Clara, eine einsame Krankenschwester aus dem Umland von Sao Paulo, wird von der mysteriösen und reichen Ana als Kindermädchen für deren ungeborenes Kind angestellt. Zwischen den Frauen entwi... Alles lesenClara, eine einsame Krankenschwester aus dem Umland von Sao Paulo, wird von der mysteriösen und reichen Ana als Kindermädchen für deren ungeborenes Kind angestellt. Zwischen den Frauen entwickelt sich eine innige Bindung, aber eine schicksalhafte Nacht ändert ihre Pläne.Clara, eine einsame Krankenschwester aus dem Umland von Sao Paulo, wird von der mysteriösen und reichen Ana als Kindermädchen für deren ungeborenes Kind angestellt. Zwischen den Frauen entwickelt sich eine innige Bindung, aber eine schicksalhafte Nacht ändert ihre Pläne.
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The myth's fascination stems precisely from the fact that the condition of becoming a furious monster can strike a person who has done nothing wrong.
What if this inherent innocence of the myth were taken to its ultimate consequences, and the curse affected a child?
That's the wonderful premise of one of the best werewolf films of all time "The Good Manners" (a Brazil-France coproduction, shot in São Paulo).
Attention: it is not your conventional jump scare movie (although it has a few chills here and there). The film mixes with wisdom and creativity different genres. It is a dark fairy tale in which horror, comedy, drama and even musical numbers blends altogether. Makes sense, since one of the main references are the Disney old animated feature films.
It's two stories in one. The first half has a Hitchcockian tradition: the filmmakers do not hide from the audience the true nature of what is happening, but the protagonists still do not know. So we are apprehensive, hoping for them to find out. The second half is totally unpredictable and the stakes are higher.
An absolute highlight is the musical score form brothers Guilherme and Gustavo Garbato, with chilling and beautiful lullabies.
And i'm not sure if having more money would solve anything cause the plot itself is shallow.
It's like the movie came from the mind of a 10 year old trying to impress adults.
The story seems straightforward enough at first: Impoverished Lesbian black nurse Clara gets hired by affluent yet unemployed white pregnant Ana - this in spite of giving her landlady as her only reference, who promptly tells her she's being owed rent. However, Clara's touch calms down the kicking baby, so Ana instinctively hires her - and soon their relationship gets very close. However, Ana's behavior becomes increasingly erratic as her pregnancy advances, culminating in... well, among other things, singing. Yup, it's a musical, too.
I've seen a lot of genre movies and it's the rarest of the rare when one of the formulas is injected with something new. Horror often serves as social parables for the exclusion of the different, but here, you will find yourselves drowned in references and allusions, from queer bashing over solitary motherhood to race issues. There's so much to handle that it might be best to not try and process it all, and just abandon oneself to the beautiful weirdness of this film.
Of course, a limited budget limits the scare of the CGI, you got to be open-minded about that. The emotional turmoil makes more than up for this as Isabél Zuaa's performance carries the film from the first shot. The script should have been tighter as it takes enormous leaps and then slows down. I'd recommend watching this late at night, with close friends who are into weird stuff, and after a few joints or drinks.
This is a captivating fantasy/drama/horror film, a French-Brazilian co-production, with a unique take on the werewolf mythos that blends the cinematic languages of both countries into its narrative and execution.
This film came onto my radar due to its inclusion in the BFI selection, and it has also competed in the Locarno International Film Festival, International Film Festival Rotterdam, and São Paulo International Film Festival, even winning an award at Locarno.
If you have the time and an interest in genre-bending cinema, you definitely shouldn't miss this one.
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- WissenswertesThe directors found inspiration in the early Disney animated features, particularly Sleeping Beauty, in the use of color and music in key sequences.
- Zitate
Dr. Ciro Poças: Big eyes. Big mouth. Big hands. He's a strong boy, Ana.
- VerbindungenFeatured in WatchMojo: Top 10 Fairy Tale Horror Movies (2020)
- SoundtracksFome
Music by Marco Dutra
Lyrics by Marco Dutra and Juliana Rojas
Performed by Isabél Zuaa and Marjorie Estiano
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Details
- Erscheinungsdatum
- Herkunftsländer
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Box Office
- Bruttoertrag in den USA und Kanada
- 31.177 $
- Eröffnungswochenende in den USA und in Kanada
- 2.476 $
- 29. Juli 2018
- Weltweiter Bruttoertrag
- 35.714 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1