IMDb-BEWERTUNG
5,9/10
2355
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo strangers who both happen to be in marketing, share a room at a bed-and-breakfast when a snowstorm strands their flight in Montana on Christmas Eve.Two strangers who both happen to be in marketing, share a room at a bed-and-breakfast when a snowstorm strands their flight in Montana on Christmas Eve.Two strangers who both happen to be in marketing, share a room at a bed-and-breakfast when a snowstorm strands their flight in Montana on Christmas Eve.
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I will give this movie credit for having maybe one of the most horrible breakups ever, making Stephanie "homeless".
I would also say that the story premise was somewhat unusual except that Hallmark had the exact same premise the same year as this movie. Still those are the only two movies I've seen with it out of hundreds I've watched.
But beyond the premise, the story was not good. And the dialogue was also bad. I especially hated the heart to heart conversations each of the leads had with the innkeepers. And in the first 1/3rd of the movie, Stephanie was so annoying, crabby, and rude, that I wanted to shut off the movie. Her behavior ran deeper than just a bad breakup. Then suddenly she was empathetic and caring.
Mayim Bialik has so much experience but in this movie she delivered her lines like an amateur. It looked like she was trying too hard. Ryan McPartlin was better but there was still no chemistry between them and certainly no reason for him to do what he did. Reginald VelJohnson and Jo Marie Payton were also bad. Again it was like they were trying too hard. Perhaps it was the direction that made it look the same for all of them.
I would also say that the story premise was somewhat unusual except that Hallmark had the exact same premise the same year as this movie. Still those are the only two movies I've seen with it out of hundreds I've watched.
But beyond the premise, the story was not good. And the dialogue was also bad. I especially hated the heart to heart conversations each of the leads had with the innkeepers. And in the first 1/3rd of the movie, Stephanie was so annoying, crabby, and rude, that I wanted to shut off the movie. Her behavior ran deeper than just a bad breakup. Then suddenly she was empathetic and caring.
Mayim Bialik has so much experience but in this movie she delivered her lines like an amateur. It looked like she was trying too hard. Ryan McPartlin was better but there was still no chemistry between them and certainly no reason for him to do what he did. Reginald VelJohnson and Jo Marie Payton were also bad. Again it was like they were trying too hard. Perhaps it was the direction that made it look the same for all of them.
Delightful romantic Christmas movie with Mayim Bialik and Ryan McPartlin making the most of a formulaic plot. The story here has Mayim's character dumped by her boyfriend right before she's supposed to move in with him, while Ryan is about to propose to his girlfriend for all the wrong reasons. Fate (in the form of a vaguely Santa-esque Brian Doyle Murray) brings the two together as they try to make it to their respective destinations for Christmas. Familiar TV movie tropes follow: winter weather grounds all flights, couple is forced to share a room, couple gets advice from older married couple that has been together for centuries, and so on. As I said, it's pretty formulaic in most respects but what makes it work so well is the chemistry and likability of the leads. Yes, that's right, Blossom and Captain Awesome actually have great chemistry. Who knew?
Major points for whoever cast Mayim Bialik in the lead. She doesn't look or act like the female leads in these things usually look and act. I'm not someone who typically cries foul about diversity in TV and movies but I will admit it's nice to see a leading lady who isn't your standard size four perky WASP. Ryan, yes, is a little more of the norm for these things (though he does an exceptionally good job being more than just the 'hunky prize'). The highlight of the movie for many will be the reunion of Reginald VelJohnson and Jo Marie Payton, the loving parents from Family Matters. They play the older couple that I mentioned before and steal every scene they're in. If there's no other reason you might check this out, you should for them. Children of the '90s get their nostalgia's worth in this one, with Blossom and the Winslows representing well.
If you enjoy made-for-TV Christmas movies, I see no reason you won't like this one. It's got heart and humor and (surprisingly) well-written characters. That it was made for Lifetime and not the king of Christmas movies, Hallmark, is all the more impressive. Glad to see Lifetime can make more than misandric thrillers and cheesy soaps.
Major points for whoever cast Mayim Bialik in the lead. She doesn't look or act like the female leads in these things usually look and act. I'm not someone who typically cries foul about diversity in TV and movies but I will admit it's nice to see a leading lady who isn't your standard size four perky WASP. Ryan, yes, is a little more of the norm for these things (though he does an exceptionally good job being more than just the 'hunky prize'). The highlight of the movie for many will be the reunion of Reginald VelJohnson and Jo Marie Payton, the loving parents from Family Matters. They play the older couple that I mentioned before and steal every scene they're in. If there's no other reason you might check this out, you should for them. Children of the '90s get their nostalgia's worth in this one, with Blossom and the Winslows representing well.
If you enjoy made-for-TV Christmas movies, I see no reason you won't like this one. It's got heart and humor and (surprisingly) well-written characters. That it was made for Lifetime and not the king of Christmas movies, Hallmark, is all the more impressive. Glad to see Lifetime can make more than misandric thrillers and cheesy soaps.
The writers came up with a different and believable plot, good actors who sell their characters, and a story that unfold with growth by both would-be lovers. Snow usbreal and decoration believable. We'll done.
I've seen lots of people complain about this movie, about Mayim Bialik being too rude, sarcastic, ugly or prickly or whatever, but I love it. Women don't have to be blonde, optimistic and bubbly. This movie has a snarky and sarcastic female lead, and it really works. Sure, if you want the stereotypical christmas romance, this movie might not be for you. And if you can't deal with a woman being strong and sarcastic and maybe slightly awkward, feel free to skip this one. If a woman has to look a certain way to be a female lead, well I'm just sorry for you. Go and choose another movie. And maybe reexamine your life choices. Or go out and meet some real women. Merry Christmas, y'all. Merry Christmas.
Terrible over acting and horrendously cheesey. The two main characters have no chemistry whatsoever. Bad casting here. Didn't make it to the end but am sure I could guess girl gets the guy blah blah blah!
Wusstest du schon
- WissenswertesAt the end of the movie, just before the credits start to roll, a dedication appears: "Dedicated to the love and artistic vision of Barry Eugene Bialik (1942 - 2015)" Barry Bialik was Mayim Bialik's father. He died, aged 72, in April 2015, the year that the film was released.
- PatzerAt the beginning of the movie, the mother removes hot Christmas cookies from the oven using oven mitts, but the cookies come out already frosted.
- Zitate
Stephanie Michelle Hunt: Of course I can book a cross-country flight the day before Christmas Eve, with less than a day's notice. It's called "power of positive thinking."
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By what name was The Flight Before Christmas (2015) officially released in Canada in English?
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