Tremors 6 - Ein kalter Tag in der Hölle

If nothing else, Tremors: A Cold Day in Hell is a vast improvement over Tremors 5 in every single way. Unlike the previous entry, this sequel feels more tonally similar to the first four Tremors films. The humor is more tongue-in-cheek (and yes, way more juvenile), the special effects are improved, and the whole affair is about as entertaining as one could reasonably expect from a direct-to-DVD sequel that's the sixth in a series.

Michael Gross continues to appear to be having a great time playing Burt Gummer, who is just as over-the-top and nutty as ever. Most actors simply would be phoning it in at this point, but Gross makes the best of the so-so script and meager budget to elevate the material to something actually worth watching. Jamie Kennedy, returning as Gummer's son, is thankfully given way better dialogue than he had in Tremors 5, and delivers one of the most enjoyable performances of his career. The supporting cast is fine, although leaves much of a lasting impression. The real stars of the movie, of course, are the graboids. They still look don't quite as cool as they did in the original Tremors, though given that the first one was a theatrical release while the sequels have all been direct-to-DVD, that's hardly a big surprise. While the monsters would benefit from having more money put behind them, they at least aren't Syfy original movie quality. Like Tremors 5, Tremors: A Cold Day in Hell is gorier than the other sequels, and there's a fair amount of blood to go along with the monster attacks. It would be great to one day get an R-rated Tremors film, but this one works well enough as a PG-13. If I had to guess, a Tremors 7 isn't more than a few years away. As long as Gross comes back and the filmmakers can come up with a fresh take, I'll gladly check it out. 6/10

I like the fact that after 6 films they at least attempted to do something a little different. Honestly, it doesn't change the dynamics or what I enjoy about them. I think Jaime Kennedy & Michael Gross actually have a good chemistry. While it's not on the Fred Ward/Kevin Bacon level, there's a good rapport between them that manages to be highly entertaining.

One of the only things I felt maybe lacking over some of the other films was the production value. While it doesn't look horrible it does look cheaper. The creatures don't look quite as fleshed out and at times a bit too CGI, but not so bad it ruins things. Also, a few of the supporting characters, mainly the quote-unquote bad guys were pretty wooden and really didn't add much to the overall story. They do, however, lead to a few comical moments of dialogue.

You more or less know what you're getting with these movies at this movie. If you've never seen any of them, I would go back and start with the first one and work your way through. That's still the pinnacle of the series, followed closely by the second. They're goofy, schlocky fun. Something that's always made me gravitate to the films is they seem to know what they are. It's one of those things where it looks like they probably had fun making them and it shows on screen. Part 6 is no exception to that rule. So, if you're a fan of the other films in the franchise. This is worth a worth.

Don't get me wrong, I liked some of the earlier sequels, despite their rapidly increasing inferiority, but Tremors has officially reached a new low with this entry. Tremors 5 was already really pushing it with the addition of Jamie Kennedy. You should know your series is in trouble if you think that adding an aged, barely trying Jamie Kennedy to the mix is your idea of bringing new life to a property.

Kennedy is even worse this time around. Did they let him write his own dialogue this time or something? Everything he says is either just some completely unimportant observation, some horribly flat joke, or part of the painfully bad fan-fiction-y romance subplot with a woman that's clearly several leagues away from his own. Pretty much every word out of his mouth is senseless and irrelevant or extremely cringey (or both).

Most of the rest of the cast isn't much better. Terrible dialogue almost all around and most of them are written to be so dumb that you're surprised they were even able to tie their own shoes. When Michael Gross is heavily out-acting everyone else in a movie, you should know that something is seriously wrong.

All the effects are CG now, and it's actually not terrible CG, but neither does it do anything at all impressive. Despite the environment change this is still just more of the exact same thing we've already seen many times before, just with even less effort going into it.

Really, let's be honest here. Most of the sequels have just shamelessly recycled the exact same formula from the first one and we all know it. It was funny the first few times, but enough is enough. Look, I love a good "so bad it's good" horror as much as the next guy, but there's nothing to like here. It's not funny in either the intentional or unintentional senses, there's not one bit of memorable action or gore, so what's the point?

I see that there are some die-hard Tremors fans that are willing to swallow another spoonful of the same old stew that's been sitting out in the sun all these years because they're so nostalgically attached to this property for whatever reasons, but to anyone else this is just a plain old bad movie, the kind that no one's even going to remember existed in a year.

Tremors is dead. Let it rest in piece already.

Well, you know what you are getting yourself into when you sit down to watch this kind of movie. Especially since the "Tremors" franchise doesn't seem to lay down to die. The recent movies haven't been outstanding and "Tremors: A Cold Day in Hell" is no different.

This is an enjoyable enough movie for what it is, which is mediocre entertainment.

Michael Gross revisits the role of Burt Gummer, and he alone well and the worms of course are the sole instrument from the original movie that keeps this franchise afloat. And believe you me, they are boiling soup on a very weak broth by now.

The special effects and the creature effects are good, though and they definitely make the movie more watchable. As for the story, well let's just say that this movie offers nothing that haven't already been seen in the franchise, except for it being set in a colder climate.

If you enjoy the "Tremors" movie, then you will enjoy this movie. But if you are new to the franchise, I would strongly recommend that you start with the first movie. Yeah, the one with Fred Ward and Kevin Bacon.

It's incredible what Tremors has accomplished over the years, 6 movies, a television series and almost a second. Who'd have thought that we'd still be seeing them released in 2018 and it hasn't even been rebooted!

Burt Gummer returns again to tackle a Graboid infestation and for the second movie in a row his son is along for the ride. This time however instead of desert these giant worms have taken residence in snow.

Great gimmick right? Shaking things up, trouble is it's not. We have one scene involving snow and the rest is...............desert basically. That's right they've squandered the entire gimmick and because of that we just have yet another Tremors film.

Now I really enjoyed Tremors 5 and would consider it second only to the original movie, that's why it saddens me to say that perhaps this should be it. The last movie felt fresh, this felt more than stale and brought absolutely nothing new to the table at all. Each previous movie had an identity, brought new creatures, new interesting characters, new gimmicks. Here, there's nothing despite the broken promise of the snow setting.

With Michael Gross being the only recurring star to have been in every movie I have to tip my hat to him for being excellent as always. Jamie Kennedy, less so but I'm slightly bias on that front.

A Cold Day in Hell isn't bad, it's just reminder that some things really should come to an end.

The Good:

Michael Gross

Script has its moments

The Bad:

Jamie Kennedy

When will they learn? Practical effects > CGI

Very paint by numbers stuff