Metacritic-Rezensionen

All told, it’s a surprisingly good time. The Garfield Movie may be as disposable as one of those numbered paperbacks that ex-kids of a certain age may fondly recall from their Scholastic book orders, but it approximates their sense of fun, too.

When I say The Garfield Movie is the best Garfield movie, it’s going to sound like faint praise. Because it is. But faint praise is still praise.

It all plays as routinely as you’d expect, making the film directed by Mark Dindal (The Emperor’s New Groove, Chicken Little) feel much longer than it is, at least for anyone over the age of 10.

In trying to reinvent the lazy feline for modern kids, the filmmakers have lost track of the comedic tone that has helped these simple, gag-driven stories endure for decades.

Call it a case of the Mondays, but this kitty needs to go way back to the drawing board.

Long before the film reaches its action-packed, train-based climax, however, adults will be questioning if its three writers have so much as seen an actual Garfield comic strip, given how removed their work feels from its activity-averse inspiration.

The Garfield Movie applies some nice animation to an annoying all-ages comedy of product placement, phone jokes, and daddy issues.

A curious new animated attempt to monetize the comic icon again by giving him an origin story and then asking him to do things a galaxy away from what he does in the funny pages.

The storyline is complicated but not particularly engaging. There are elements that are too arcane or unsettling for children and not of any special comedic value for adults.

It’s a Garfield movie for audiences who have never heard of Garfield, which reads as an attempt at erasing history and reintroducing him in this high-octane, overly stimulated form for a generation with reduced attention spans.