Metacritic-Rezensionen

At the heart of the “Has Fallen” franchise is the affection between men, and Butler has always shared the best chemistry with his male co-stars. That spark in “Angel” comes from Butler’s scenes with Nick Nolte, as his father, Clay, a veteran living off the grid.

Angel Has Fallen never quite digs deep enough into its themes and is inconsistent in its execution of action sequences.

It's all utterly preposterous, and yet Waugh handles the big scenes pretty well.

After the sorry spectacle and blatant xenophobia of London Has Fallen, it’s almost a relief that Angel is merely a competent, second-rate action vehicle. This trilogy’s ambitions have never been particularly high, but at least this third chapter’s fleeting junk-food pleasures aren’t undermined by base pandering.

No one has ever accused a Gerard Butler action movie of being too smart, but “Angel Has Fallen” operates on such a level of half-considered logic and improbable motivations that even moderately well-mounted action can’t distract audiences from how dumb it is.

As with Den of Thieves, Angel falls into the “lively mediocrity” category of Butler schlock, with one or two plot hikes that suggest the script meetings were well-refreshed.

A big, lumbering bastard of an action movie sequel. It achieves more-or-less exactly what it promises — which, given this franchise’s track record, is a low bar to clear.

Most action flicks would settle for thrilling violence and mayhem, in service of a utilitarian plot. “Angel” flips this formula on its head, delivering a surprisingly coherent story but with no discernible sense of fun.

Angel Has Fallen is the kind of movie that leaves you feeling restless and thinking about dinner long before the third act, but anyone who sticks it out until the bitter end will be rewarded with one of the greatest mid-credits sequences ever devised.

The plot — which is to say, the plot against the president — is, once again, a violently overwrought confection of “topical” comic-strip ludicrousness; that’s the DNA of the “Fallen” series. Yet when you’re watching a big-budget B-movie, there’s good preposterous and there’s bad preposterous.