Kindeswohl

Never before have I gone to a screening of a film just to see if it was going to be just OK, in fact I nearly didn't go. How wrong I was, I cannot remember a film that has has such an emotional impact on me. It's a very powerful intelligent and moving film with stunning performances from Emma Thompson & Fionn Whitehead and if Emma doesn't receive awards for her performance alone then there's something seriously wrong. If you like intelligent thought provoking films, go and watch this on the big screen, I promise you'll not be disappointed.

Kudos to all hands involved in making "The Children Act", a chamber drama about a family court Justice in London failing to achieve balance between her job and her private life. The legal issues involved are clearcut, but star Emma Thompson's acting brings out the profound emotional and pyschological issues underneath.

Stanley Tucci is perfect in understated support as her neglected husband, and a true discovery here is Fionn Whitehead as the teenage protagonist, a Jehovah's Witness whose life hangs in the balance as his parents, Church elders and he himself refuse the blood transfusions necessary to give his treatment for leukemia a chance to save his life. Fionn Whitehead, previously in a lead role in "Dunkirk", struck me as a powerhouse at the level of a young Tom Courtenay, and would be perfectly cast as either Billy Liar or the Long Distance Runner.

This is a very deep and thought provoking movie, relying on a supurb cast performance with Emma Thompson heading the list. Be careful reading the synopsis as it contains a few significant errors, might be based on the novel. I can't explain the errors without adding spoilers, and I don't do these.

The basic point of this movie is a confrontation between a woman striving to be as rational as possible, being a judge, and facing the limitations of pure rationalism when she has to rule on a question of faith. While faith also struggles to come out from this confrontation unscathed, as manifest by the young boy who has to live with the ruling of the judge. Very cleverly the story doesn't end with the judges ruling but with both sides of the debate having to live with the consequences of the ruling. The story is told with very English reserve that suits it very well. That's all one needs to know, before seeing it. If you get the chance do see it.

This film starts off engaging, as the judge is presented with a dilemma that would spark a controversy whichever way she decides to do. The courtroom drama is interesting and makes me want to find out what is next. However, the second half of the film is just really strange and uninteresting. It is far fetched, overly sentimental and plainly unbelievable. The second half spoils the experience for me.

High Court judge Fiona Maye is meticulous, brief and extremely well prepared. Deviances from established protocol or the issue at hand are not tolerated for a moment. Jolts to Fiona's ordered and complex world come in the forms of a restless, bored spouse and a young man, Adam, on the verge of dying because the religious doctrine of his parents will not allow the blood transfusion he desperately needs. Inner turmoil and pent up emotions cause Fiona to act out of character and the consequences are swift and severe both in Adam's case and Fiona's personal life. In darkness and despair Fiona searches for a jewel she can hang onto.

Emma Thompson (Fiona) is amazing. Her riveting and emotional performance carries the film and moved me in ways I didn't imagine. The film title is a bit misleading. Despite reading a review in advance, I still thought the primary theme would be something of a documentary of the development or implementation of the Children Act and therefore something of a snoozeapalooza. It is nothing of the sort. While it does concern the Children Act, it is mostly a character driven drama. Any realistic portrayal of a country's justice system should be accompanied by a snooze alert, but this film is realistic enough without drifting into the realm of dreamland. The film is based on a book by Ian McEwan.