IMDb-BEWERTUNG
6,3/10
4574
IHRE BEWERTUNG
Nach dem Angriff auf die indische Botschaft in Malaysia wird ein ehemaliger RAW-Agent damit beauftragt, den Täter aufzuspüren. Seine Ermittlungen führen ihn zu seinem alten Feind, der nun ei... Alles lesenNach dem Angriff auf die indische Botschaft in Malaysia wird ein ehemaliger RAW-Agent damit beauftragt, den Täter aufzuspüren. Seine Ermittlungen führen ihn zu seinem alten Feind, der nun ein gefährliches Medikament entwickelt hat.Nach dem Angriff auf die indische Botschaft in Malaysia wird ein ehemaliger RAW-Agent damit beauftragt, den Täter aufzuspüren. Seine Ermittlungen führen ihn zu seinem alten Feind, der nun ein gefährliches Medikament entwickelt hat.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Nithya Menen
- Aarushi
- (as Nithya Menon)
Thambi Ramaiah
- Muthaiah
- (as Thambi Ramayya)
Riythvika Panneerselvam
- Kidnapped girl
- (as Riythvika)
Empfohlene Bewertungen
I don't mind well made movies inspired from other language movies but this movie is very poorly executed. Too many instances from Hollywood movies and they didn't know how to stitch them into a seamless one. The result looks so forced and silly. The very intro scene of Vikram was ripped from both Rambo and Sherlock Holmes. All it manages to achieve is boosting Vikram's ego and nothing more. What's with the scientist who just spills the beans even without asking much about what he has been upto ??
After a very long time, I stopped watching a Tamil movie half way through as I was not able to bear wasting my time on such a mess.
After a very long time, I stopped watching a Tamil movie half way through as I was not able to bear wasting my time on such a mess.
Vikram in full form, technically strong too. But script and logic could have been handled better !!!
When a project has Chiyaan Vikram in its cast list, the perception around it takes on a different color. And director Anand Shankar's second directorial Iru Mugan is no exception either. To top it, we have two Vikrams who are vying for our attention in the aptly titled film.
A trailer is something that gives the audience a sneak peek of what to expect and also kindle the curiosity levels to make them buy the tickets and go to the theatre. Going by that, the trailer gave an inkling of how Iru Mugan is going to be.
Director Anand Shankar has attempted to give an action oriented espionage thriller with some scientific innovations thrown in. There are high flung chemical formulae mouthed by the characters with references to Hitler too. Looks like the team had done their research on it fine.
Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.
What can one say about Vikram? He gives his life and soul to any character that he essays and in Iru Mugan too, it is his show all the way. As the RAW officer Akilan, he brings out the ruthlessness and sharpness of an intelligence officer and as Love, he rocks it big time. He blends in the masculinity and also the effeminate nature of the character pretty well. It sure is a tightrope walking and kudos to the director for not making a mockery of such characters. But, why is this character this way? Was it just to bring in quirkiness?
Nayanthara and Nithya Menen have their roles clearly etched out to bring in the color to the proceedings. Interesting job descriptions such as ethical hacker and RAW case officer sound cool. Out of the supporting characters, Thambi Ramaiah has more screen time and the role is like any other one that he has been portraying in many of his films. It is a little unconvincing to see cop characters continuing to be projected outright silly on screen.
The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar's visuals. Bhuvan Srinivasan's edits appear decent. Under Harris Jayaraj's musical Halena song stays on. Although the songs are richly choreographed and shot, they are all unnecessary protractions especially when the proceedings are at a different gear. Costumes of Nayanthara are outright chic and uber cool.
In an investigative action thriller such as this, scenes must proceed at a rapid pace. But there are moments when we leave the happenings on screen and wander around. The team should have focused more on the story and screenplay, which could have resulted in a better product. The intended twists are well guessable by the current audience. There are a few logical questions which look unanswered in the story.
To sum it all, Iru Mugan has its pluses in the form of technical prowess and performances but the core story and the treatment let it down.
Verdict: Vikram in full form, technically strong too. But script and logic could have been handled better
A trailer is something that gives the audience a sneak peek of what to expect and also kindle the curiosity levels to make them buy the tickets and go to the theatre. Going by that, the trailer gave an inkling of how Iru Mugan is going to be.
Director Anand Shankar has attempted to give an action oriented espionage thriller with some scientific innovations thrown in. There are high flung chemical formulae mouthed by the characters with references to Hitler too. Looks like the team had done their research on it fine.
Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.
What can one say about Vikram? He gives his life and soul to any character that he essays and in Iru Mugan too, it is his show all the way. As the RAW officer Akilan, he brings out the ruthlessness and sharpness of an intelligence officer and as Love, he rocks it big time. He blends in the masculinity and also the effeminate nature of the character pretty well. It sure is a tightrope walking and kudos to the director for not making a mockery of such characters. But, why is this character this way? Was it just to bring in quirkiness?
Nayanthara and Nithya Menen have their roles clearly etched out to bring in the color to the proceedings. Interesting job descriptions such as ethical hacker and RAW case officer sound cool. Out of the supporting characters, Thambi Ramaiah has more screen time and the role is like any other one that he has been portraying in many of his films. It is a little unconvincing to see cop characters continuing to be projected outright silly on screen.
The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar's visuals. Bhuvan Srinivasan's edits appear decent. Under Harris Jayaraj's musical Halena song stays on. Although the songs are richly choreographed and shot, they are all unnecessary protractions especially when the proceedings are at a different gear. Costumes of Nayanthara are outright chic and uber cool.
In an investigative action thriller such as this, scenes must proceed at a rapid pace. But there are moments when we leave the happenings on screen and wander around. The team should have focused more on the story and screenplay, which could have resulted in a better product. The intended twists are well guessable by the current audience. There are a few logical questions which look unanswered in the story.
To sum it all, Iru Mugan has its pluses in the form of technical prowess and performances but the core story and the treatment let it down.
Verdict: Vikram in full form, technically strong too. But script and logic could have been handled better
Chiyaan as Akilan: designed like Hollywood intelligent agent As love: simply excellent Nayanthara: Looks pretty, good performance Nithya Menon: small role, but remains in mind, Thambi Ramaiyah: Not well used Songs: Boring background score: climax portion is good, other than that,
Cinematography: The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar's visuals
Screenplay: 1st half just good, 2nd half okay plus: villain role, interval twist, relation of script to history minus: screenplay, songs
Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.
Cinematography: The beauty of Malaysia, Kashmir and other places come to the fore with RD Rajasekar's visuals
Screenplay: 1st half just good, 2nd half okay plus: villain role, interval twist, relation of script to history minus: screenplay, songs
Well crafted action sequences, stylishly shot visuals, decent music and neat performances mark Iru Mugan. However, there is something amiss in the film to make you feel that it was such a well made, taut, commercial potboiler.
Vikram like Kamal Hassan has always been more inclined to experimenting with roles rather than take up plain every day stuff that every other star is doing. IRU MUGAN is just one of those experiments and yes he has pulled it off with ease.
The movie opens with a 71-year-old creating a havoc in the Indian Embassy in Malaysia with super human strength and finally dropping down dead.
RAW is pulled into the scene and a Rookie Agent Aayushi (Nithya Menon) discovers a "love tattoo" on the dead man. RAW chief Malik (Nasir) remembers that the tattoo is a symbol of a dreaded terrorist Love (Vikram) in whose pursuit RAW lost one of its best agents Meera (Nayantara) when she was shot dead and Meera's Husband Akhilan (Vikram again) another RAW agent had a nervous breakdown and had to be discharged from the unit.
Since Akhilan was the only one alive who has seen Love, Malik recruits him unofficially and sends him to Malaysia to investigate along with Aayushi. Aayushi discovers that the dead man happens to be inhaling a drug called Speed, the same one which Adolf Hitler was rumored to have given his Nazi troops to fight the war with super human strength. The drug was known to increase the Adrenalin rush in the body.
Following some leads Akhilan and Aayushi finally come face to face with Love only to discover that all the while Love had been hiding a secret ..
Vikram is fantastic as LOVE, the body language, the expressions and the one liners all make this character as one of the best villains Indian films have come up with. Vikram as Akhilan is just OK, he does the same thing which is expected of a south Indian Hero, it is LOVE that steals the show here.
Nayantara as Meera is as hot as anyone can get, she has different shades to her role. Like Vikram's LOVE, she too has an evil alter- ego ROSY. She is equally good as the bad girl.
Nithya Menon is just OK as the rookie agent, but its her voice modulation for the character which saves the day for her. She just uses the right tone when interrogating people or when making a point. It shows how important it is for an actor/actress to dub their own lines.
Back ground score by Harris Jayaraj is excellent and the song "HALENA" needs a special mention.
RD Rajashekhar's cinematography captures the well choreographed chase sequences and the flashy sets magnificently. Anand Shankar's screenplay and Direction are top notch and he really proves he has what it takes to come up with an excellent sci- fi/espionage thriller.
If they had edited Thambi Ramaih's character completely, the movie would have been more crisper and tight. The character is down right silly and only helps in slowing the plot.
I would recommend it to anyone who loves flashy thrillers with good action and chase sequences and out of the world plot.
The movie opens with a 71-year-old creating a havoc in the Indian Embassy in Malaysia with super human strength and finally dropping down dead.
RAW is pulled into the scene and a Rookie Agent Aayushi (Nithya Menon) discovers a "love tattoo" on the dead man. RAW chief Malik (Nasir) remembers that the tattoo is a symbol of a dreaded terrorist Love (Vikram) in whose pursuit RAW lost one of its best agents Meera (Nayantara) when she was shot dead and Meera's Husband Akhilan (Vikram again) another RAW agent had a nervous breakdown and had to be discharged from the unit.
Since Akhilan was the only one alive who has seen Love, Malik recruits him unofficially and sends him to Malaysia to investigate along with Aayushi. Aayushi discovers that the dead man happens to be inhaling a drug called Speed, the same one which Adolf Hitler was rumored to have given his Nazi troops to fight the war with super human strength. The drug was known to increase the Adrenalin rush in the body.
Following some leads Akhilan and Aayushi finally come face to face with Love only to discover that all the while Love had been hiding a secret ..
Vikram is fantastic as LOVE, the body language, the expressions and the one liners all make this character as one of the best villains Indian films have come up with. Vikram as Akhilan is just OK, he does the same thing which is expected of a south Indian Hero, it is LOVE that steals the show here.
Nayantara as Meera is as hot as anyone can get, she has different shades to her role. Like Vikram's LOVE, she too has an evil alter- ego ROSY. She is equally good as the bad girl.
Nithya Menon is just OK as the rookie agent, but its her voice modulation for the character which saves the day for her. She just uses the right tone when interrogating people or when making a point. It shows how important it is for an actor/actress to dub their own lines.
Back ground score by Harris Jayaraj is excellent and the song "HALENA" needs a special mention.
RD Rajashekhar's cinematography captures the well choreographed chase sequences and the flashy sets magnificently. Anand Shankar's screenplay and Direction are top notch and he really proves he has what it takes to come up with an excellent sci- fi/espionage thriller.
If they had edited Thambi Ramaih's character completely, the movie would have been more crisper and tight. The character is down right silly and only helps in slowing the plot.
I would recommend it to anyone who loves flashy thrillers with good action and chase sequences and out of the world plot.
Watched iru mugan with som expectation. Did it satisfy?. Good things about the movie first. It had great visuals, locations and good performance from Vikram if not his best performance. Apart from Vikram every one was made to look dumb including Thambi Ramaiah, Karunakaran, Female leads. With a very nice concept they could have made a edge of the seat thriller, but instead the movie is so predictable which makes it boring at many times. Also the movie looks very lengthy. I thought movie was over one hour before the movie actually came to an end. With this concept there at least the action should have been innovative, but that falls flat.
We can watch it only if we are a fan of Vikram.
We can watch it only if we are a fan of Vikram.
Wusstest du schon
- WissenswertesAnand Shankar completed the script throughout early 2015 and toured Malaysia to find locations, while Vikram completed his other projects. Kajal Aggarwal and Priya Anand were signed on to portray the lead actresses, while Manush Nandan and Anirudh Ravichander were approached to be the film's cinematographer and compose the film's music, respectively.The project was titled as Marma Manithan and was reported to begin shooting in Malaysia from June 2015. Instead, production disputes took place during June 2015 after Ayngaran International also announced their interest in producing the film, with Thanu attempting to hand over the rights of the film. Priya Anand also opted out of the film, with Bindu Madhavi announced as her replacement. The ongoing changes subsequently stopped the team beginning their shoot in Malaysia during July 2015 and the production was stalled. The delays meant that Vikram stopped waiting for the makers to begin work, changed his specially-prepared facial hair and went back to add finishing touches to his other ongoing project, 10 Endrathukulla (2015). Ayngaran International backed out of the film in November 2015, prompting Anand Shankar to re-approach different producers to find new funding for the project. Later on in the month, Shibu Thameens agreed to produce the film and announced that the film would finally begin its first schedule in Malaysia during December 2015. The change of producer also meant significant changes were made to the cast and crew of the film, with Kajal Aggarwal dropped for Nayantara. Bindu Madhavi was left out of the new team, while the makers discussed the secondary lead role with actresses Nithya Menen and Parvathy, before Menen was selected. Likewise R. D. Rajasekhar and Suresh Selvarajan were brought on board to handle the film's cinematography and art direction, respectively. Harris Jayaraj was also subsequently confirmed as the film's music composer, and marked a return to signing films after taking a brief sabbatical.
- VerbindungenReferenced in Georgettan's Pooram (2017)
- SoundtracksHalena
Produced by Harris Jayaraj
Written by Madhan Karky
Performed by Christopher Stanley, Abhay Jodhpurkar & Ujjayney Roy
Top-Auswahl
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Details
Box Office
- Budget
- 850.000.000 ₹ (geschätzt)
- Weltweiter Bruttoertrag
- 136.623 $
- Laufzeit2 Stunden 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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