Best F(r)iends: Volume 1

This film is nuts. It starts off slowly. Jon (played by Greg "O hai Mark" Sestero) is a drifter who stumbles upon Harvey (Tommy "I'm fed up with this wurld" Wiseau). Harvey gives him a job for a day. The next day Jon comes back to Harvey for a full-time job. Little does Harvey know that Jon is going to betray him by selling bags of Harvey's gold teeth. What a story Mark (I mean Jon).

I saw the UK premiere of the extended cut and the audience was going crazy. There were a few references to The Room and whenever they happened the audience applauded with frenzy. It's not The Room, and I'm not going to compare them as others will do this. I will say that if you want an entirely unique viewing experience which will make you laugh at the poor/legendary acting and scratch your head with bewilderment, this is the film.

Best Friends is very good, and it is very bad, so it's impossible to give it a legitimate score with the usual ranking system. As stupid as this sounds, it's true, so I'll be interested how critics approach Best Friends on it's release.

The 9/10 is for the experience I had while watching it. It really is awesome to see Tommy and Greg acting again opposite each other, so this should not be missed.

Best F(r)iends is an emotional roller coaster ride. The movie is packed to the brim with absurdity, dark humor, romance, love, betrayal. Everything required for an excellent film. Fans of The Room will not be disappointed. It does hold up as a legitimate film.

I am well versed in the story of the Room and Greg Sestero's acting journey. I think it is fantastic that he not only has kept his acting dream from being completely extinguished by his association with the mother of all bad movies The Room, but managed to write and act in a gem that will hopefully open up the doors to him that seemed closed permanently.

It is difficult to categorise this movie into a genre. It's funny, strange, scary and silly, frequently all at the same time. If you don't know much about the plot, it makes the experience far richer, the surprises are half the fun. Greg is very good, but his reluctant life partner Tommy Wiseau is, believe it or not, actually quite good as well. I have a feeling they didn't let him go full on tyrant on this set and let him run completely amok like he did back in '03. He more or less plays a version of himself, or at least similar to how Greg describes him in the disaster artist, and is a compelling guy to watch, despite looking like dawn of the dead at whatever his age is.

The production value is good. The dialogue wasn't dubbed back in. I couldn't see any green screen rooftops and the dialogue is strange at time but not exactly "Oh Hi Mark" strange if you get my drift. Even if you know absolutely nothing about the story of these 2 men and just watch this movie like any other, you will still probably enjoy it. It's never boring or repetitive. In short, it looks pretty darn good.

If you really are sick of movies, even the good ones, that follow a very recognisable formula and want something truly unique and unpredictable then this is for you. It left me scratching my head, wondering exactly what it was. That is the highest compliment I can pay to a movie. In the words of harmony Korine "Please just give me something different."

Best Friends is about as different as Transformers is the same.

Before watching the first film of the epic 2-part 'saga' that brought back Greg Sestero and Tommy Wiseau on screen for the first time since the beloved and maligned 'The Room', I was unsure if these films were going to follow in the same vein of 'so bad they're good' or maybe this time they know the films are bad? My question wasn't immediately answered upon watching the first entry as it starts off with a promising premise, a good tone/setting (or so I thought), and even a score that feels perfect for this reunion. As the film goes on and gets more absurd as the characters start to show their true motives, I couldn't help but think that one: this film is beyond stupid and convoluted, and two: that it's also effortlessly entertaining and something I may think about re-watching if it's ever on cable. Now, onto part 2...

5.7/10

Best F(r)iends establishes Greg Sestero as an interesting and quite exciting storyteller. And at the same time it serves as a great closing chapter in the entire Room story that has now expanded over books and film - not to mention The Room itself. Its a great love letter to the unique friendship between Sestero and Wiseau, and its great to see how Tommy actually gets a part that suits his style. In this film, he delivers genuinely touching moments and shows a great vulnerability at times. Greg also creates a nice underplayed character in the homeless Jon, searching for some sort of human relationship after the loss of his mother. These two souls who each has a deep sadness in their lives, finds a kinship in each other. Probably not unlike the real versions of Sestero and Wiseau. The story is told as a noir thriller, and works like this in quite a few places, as well as taking really intersting and original turns, which kept me curious about what was waiting around the next corner. Unfortunately the direction and editing drags the film down. In some scenes it seems like the director has been more interested in the technical aspect, instead of directing the actors, or maybe it comes down to inexperience. But the editing is what really does the film a huge disservice. Scenes go on way too long, they dwell on overly long shots, and there are several moments that just seems unnecessary, and dull. Scenes that should have been cut. And then there are several slow motion cuts, which just seems kinda pretentious. The film is also edited by the director, and its seems to me like has been way too close to the material to actually see what the film needed. He is in love with his own shots (he is also the DP), and seems more interested in showing those, than actually telling a story. And the score (great as it is by Dan Platzman of Imagine Dragons) is also weirdly edited, and seems spliced together with other parts of the score in some scenes. And generally the film would benefit from more quiet moments, without having the score intrude in basically every scene.

Because of all this, the film at times comes across as more of an amateur / student production, which is really too bad because as I've stated, I really enjoyed the story as well as Wiseau and Sesteros performances, which still made me have a good time. Better editing could have just lifted this into something really special and totally unique. I am still looking forward to part 2 though, since there are a lot of exciting questions being put forward in this one, and a lot of places it could go. Just hope that it will be a tighter experience.