Als eine Marinesoldatin von einem Einsatz in Übersee nach Hause zurückkehrt, zieht sie in den Krieg gegen Menschenhändler, die ihre 13-jährige Schwester entführt haben.Als eine Marinesoldatin von einem Einsatz in Übersee nach Hause zurückkehrt, zieht sie in den Krieg gegen Menschenhändler, die ihre 13-jährige Schwester entführt haben.Als eine Marinesoldatin von einem Einsatz in Übersee nach Hause zurückkehrt, zieht sie in den Krieg gegen Menschenhändler, die ihre 13-jährige Schwester entführt haben.
- Regie
- Drehbuch
- Hauptbesetzung
Rome Stephens Singh
- Ramos
- (as Rome Stephens)
Alexander Gulati
- Ashfin
- (as Alex Gulati)
Jamie M Timmons
- Aimee Carson
- (as Jamie Timmons)
Nhev Scharrel
- Suzie
- (as Nev Scharrel)
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Wanted to like this film, as it seems by the ratings a lot of people did, but it's so amateurish beyond belief.
Our hero, a lady with so many teeth she cannot actually close her mouth, is the usual war hero, expert at everything to do with warfare, of course.
Somehow her friend finds out where young girls are being housed (if it was that easy the cops would have already done it?), so they start breaking into these houses. No mask, no hood, no voice disguiser, nothing.
Amazingly, the cops talk to her about it. Wonder how they realised?
Everyone talks in a bizarre, muffled way, and I inevitably missed some of the dialogue.
In short, this has all been done before, only SO much better, so I really wouldn't bother if I were you.
Our hero, a lady with so many teeth she cannot actually close her mouth, is the usual war hero, expert at everything to do with warfare, of course.
Somehow her friend finds out where young girls are being housed (if it was that easy the cops would have already done it?), so they start breaking into these houses. No mask, no hood, no voice disguiser, nothing.
Amazingly, the cops talk to her about it. Wonder how they realised?
Everyone talks in a bizarre, muffled way, and I inevitably missed some of the dialogue.
In short, this has all been done before, only SO much better, so I really wouldn't bother if I were you.
The Vigilante (2022) is a trainwreck of a film. The acting is terrible, the story is incoherent, and the whole thing is just not watchable.
The lead actcresses, who is supposed to be a vigilante ex-military fighter, has all the charisma of a wet sock. She delivers her lines with a monotone voice and no emotion whatsoever. The supporting cast is even worse, with everyone either overacting or delivering their lines in a cheesy, hammy way.
The story is a complete mess. It's hard to follow what's going on at any given time, and the plot twists are so ridiculous that they're unintentionally funny.
The action scenes are poorly choreographed and executed. The fight scenes are especially bad, with the actors flailing their arms and legs around like they have no idea what they're doing.
Overall, The Vigilante (2022) is a terrible film that I would not recommend to anyone. It's a waste of time and money.
The lead actcresses, who is supposed to be a vigilante ex-military fighter, has all the charisma of a wet sock. She delivers her lines with a monotone voice and no emotion whatsoever. The supporting cast is even worse, with everyone either overacting or delivering their lines in a cheesy, hammy way.
The story is a complete mess. It's hard to follow what's going on at any given time, and the plot twists are so ridiculous that they're unintentionally funny.
The action scenes are poorly choreographed and executed. The fight scenes are especially bad, with the actors flailing their arms and legs around like they have no idea what they're doing.
Overall, The Vigilante (2022) is a terrible film that I would not recommend to anyone. It's a waste of time and money.
It's clearly a B film, so as such, it's a middle of the road viewing experience. There are much more bottom of the bargain bin B films, and much better ones, and this one had a good theme, but was riddled with many rookie filmmaking mistakes.
There were many holes in the writing as well as plot and technical issues. The PTSD flashbacks started to become annoying, then ended up being cringe and worthy of eyerolls. Even the sister's whole "dancing" scenes were pointless and just added annoying filler that detracted from the urgency and seriousness of her situation. Had those scenes and the PTSD ones been cut out, and the pacing picked up by at least 1.2x, I may have enjoyed this more and been more forgiving to the many other filmmaking errors.
But as it was, the 101 min runtime felt way longer and I caught myself losing interest many times. There were also too many sappy and poorly thought out writing issues, some I could even call lazy. For example, everyone knows from Vigilante Class 101, you wear a mask to hide your identity. I also found most of the action scenes poorly filmed and choreographed.
Casting and performances where adequate for a B film, although Jandreau's character was the least convincing. Partial blame I'm sure goes to poor cast direction and also to poor writing, especially when in some scenes she easily takes down big guys with her military training, and then can't handle taking down the women she fought. It really made those scenes feel like amateur-hour filmmaking you'd expect from a high school drama class. Nevertheless, it's better than watching paint dry, and that's a hard find with most of the poor quality B films out lately.
There were many holes in the writing as well as plot and technical issues. The PTSD flashbacks started to become annoying, then ended up being cringe and worthy of eyerolls. Even the sister's whole "dancing" scenes were pointless and just added annoying filler that detracted from the urgency and seriousness of her situation. Had those scenes and the PTSD ones been cut out, and the pacing picked up by at least 1.2x, I may have enjoyed this more and been more forgiving to the many other filmmaking errors.
But as it was, the 101 min runtime felt way longer and I caught myself losing interest many times. There were also too many sappy and poorly thought out writing issues, some I could even call lazy. For example, everyone knows from Vigilante Class 101, you wear a mask to hide your identity. I also found most of the action scenes poorly filmed and choreographed.
Casting and performances where adequate for a B film, although Jandreau's character was the least convincing. Partial blame I'm sure goes to poor cast direction and also to poor writing, especially when in some scenes she easily takes down big guys with her military training, and then can't handle taking down the women she fought. It really made those scenes feel like amateur-hour filmmaking you'd expect from a high school drama class. Nevertheless, it's better than watching paint dry, and that's a hard find with most of the poor quality B films out lately.
While the movie attempts to weave an intriguing narrative, it falls short in several areas. The plot holds promise, but it seems to be the sole focus, lacking depth in character development and other narrative elements.
The casting choices are puzzling; for instance, a character who is meant to be a young teenager is portrayed by an actor who appears significantly older. This discrepancy is jarring and detracts from the authenticity of the story.
Cinematography is another area where the movie struggles. The camera work is erratic, seemingly in an attempt to compensate for the actors' performances, which unfortunately, are riddled with errors.
The action sequences are over-the-top, with the protagonist defeating adversaries with ease, reminiscent of falling dominoes. However, a particular scene involving a female antagonist almost defeating the hero stands out as an exception, though it feels like a forced narrative twist.
Continuity errors are also present, particularly concerning a photograph that plays a pivotal role in the plot. The inconsistencies in how the photograph is handled by the characters are confusing and disrupt the flow of the story.
In conclusion, while the movie has its moments, it's marred by numerous flaws that make it difficult to watch without a critical eye. It's a plea to Hollywood to retain its unique storytelling charm and not drift into the melodramatic territory often associated with Bollywood productions.
The casting choices are puzzling; for instance, a character who is meant to be a young teenager is portrayed by an actor who appears significantly older. This discrepancy is jarring and detracts from the authenticity of the story.
Cinematography is another area where the movie struggles. The camera work is erratic, seemingly in an attempt to compensate for the actors' performances, which unfortunately, are riddled with errors.
The action sequences are over-the-top, with the protagonist defeating adversaries with ease, reminiscent of falling dominoes. However, a particular scene involving a female antagonist almost defeating the hero stands out as an exception, though it feels like a forced narrative twist.
Continuity errors are also present, particularly concerning a photograph that plays a pivotal role in the plot. The inconsistencies in how the photograph is handled by the characters are confusing and disrupt the flow of the story.
In conclusion, while the movie has its moments, it's marred by numerous flaws that make it difficult to watch without a critical eye. It's a plea to Hollywood to retain its unique storytelling charm and not drift into the melodramatic territory often associated with Bollywood productions.
The film is a good action film that is driven by a strong female lead. The film is well shot and the energy and momentum is constant throughout. Jessica is a strong character who returning to the U. S.from Afghanistan finds that her sister Aimee has been abducted by traffickers- Jessica will go on the journey to attempt to save her sister and bring justice to those who abducted Aimee.
The role of Jessica is well-constructed and therefore brings a lot of reality to the film. Once one starts watching the film it is a good watch that has tension, action and suspense. A film that audiences should find highly entertaining.
The role of Jessica is well-constructed and therefore brings a lot of reality to the film. Once one starts watching the film it is a good watch that has tension, action and suspense. A film that audiences should find highly entertaining.
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Details
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Seitenverhältnis
- 2.40
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What is the Brazilian Portuguese language plot outline for The Vigilante (2023)?
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