God of War

I watched this on Netflix, and their discription of the film was something along the lines of "a maverick leader and a clever young general take on the Japanese pirates amid bureaucratic intrigue in Ming Dynasty China". In reality, the film is more "a clever young general takes on Japanese pirates" with bureaucratic intrigue in Ming Dynasty China as a mere backdrop. The film does alllude to bureaucratic politics in the first half of the film, but it is left to the wayside into the second half with no mention of it at the conclusion of the story. We're sort of left hanging about the characters who appeared in the first half that were involved in the politics of the Ming Dynasty.

The second half of the film focuses on two battles - and that's fine. However with a fairly crowded cast, some of the characters' death are left me feeling unempathetic. Had the film focused on developing these certain characters more in the first half of the film, it would've been more impactful. We simply didn't get time to grow attached to the characters that die.

Personally, I think the movie would've been better if it just focused on the general chasing the pirates and with very light sprinkles of his maverick leader trying to get him the funds for his army. Then the first half of the film could focus on the general training his troops, and the second half can be the battles. The movie also gets bogged down with comedic scenes between the General and his wife. I found it touching and funny, but it did make me stop and wonder when the battles were going to happen, this film is around the 2hr mark.

However, these scenes were all to humanise the General and his wife, who plays an integral part in one of the battles later on in the film. She ticks the standard "badass waifu" that we all wish had our backs, and the actress does a pretty good job of convincing me that she's exhaustedly and desperately hacking away at Japanese soldiers.

Now it would be jarring to see a 5ft6 petite woman carving her way through katanna wielding troops, but the film does it in a way that she manages to get the jump on them in the heat of battle, rather than going toe to toe with countless men. And of course, a few people have to bail her out in battle - she's not a Mary Sue (which is to be expected because Asian cinema knows how to write strong yet not overpowered female characters) So point in favour to the creative minds behind that.

Next up, I appreciate how the film takes the time to develop the Japanese characters, from the wise leader, to the young and honourable samurai, and the dishonourable ronins. The film makes a clear distinction that the ronin are the ones doing the messy work, and are barbaric in their behaviour much to the disgust of their samurai leaders. The samurai aren't the cliche evil Japanese characters we see so much in Chinese film, which is a nice change of pace for once. "Ip Man" was a bit too heavy handed on the anti-Japanese sentiment.

Finally we have the action. It's good, no shaky cam and well choreographed scenes make it worth the wait. It's no "Red Cliff", but it is more than adequate and not as fantastical as other similar epics such as "The Curse of the Golden Flower" - which is a good thing.

Overall, I enjoyed the film and the battle scenes definitely made up for the wait.

It is a great movie, accurately telling the history between Japan and China in Ming dynasty. I especially love the 1-1 fight scene of General Qi and Commander Kumasawa and the languages were spoken in both Mandarin and Japanese. It also showed the characters of Chinese and Japanese. If you know nothing about the history, you might get bored, but you will enjoy this movie very much if you know a little bit of the story.

This is a very traditional way that Chinese movie makers kept doing. Slow tempo, wasted lot of money on settings, costumes, attire accessories, uniforms, weaponry....formatted dialog, predictable scenarios.....rigid 1 dimensional acting, no-brain directing, etc and etc.

But among all of these clichés, the worst in this film is the pathetic soundtrack. The first viewer has already pointed out this awful arrangement, but the problem of the western styled music is not just that bad, it's problem the music director or soundtrack supervisor used a music that got nothing to do with every scene, it just repeatedly played on and on; in fighting scenes, in the camp, during dialog, it just played on with the same tune, same tone. It's the soundtrack that bothered me so severely, so I just have to quit watching. What a stupid and boring movie. Another living example how the Chinese movie makers never understood how to spent the budget wisely. The fighting scenes are okay, but they were ruined by the emotionless soundtrack.

My preference is for period pieces over modern day settings (especialy not the Hong Kong cop thrillers). I watched this a day after rewatching the "Seven Samuri" and was inrtigued by the number of blunderblusses available given there were only three in 7 Samuri (set some decades later). Also I learned this must have taken place in the pre-isolationist period of Japan as they were trying to take over coastal China through pirate cloaking. I enjoyed the many subplots: ronin trying to be samuri, peasants trying to be soldiers but especially the singlemindedness of General Qi's wife.

The film's cinematography (composition, colour, camera movement) was reminiscent of Kagemusha, the Shadow Warrior. The Japanese and Chinese were given a balance of presentation and at times I was not sure who to root for. Intrigues at the Chinese court placed the story line at another level. The Japanese general kept to the lie that he was no more than a pirate. An honourable undertaking in capturing this little known period (to Westerners at least) with elegance, elan and enthralling story telling.

This Japanese vs. Chinese war film is action packed, never a dull moment.

There are shades of Kurosawa, I dare say, in the way we get the character development entwined with the action in a perfect blend.

My only problem is that I'm American, and I have a hard time figuring out who is who, and which side is which side. Yet even I caught the significance of the characters. I'm just not really sure which ones survived along with the ones who obviously survived.

I'd probably just have to view it again. It's a very incredible epic film, and there isn't one boring second in this. Even the dialog is exciting., and I was listening to dubbed dialog and reading subtitles. When a film can defeat translation problems this well, it's a smash.