Disenchantment

So it seems like everyone and their mother expected Matt Groening and co to pull off a hat-trick and add a third golden animation series to his resume. It's hard to find a review that doesn't mention or compare it to his earlier work (And inevitably I will do so too). But people are being unfair, illogical and overestimating the current comedy prowess of the veteran crew around Matt.

It makes no sense to compare Disenchantment to the golden age of the Simpsons, which lies more than 2 full decades in the past now. Nor to compare it to Futurama, which has been off the air for years now and that includes the revival, which was mostly build out of archived leftovers from the initial run hence why the revival was still top notch material.

If you want to compare Disenchantment to something compare it to the last few Simpons seasons. Last one I saw was season 24 and that was already an atrocity so I can only imagine what depths they should have reached by now. Point here is: what was anybody still expecting here? that Matt and co would reinvent themselves after they've been unable to do so for years?

Another major point in why a comparison is approaching disenchantment the wrong way is because it's clearly trying to be something different. There's a serialized narrative, a longer format, some mystery to the plot, a new painting-like art style (for backgrounds) and little segments here and there that seem to have a different purpose than straight up comedy, something that supports the idea that Disenchantment might not be intended or at least envisioned as a purely comedic effort.

And herein lies the fatal flaw that impairs Disenchantment. It plays it way too safe. It doesn't fully embrace the new direction and misses on potential opportunities. disenchantment could have been crafted as a full blown adventure series, with a hefty dose of classic Simpsons comedy injected. There's a rule in comedy: the less grounded in reality your fictional creation is the harder you'll have to try to be funny. It's why series like family guy have to go way over the top while things like veep and curb your enthusiasm can keep it simple and still be funny. The idea is that making your comedy series more real creates potential to have impactful emotions beyond just those derivated from comedy. More grounded comedy series can instill for example fear, tension, sadness, melancholy etc. So in my opinion they should have shifted Disenchantment along the comedic spectrum in the opposite direction from where it is has gone now. Could have been something Avatar:TLA alike but with maturer comedy but now it's just Futurama in middle-earth.

Which leaves us with only the comedic aspect as a potential selling point. And by now you've guessed it: it's simply not funny enough. Like another reviewer stated: Disenchantment seems to be content with being just amiable instead of being genuinely funny. I made it to the sixth episode. By then it came clear that there wasn't much novelty to disenchantment in general, they weren't really committed to the concept of serialization and this sixth episode was particularly unfunny.

I'll give you an example of a joke from one of the first scenes of said episode (though it might not translate very well by just typing it out): The 3 main characters Bean, Luci and Elfo are playing a drunken game of guessing who the other is impersonating.

When it's Elfo's turn he simply says: I'm Elfo. Luci reacts: Hmmm, I know this one, (keeps thinking aloud for a few lines), I wanna say Schmelfo? Elfo replies: No! It's me, Elfo!

........sigh.

This sort of comedy level feels like watching one of those many third-rate short-lived stoner comedies on adult swim nobody's heard of or watches. Or like going to an amateur improv comedy night. Rest of the episode was on par, so that was my limit.

In general it's fairly watchable, it doesn't deserve the 1 star rating from people who expected to relive the Simpsons/Futurama golden age and are just rate-bombing in frustration. It get's a 7.3 currently and that seems about right. 7.3 Counts as mediocre on IMdb but in my book average is still 5 logically so it gets a 5. Barely recommendable.

This show is not a comedy! It's a story and character driven fantasy show with jokes. And I love it! Every time the focus is on the characters or the story and world, it's awesome!!! Don't treat this show as a comedy, and kind of suffer through most of season 1, still enjoyable, but mostly one offs. This show is fun!

I was once watching someone compare latter day Simpsons to latter day Family Guy and one point they made was that while the Simpsons had fastidiously updated its subject matter year after year, it hadn't update its humor.

And sort of like how Futurama was The Simpsons but based around speculative sociology and the work place instead of the traditional family, this (as I suspect a million and seven people have already suggested) could be considered historical- arama (or something cleverer...).

But it's not quite though. It's mostly that but the Groening mind has turned away from the sitcom (and eventual movie) formula and actually had the ambition to create what was more or less a serial. We are able to see a character grow and develop across the multiple instalments and with the same humor and inventivenss.

It's too bad that at the beginning it is WAY too much like just another animated sitcom. And a bit too much like a couple in particular. I like Tia, she's an intriguing character who has grown up in great politico-economic advantage but lives in immense quiet emotional desperation. I think she's a bit wasted on the first season but it is, thankfully, in the second season as we see the show really discover its own strengths as it finally tells THE story of Tia as the ground-work has now been lain.

Gradually, this goofy (and I mean REALLY goofy at times) show actually shows a lot of tenderness and very meaningful emotional conflict that actually doesn't feel mawkish or schmaltzy because they invested in the characters and made their breakthroughs believable.

King Zog might just be the best character for this reason. I especially loved an episode about him and a bear.

Now Elfo...I think they retooled him the moment they saw the pilot. At first he was cynical and adventure hungry but as soon as he leaves the shire he becomes a sort of SpongeBob parody except even more infantile. I like him and all and I really want him to get laid but they do paint him as the loser quite relentlessly.

The world building is extravagant and satisfying with a few surprises I won't ruin. Let's just say it takes us to a variety of contrasting landscapes and in time really works on a substantial historic background that fuels conflict between a numerous peoples, aesthetically in debt to other artists of course but they make it their own fair enough.

Ultimately this was more of a Saturday Morning show than a Friday night show but as imperfect as it is, I grew to be glad for it.

Edit: I watched the finale the other day. Well...I will save the details for a review for that episode. It's hard to conclude a serial this long in a way that will please everyone. I don't feel insulted but I can't help but feel to a large extent they settled for easy answers.

But seriously, a lot of the jokes are predictable.

Season 1 began with an episodic construct that was similar to any fraction of Futurama or The Simpsons. At the eleventh hour, it suddenly gained a multi-episode narrative that finished off with a Game of Thrones-esque cliffhanger, and suddenly it became a strange, if not interesting departure from the formulaic sitcom it made itself out to be.

Season 2 picks up right where they left off, and not only kept the narrative, but proved that it also gained a personality somewhere along the way.

Don't get me wrong, I love the first season. The plots are endearing, it's easy to binge, it's nice to look at, and the world is interesting. Is it Game of Thrones? No. Do I want it to be Game of Thrones? Absolutely no. When I see Futurama in medieval times, I want it to be Futurama in medieval times.

Futurama and The Simpsons are meant to be "soup of the day" shows, and people enjoy that. Some people have enjoyed that for 30 years. It's situational antics and shameless social commentary, and that junk is candy for the eyes and ears of your average viewer, myself included. What makes Disenchantment different from Futurama or the Simpsons (apart from only having 20 episodes so far, and a season-long plot, to boot) however, is the fact that both of those programs don't have a main character that lives to make an important statement.

I love Bean and everything she stands for. She's meant to not only be someone who rocks the proverbial boat (especially given the medieval-fantasy setting of the show), but someone who is pained, confused, complex, strong and often has valid points to make; shes a real person. She's a great character. And while I love how Homer Simpson can have a heart sometimes, I really love how Bean has a heart all of the time. She can be mean and she can make mistakes, but she can also learn, care about things deeply, and throw a punch at someone who wrongs her. I think that's someone that a lot of people secretly wish they could be.

The second season has a lot of heart, made me frustrated a lot, probably ended episodes rather abruptly at times but still managed to be really interesting story-wise, and develops the characters nicely to the point where I want season 3 to premier yesterday.

Season 1 of either Futurama or The Simpsons were never considered their best work. Disenchantment does not meet this high mark just yet. Jokes are funny but they are often rather safe and lacks some cleverness. The main characters are well acted by the young talent but Princess Bean, Luci, and Elfo come off as very one note. The Planet Express crew and The Simpson family are well defined characters but these shows had time. While I enjoy the show as a huge fan of Matt Groening, Disenchantment needs time and some thoughtful writing that made Futurama a fan favorite.