital, psychiatric hospital, forensic institute)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.300.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 104.266 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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What is the Canadian French language plot outline for Nightwatch: Demons are forever (2023)?
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