Nach einem mysteriösen Unfall kommt ein junger Architekt wieder zur Besinnung. Er muss die Gesetze und Vorschriften herausfinden, während er um sein Leben kämpft.Nach einem mysteriösen Unfall kommt ein junger Architekt wieder zur Besinnung. Er muss die Gesetze und Vorschriften herausfinden, während er um sein Leben kämpft.Nach einem mysteriösen Unfall kommt ein junger Architekt wieder zur Besinnung. Er muss die Gesetze und Vorschriften herausfinden, während er um sein Leben kämpft.
- Regie
- Drehbuch
- Hauptbesetzung
- Astronom
- (as Milosh Bikovich)
- Zhitelnitsa reaktora
- (Nicht genannt)
- Zhitel bunkera
- (Nicht genannt)
- Vasya
- (Nicht genannt)
Empfohlene Bewertungen
This is a strangely disconcerting watch. Its presentation of a reality bending dream world, is a little hard on the synapses, until you become accustomed to its quirky nuances.
That said, its convincing back story, decent characterisations and sustained action, mark this film out, as a worthwhile watch. It has a very subtle "hint" rather than twist in the end too, that adds a further note of reality questioning discordance, that's quite effective.
Definitely one to consider, if you want a departure from conventional sci fi fare.
7/10.
I saw Attraction few years ago and recently The Blackout and the second part of Attraction (Invasion). I had to admit; Russian FX and digital imagery have a very good quality; however stories are not that good in terms of intrigue and resolution but are able to take some old ideas and rework them very good. Koma (COMA) is another example.
Taking some imagery and concepts from Inception and The Matrix; this movie is able to be different in itself and quite interesting if you are able to go beyond the first part; which does not seems to make a lot of sense; some events seem absurd or unnecessary. After a while; when ideas are clarified the logic kicks in.
Not much can be said about the story; because it will spoil part of the suspense; but let's only explain that the main character gets in a coma because of an accident and wakes up in a oniric universe with strange laws of physics and meets a group of people trying to survive there; things start twisting after a while.
Sadly the last part of the movie seems quickly resolved and lazy written; but the whole package is still interesting
Clearly, the movie falls shy of good acting. The movie feels slow and bland to an otherwise thrilling concept mainly because the script! It does not seem to be written keeping actors in mind, rather it feels like someone imagined such a world without actors and had to force actors into the story line to build the world itself. Hence the dialogues don't feel that intense, the scenes with monsters seem rather shallow and don't turn you to the edge of the seat, there is not much of an emotional connection between the actors. Deaths of side actors don't really seem to matter and not really heart breaking. The 2 protagonists are rather poorly defined / their background could have been explored further.
However I clearly see a lot of potential here. The movie explores a lot of dimensions and the concept behind COMA's environment seems rather deep. I would suggest everyone to go watch it. I would say 5 for acting, 9.5 for Visuals and 9.5 for Concept, 7 for execution. I highly recommend this movie since what it looses to weak characters, gains for the execution of story lines, visuals and innovative direction Coma took.
Wusstest du schon
- Patzer(74 minutes in) When the architect is escaping the barrier is lowered but it disappears when the car reverses in to rescue him.
- Zitate
Yan: I've seen a lot of people come and go and I'd say there's a deeper reason as to why we're all here. My take, everyone who's here didn't quite make it in the real world. They didn't have a future there.
Viktor: Yeah, but I got like, no idea about myself. It's all just like a vague recollection.
Yan: Maybe that's for the best.
Viktor: How is that?
Yan: Without the burden of memories, we're a clean slate, we can have a fresh start. Nobody can tell you who you are but you yourself. This world is created by our thoughts. The rules are different here. And here, unlike in reality, you can do whatever the hell you want.
[pause]
Yan: But that doesn't mean, is that you shouldn't do anything.
- VerbindungenReferences Weiße Sonne der Wüste (1970)
Top-Auswahl
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Details
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.275.710 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1