Hagen - Im Tal der Nibelungen

I had low expectations to begin with, perhaps that made me a tad too grateful, but the film was a nice evening at the cinema - not something we get very often. Nice visuals, costumes and set are overall immersive, the music is good.

It has weak points and material was obviously cut down, giving us some loose ends and lacking a little substance at times.

On top of some scenes that just don't convince the viewer of characters' traits, making them feel rather shallow, there are a few awkward lines in some dialogues.

Keeping this in mind, provided you are able to separate this from the traditional story, Hagen is an interesting, even rare character - who is humble and loyal, despite being competent.

The anti-hero trope has been done to death, this isn't any such story, whatever the synopsis tries to tell you. I would have loved a longer, more in-depth character study, but Hagen himself was intriguing.

A good film, I would alter some things, but will definitely use the main character as inspiration for some project.

This movie is far better than presented in imdb (even the plot summary is plainly wrong). For centuries-literally centuries-Hagen von Tronje has been the villain of Germany's most famous saga (yes, Wagner and all that). This movie retells the saga from a different perspective-an apology for Hagen-that alters some details, omits certain parts, and adds others. What you get is still a saga (they travel to Iceland in what may be a 15th-century carrack, 400 years before the Vikings dared cross the gap between Sweden and England), but it all comes together coherently.

It's also well-crafted from a technical standpoint, with good visuals and entertaining scenes. It never felt "long." I believe it's solid if you don't know the story, but if you do, it's at least very good.

Kriemhild isn't a main character, nor is Brunhild or the women's quarrel; it might seem that both characters seem a bit one-dimensional. However, I'd call this a deliberate technique to clarify that the story isn't about them for viewers who might expect otherwise. Alberich the dwarf plays a larger role, and boy-they are properly creepy.

All in all, if you know the book (yes, the old one!), "Hagen" will create a tension between the adaptation and the original. This allows you to better observe themes like "old world heroics versus courtliness", "individual glory versus greater good", and "who's at fault versus who's at shame." These themes are already present in the 13th-century book but are now brought into the spotlight for discussion.

As someone who grew up reading the source material and especially the interpretation by Hohlbein from the POV of Hagen, i have been waiting for a state of the art adaption of Song of the Nibelungs ever since I saw my first Lord of the Rings Movie. I never had high hopes it would get made because despite being one of the most influential historical epics of all time, hollywood has always been blissfully ignorant.

Now a european production has finally stepped in, and i am here for it!

The filmmaking is superb. The visuals are stunning. Everything looks realistic yet stylish, and the sword fights are down to earth yet filmed in a way that makes you feel the weight and impact of each strike.

Qualitiy of performances varies, but the main characters all deliver. Everyone has botteled up emotions to deal with, you know what they feel by looking in their eyes, everything is handled with a minimum of dialogue and a maximum of context to make you understand the driving forces behind each character. It does not feel like just another fantasy film, but more like a dark, tragic saga that hints but never 100% commits to the supernatural elements of its plot, similar to projects like "The Northman" by Robert Eggers or the "Hellblade" video game.

If you are into sagas and gritty medieval dramas, or if you are a fan of the source material like i am, this one is for you!

German fantasy productions have become rare, so I was glad someone decided to once again use the Song of the Nibelungs, the classic German hero tale, as a source for inspiration - even if the movie itself is based on a book by Wolgang Hohlbein.

Visually this is an impressive looking production, with lush setdesign and inspiring costumes.

But the acting is wooden - all around, I'd say. Main protagonist Hagen f.e. Never goes on any kind of classic "Hero's Journey". He just stays his stoic, usual self throughout the entire film, often coming off as a person looking "into the film", while more interesting stuff happens to other characters.

It also can't seem to answer its own question whether or not to lean into the really outlandish fantasy elements of the story it is based on. That must explain why I never could shake the feeling off that entire scenes were simply missing, especially in the first act, because the film does a horrible job introducing characters and story. You'd be lost without at least basic knowledge of the Nibelungs.

See it for the visuals. Otherwise there's nothing really memorable here.

A poetic homage to an immortal epic for ages retold.

Siegfried the Hero and Hagen the murderer (which is no spoilers, the story was known to us over 900 years).

The battle scenes are epic, the dialogue is a bit shakespearean, hence i can understand that the modern audience (i hate to use the word zoomers so i wont) will find it dull (i loved it: macbeth flashbacks).

I found it refreshing overall.

All classical characters of Nibelungenlied are in the movie and they are loyal to their characters in a range of extend

This one explores the psychological motives behind the characters, their endeavours and the tragic result. (or was is tragic?)