Liebe ist unsterblich. Verführung ist unvermeidbar. Rache ist unwiderstehlich.Liebe ist unsterblich. Verführung ist unvermeidbar. Rache ist unwiderstehlich.Liebe ist unsterblich. Verführung ist unvermeidbar. Rache ist unwiderstehlich.
- Auszeichnungen
- 13 Nominierungen insgesamt
Empfohlene Bewertungen
It was intriguing. Yes, it is provocative, exploring sexuality, but it also makes you think and deal with it - deal with the complicated feeling. The story itself without the artistic extras is also interesting.
Not a movie for everyone, I think one should be open to new ideas and opinions to like this movie. Then again, quoting my mother:
"People are fine with watching people killed in movies with their kids, but when it comes to physical intimacy, they feel uncomfortable"
Sadly it's true, yet it can be argued, that every sensible human knows that killing is not okay and maybe they feel that seeing sex or something along the same lines is too intimate for the TV? I don't know and I digress.
If you want to experience something new, watch this movie :)
If you won't make it until the end, that's fine, people have different levels for tolerating things. I myself am 17 and would say I'm rather innocent and it wasn't too much for me - while I was watching this next to my mother on a big screen, I was actually laughing, not feeling bad.
I recommend it to everyone.
Not a movie for everyone, I think one should be open to new ideas and opinions to like this movie. Then again, quoting my mother:
"People are fine with watching people killed in movies with their kids, but when it comes to physical intimacy, they feel uncomfortable"
Sadly it's true, yet it can be argued, that every sensible human knows that killing is not okay and maybe they feel that seeing sex or something along the same lines is too intimate for the TV? I don't know and I digress.
If you want to experience something new, watch this movie :)
If you won't make it until the end, that's fine, people have different levels for tolerating things. I myself am 17 and would say I'm rather innocent and it wasn't too much for me - while I was watching this next to my mother on a big screen, I was actually laughing, not feeling bad.
I recommend it to everyone.
Usually I start my reviews with a brief summary of the plot. In this case that's not possible, as the movie has no plot. As near as I can discern it's about a German man who is travelling across the US. The remainder seems to consist of random interludes.
Lacking a plot is a distinct drawback in terms of viewer engagement, and you can count me as one of the unengaged.
This movie is random, pointless, pretentious nonsense, basically.
Lacking a plot is a distinct drawback in terms of viewer engagement, and you can count me as one of the unengaged.
This movie is random, pointless, pretentious nonsense, basically.
What was this movie even about? Throughout the entire movie I had no idea what was going on. Every scene had me questioning whether the protagonist was hallucinating or having a flashback since it didn't quite mesh with the narration going on. And most of the time that could have been devoted to developing plot was just the guy driving around in his car.
Ecstasy is far from how I would describe this movie. It was slow, confusing, lacked any real intimacy, and ended with a big WTF moment that just makes you feel gross. I hope I burn this film out of my memory.
Ecstasy is far from how I would describe this movie. It was slow, confusing, lacked any real intimacy, and ended with a big WTF moment that just makes you feel gross. I hope I burn this film out of my memory.
No pun intended - because it is also the depiction of ... well I reckon you can call it Ecstasy. Or a highlight - a moment of absolute satisfaction? That may be way too much to be honest. One thing you should know: there is a lot of nudity and a lot of graphic scenes (as in explicit). Just be aware of that, if you have issues with those things. Especially because the actors do look directly at you at some points - like after or during pleasing themselves.
That being said, the movie itself stays bleak for most of the time. At least when it comes (sorry for the pun) to the mood - and I reckon also the photography. Which looks stunning by the way. Apparently the DP is usually a photo camera man and not a film camera man. Maybe some will see that as a bad thing - but I liked what he shot - be open minded. Which is true for the whole movie experience. Depending on how much you've seen media wise, how easy you can be shocked ... well this will all play into your experience. Also if you get some nods to other movies.
Slow paced and some other things that might connect with most viewers - but the filmmaker is consistent. And I reckon we will see more of him ... I wouldn't mind.
That being said, the movie itself stays bleak for most of the time. At least when it comes (sorry for the pun) to the mood - and I reckon also the photography. Which looks stunning by the way. Apparently the DP is usually a photo camera man and not a film camera man. Maybe some will see that as a bad thing - but I liked what he shot - be open minded. Which is true for the whole movie experience. Depending on how much you've seen media wise, how easy you can be shocked ... well this will all play into your experience. Also if you get some nods to other movies.
Slow paced and some other things that might connect with most viewers - but the filmmaker is consistent. And I reckon we will see more of him ... I wouldn't mind.
I'm not a mechanic, but when a car goes "guh-guh-guh-pffrt" I am capable of determining it is broken.
In that same vain, I am not an actor, but... they're all going guh-guh-guh-pffrt.
I'm 98% sure no AI was involved in this movie, but everybody involved seems to have gone out of their way to warn us what would happen if it was.
The dialogues are especially egregious, which can in part be blamed on RP Kahl's overestimation of his English.
Ordering a cheeseburger with a side of fries at a roadside diner puts far less strain on your linguistic skills than trying to emote and remember your lines.
It also doesn't help that every time I'm forced to look at a close up of the man, I think of that yellow bastard in Sin City.
The actresses don't fare much better, however. Disjointed dialogue and a robotic delivery turns what seems like an attempt at some sort of art into incredulous stares at the screen and a quick look at the clock to see how long I have to watch this before I'm allowed to pass judgment.
With about ten minutes left and nothing but utter confusion to show for it, it's time. And since this film thinks it can be highbrow, I shall do the same: Judgment is unfavorable.
In that same vain, I am not an actor, but... they're all going guh-guh-guh-pffrt.
I'm 98% sure no AI was involved in this movie, but everybody involved seems to have gone out of their way to warn us what would happen if it was.
The dialogues are especially egregious, which can in part be blamed on RP Kahl's overestimation of his English.
Ordering a cheeseburger with a side of fries at a roadside diner puts far less strain on your linguistic skills than trying to emote and remember your lines.
It also doesn't help that every time I'm forced to look at a close up of the man, I think of that yellow bastard in Sin City.
The actresses don't fare much better, however. Disjointed dialogue and a robotic delivery turns what seems like an attempt at some sort of art into incredulous stares at the screen and a quick look at the clock to see how long I have to watch this before I'm allowed to pass judgment.
With about ten minutes left and nothing but utter confusion to show for it, it's time. And since this film thinks it can be highbrow, I shall do the same: Judgment is unfavorable.
Wusstest du schon
- WissenswertesA Thought of Ecstasy was part of a theatre performance at Berlin based art space Ballhaus Berlin.
- PatzerWhen Frank reads Ross Sinclair's book in the car you can recognize the text inside as "The Yellow Wallpaper" by Charlotte Perkins Gilman.
- Zitate
Frank Patrick: Never realized, that I was always searching for her. Like now. A stranger in a strange country. A stranger in my own story.
- Crazy CreditsTitle card (before final credits): "But seduction is inevitable. No one living escapes it, not even the dead." - Jean Baudrillard
- VerbindungenFeatures Therese und Isabell (1968)
- SoundtracksNames
Written by Anstam
Performed by Anstam
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