Der Nebel

This suffers from the same problem as a lot of Stephen King adaptations, in that it's very low budget. It's an expected result of his novels being available for use in movies and television series basically for free, since the same people who can't afford special effects or a good filming crew are also going to be attracted to the low cost of basing their work on his novels.

So yes, the effects, shooting, and editing are generally of poor quality. If you go into it expecting it to look like something that enthusiastic drama club kids from high school would put together, you won't be disappointed. The casting and acting is surprisingly good. The dialogue isn't bad.

The script deviates a lot from the book. In some ways that's a good thing, because the book was written 37 years ago, and elements from it would not have made sense in a modern series. It's also an improvement that there's more than one band of survivors in a single location. Changing the lead character's young son into a teenage daughter is also an improvement - while having the little kid to protect gives the protagonist an automatic moral high ground, he would have been annoying in a movie.

Some are criticizing the social themes, but those themes are very much in keeping with Stephen King's general work. He is all about small town dysfunction, hypocrisy, and even insanity. So I don't think the various issues regarding sexuality and bullying are even slightly out of place, even if they obviously weren't a focus of the novel.

But there are a few changes that don't work as well. Why does this small town have a huge indoor mall? How can the mist both be mysteriously related to a nearby army base, but also have happened 150 years ago? And they may have made a mistake in transforming the mist from a straight-forward mist with lots of monsters, into something that has a bit of a life of its own and seems to hold personal delusions which other people can see and hear. The Arrowhead guys are also completely lacking any subtlety, and appear to be extremely stupid. Some of their actions are undoubtedly intended to make the situation seem more serious, but since their characters have no substance, they come of as daft and impulsive instead.

But ultimately I'm going to keep watching it, and I hope there's a second season. It would be interesting to see where or when (or if) the mist ends, what's up at Arrowhead, who the amnesiac really is, and if everyone gets what they deserve.

A mist has descended upon the town of Bridgeville, Maine and something inside is killing people. Bryan Hunt in military uniform tries to warn the police but he's locked up by chief Heisel on suspicion of being intoxicated. An unstable Mia Lambert is the other prisoner. The Copeland family is split between the police station and the mall.

I do like the 2007 movie but that movie's biggest moment is its shocking ending. Presumably, that cannot be done on the TV show unless it intends to ends quickly. When it does suicides early, they're unearned emotionally and it lacks any shock value. The problem starts with the characters. None of them are likeable. Everybody has some deep dark secret or other crazy characteristics. Their actions are questionable. A guy is willy nilly letting out prisoners without authorization and that's before it gets crazy. Drawing lot is silly especially only a few people would know the location of the radio and how to use it. It makes little sense to send random strangers stumbling into the office searching for the thing and why aren't people waiting for them on the other side of the door? I know why. They would hear the gunshot and the writers needed to connect the dots no matter how ugly the line. Almost none of the characters make sense unless the mist turns them into non-sense. That's certainly possible but it would leave nobody with rooting interest. They want the girl to be that but she is too infuriating to be appealing. I don't care about anybody and I don't care about their secrets.

The show still has the creature feature aspect. It should have started with a scary horror scene at the base but it meanders around with a slow reveal of some teenage drama. Stranger Things started with a monster at the base and that show does OK. It's a standard move which this show fails to understand. The start is off-putting, boring, and tiresome. As for the creatures, the small insects come with certain issues and the show leaves some nagging questions about the logic of this world. The smoke monsters are problematic for different reason. Neither are satisfying although not bad enough to be decisive. The logic of people is so upside down that the crazy lady actually makes sense. The creature feature aspect gets morphed into body horrors territory. I can roll with all these differences if I actually cared about anybody in here.

Very disappointed to watch 10 hours of The Mist to finish on a cliffhanger which I've read hasn't been putto a second series. A complete waste of time. Why can't something be announced that says this series won't continue. It should have not been left at that ending.

Shows like The Mist and The Walking Dead are based on a very simple premise of threat (usually super/bio/natural) and the need for survival as a group in challenging circumstances. These shows can pull in good audiences, but it is impressive how frequently this simple premise cannot be executed boldly and instead runs off into a series of sub-plots that detract from the core premise until the core premise is lost. The Mist suffers this fate.

First, the premise is sound enough. The simplicity of the idea is its great attraction. The problem with this show is, like TWD the premise becomes secondary to the sub-plots and poor character decisions that then consume the show.

So, Stephen King penned 'The Mist' - it's an alternate take on 'The Fog' just taking the concept in a different direction. In this envisioning the Mist descends on a small town in the US cutting of communication and isolating the town. Within the realms of this genre, this is a suitable plot that comes with full license for the associated suspension of disbelief.

We have a good set. The weakness then is the lack of courage to execute on the core premise, instead drifting into the sub plots of the various irrational characters. If this show had been given the benefit of stronger oversight of the storyline this might not have led to the shows demise and could with the right writing have seen additional seasons tagged on.

When a writer must fall back on the stupidity of characters to carry the story then you know the series is in trouble. Even B movies fans like intelligent characters in B movies.

The Mist is a missed opportunity - a show that should have had a stronger tighter focus on the core plot. Less silly character sub plots. A clearer definition of what it was and a willingness to stay true to that.

I believe there is still very much a market for this type of a show - if only writers of sufficient quality could be found to build the episodes that build ON the core premise, not away from it.

In The Mist we get to know a small American town in which everyone seems to want to come across as incompetent, over-reactive, small-minded, humorless but above all very unfriendly. Everyone seems to hate each other, and the few people who form the exception, the people who do not constantly act like an idiot, and thus with whom I could best identify, are also the first to die (already in episode 1). This phenomenon is increasingly seen in drama series. At the The Walking Dead I decided to discontinue watching after three seasons (I was ultimately in favor of the zombies, which is not the maker's intention I assume). What makes The Mist even easier to dismiss are the worthless special effects and terrible acting. If you make a television show that is located in a thick layer of mist, you want to make sure that the fog looks like a fog. I suspect the makers were trapped inside their own cloud of incompetence.